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2003

Music

Percussion

Articles 1 - 9 of 9

Full-Text Articles in Arts and Humanities

Christopher Keniley, Percussion, And Karli Oblak, Percussion, Music Department Dec 2003

Christopher Keniley, Percussion, And Karli Oblak, Percussion, Music Department

Senior and Graduate Recitals

This senior recital from December 11, 2003 featured Christopher Keniley (percussion) and Karli Oblak (percussion) with W. David Hobbs (piano).

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Christopher Keniley, Percussion, Karli Oblak, Percussion, Music Department Dec 2003

Christopher Keniley, Percussion, Karli Oblak, Percussion, Music Department

Junior Recitals

This recital from December 11, 2003 features Christopher Keniley (percussion) and Karli Oblak (percussion) with W. David Hobbs (piano).

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Tyrone Garner, Percussion, Brent Rathgeb, Euphonium, Music Department Nov 2003

Tyrone Garner, Percussion, Brent Rathgeb, Euphonium, Music Department

General and Sophomore Recitals

This student recital from November 11, 2003 features Tyrone Garner (percussion) and Brent Rathgeb (euphonium) assisted by Susan Teicher (piano) with Chris Dickey (euphonium), Jeffrey Finley (euphonium), Tony Gross (euphonium), Allan Horney (euphonium), Justin Hunt (euphonium), Andy Messerli (euphonium), Nathan Rawley (euphonium), and Lindsey White (conductor).

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Robert Elston, Percussion, Music Department Apr 2003

Robert Elston, Percussion, Music Department

General and Sophomore Recitals

This sophomore recital from April 28, 2003 features Robert Elston (percussion) with Jennifer Dietz (flute), J. Andrew Jackson (tenor), Peter Pacini (trombone), and Susan Teicher (piano).

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Jason Blohm, Percussion, Music Department Apr 2003

Jason Blohm, Percussion, Music Department

Senior and Graduate Recitals

This senior recital from April 3, 2003 featured Jason Blohm (percussion) with Terence Mayhue (percussion), Adam Smith (percussion), and Adam Walton (percussion).

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Adam Smith, Percussion, Adam Walton, Percussion, Music Department Mar 2003

Adam Smith, Percussion, Adam Walton, Percussion, Music Department

Junior Recitals

This junior recital from March 29, 2003 features Adam Smith (percussion) and Adam Walton (percussion).

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Karli Oblak, Percussion, Music Department Mar 2003

Karli Oblak, Percussion, Music Department

Junior Recitals

This junior recital from March 6, 2003 features Karli Oblak (percussion).

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The Role Of Turkish Percussion In The History And Development Of The Orchestral Percussion Section, D. Doran Bugg Jan 2003

The Role Of Turkish Percussion In The History And Development Of The Orchestral Percussion Section, D. Doran Bugg

LSU Major Papers

The fascination of eighteenth century Western composers with the Eastern percussion instruments of the Turks was the impetus behind the initial use of percussion instruments in the orchestra. Consequently, the era beginning in the late eighteenth-century when percussion instruments were first included deserves reexamination. The objectives of this monograph include the examination of the manner in which composers first utilized Turkish percussion (excluding kettledrums) in the orchestra. This study then investigates the subsequent history of these instruments and manner in which composers utilized them, leading to their recognition as musical instruments in their own right. The findings of this study …

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Developing A Four-Mallet Marimba Technique Featuring The Alternation Of Mallets In Each Hand For Linear Passages And The Application Of This Technique To Transcriptions Of Selected Keyboard Works By J.S. Bach, Thomas Allen Zirkle Jan 2003

Developing A Four-Mallet Marimba Technique Featuring The Alternation Of Mallets In Each Hand For Linear Passages And The Application Of This Technique To Transcriptions Of Selected Keyboard Works By J.S. Bach, Thomas Allen Zirkle

LSU Doctoral Dissertations

The goal of this study is to develop a four-mallet marimba technique that utilizes alternation within each hand on linear passages, then apply this technique to selected keyboard works of J. S. Bach. This paper provides a method of training the hands for this type of alternation and will hypothesize a conception of hand positions as a method of facing the visual/spatial logistics issues of marimba performance. A performance annotation chapter will then apply the alternation sticking, and its resultant positional concepts, to three new transcriptions of J. S. Bach's inventions and a prelude and fugue from his Well-Tempered Clavier …

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