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Full-Text Articles in Arts and Humanities
Was The "Well-Tempered Clavier" Performable On A Fretted Clavichord?, Richard Loucks
Was The "Well-Tempered Clavier" Performable On A Fretted Clavichord?, Richard Loucks
Performance Practice Review
Analysis of the Wohltemperirtes Clavier shows that some of the fretting schemes for clavichords used in Bach's time permit performance of the work with approximately 179 voice-leading conflicts, of which five are difficult to perform and two impossible.
"Bach's Continuo Group: Players And Practices In His Vocal Works." By Laurence Dreyfus, Patrick Rogers
"Bach's Continuo Group: Players And Practices In His Vocal Works." By Laurence Dreyfus, Patrick Rogers
Performance Practice Review
Rogers discusses and reviews Dreyfus' 1987 book.
"Bach Interpretation: Articulation Marks In Primary Sources Of J. S. Bach." By John Butt, Kimberly Marshall
"Bach Interpretation: Articulation Marks In Primary Sources Of J. S. Bach." By John Butt, Kimberly Marshall
Performance Practice Review
Marshall discusses and reviews Butt's1990 book.
Was The "Well-Tempered Clavier" Performable On A Fretted Clivichord?, Richard Loucks
Was The "Well-Tempered Clavier" Performable On A Fretted Clivichord?, Richard Loucks
Performance Practice Review
Analysis of the Wohltemperirtes Clavier shows that some of the fretting schemes for clavichords used in Bach's time permit performance of the work with approximately 179 voice-leading conflicts, of which five are difficult to perform and two impossible.