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Full-Text Articles in Arts and Humanities
Was The "Well-Tempered Clavier" Performable On A Fretted Clavichord?, Richard Loucks
Was The "Well-Tempered Clavier" Performable On A Fretted Clavichord?, Richard Loucks
Performance Practice Review
Analysis of the Wohltemperirtes Clavier shows that some of the fretting schemes for clavichords used in Bach's time permit performance of the work with approximately 179 voice-leading conflicts, of which five are difficult to perform and two impossible.
"Bach's Continuo Group: Players And Practices In His Vocal Works." By Laurence Dreyfus, Patrick Rogers
"Bach's Continuo Group: Players And Practices In His Vocal Works." By Laurence Dreyfus, Patrick Rogers
Performance Practice Review
Rogers discusses and reviews Dreyfus' 1987 book.
Was The "Well-Tempered Clavier" Performable On A Fretted Clivichord?, Richard Loucks
Was The "Well-Tempered Clavier" Performable On A Fretted Clivichord?, Richard Loucks
Performance Practice Review
Analysis of the Wohltemperirtes Clavier shows that some of the fretting schemes for clavichords used in Bach's time permit performance of the work with approximately 179 voice-leading conflicts, of which five are difficult to perform and two impossible.
Some Observations Concerning Baroque And Modern Vibrato, Frederick Kent Gable
Some Observations Concerning Baroque And Modern Vibrato, Frederick Kent Gable
Performance Practice Review
Supports a narrow and ornamentally used vibrato in Baroque music, and the basic conclusions of Greta Moens-Haenen in Das Vibrato in der Musik des Barock (RILM 88-8038), adding personal observations and comparisons of present performance styles. Emphasizes solo and ensemble vocal vibrato and violin vibrato. Disputes the pro-vibrato views of Robert Donington (RILM 82-1459) and Frederick Neumann (RILM 91-3698).