Arts and Humanities Commons^™

Effects Of Music As A Conditioned Stimulus And Progressive Muscle Relaxation In Reducing Anxiety, Marie Elaine Clarkson

Masters Theses

The primary purpose of this study was to determine whether music could become a conditioned stimulus for lowered muscle tension and/or reduced anxiety.

There were three groups: (1) the PMR group receiving PMR alone, (2) the MUS group receiving music alone, and (3) the PMRM group receiving PMR followed by music. After four training sessions, a posttest was conducted in which all of the groups were given five minutes to relax. The PMR group had silence, the MUS group had music and the PMRM group had music which had previously been heard after relaxation training. Tension and anxiety reduction were …

Rose, Lily, Spring For Chamber Orchestra, Thomas M. Bourcier

Masters Theses

The compositional use of Guillaume de Machaut's rondeau Rose, liz, printemps (Rose, lily, spring) is intended to be a modern reflection of the social, religious, and political trends of fourteenth century Europe.

While the thirteenth century witnessed the perfecting of a universal philosophy that reconciled revelation and reason, the divine and the human, the religious and the political in one unbroken and harmonious order of thought, the fourteenth century perceived each arena of thought as independent in itself and not subject to the others.

Similarly, through isolation and independent use of Machaut's melodic and rhythmic motives in composition for chamber …

Catch Of The Day, For Symphony Orchestra, Angela Lynne Jones

Masters Theses

In "Catch of the Day," the music is centered by a time-line, a feature of African ritualistic music. West African ritualistic music is often performed by large drum ensembles, each playing a different rhythm. In order to stay together properly, each musician listens to a time-line, or a rhythmic pattern which beats out the basic rhythm and keeps time for the whole group. The time-line also has special significance because it is heard even when it is not actually played. While the time-line is used to define the rhythm, the most important element in ritualistic music is the text, which …

Concerto For Oboe And Orchestra, Roseane Yampolschi

Masters Theses

In one movement, the "Concerto for Oboe and Orchestra" is divided into five sections and a cadenza. It proposes to question the classical predominance of the solo instrument over the orchestra. A thoughtful distribution and diversification of roles performed by the soloist and the orchestra offers, as an alternative, a balanced interplay between these two protagonists.

Sections A and B supply material used in the other sections. Their main parameters are the predominance of some pitch intervals and the simultaneous use of different rhythmic organizations forming distinct textures. Section C stands quite freely from sections A and B for its …