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Articles 1 - 15 of 15
Full-Text Articles in Arts and Humanities
Pax Yearbook 1968, Subiaco Abbey And Academy
Pax Yearbook 1968, Subiaco Abbey And Academy
The Pax, 1927; 1946-2020
Yearbook of Subiaco Abbey and Academy for the 1967-1968 school year.
Subiaco Guide 1968, Subiaco Abbey And Academy
Subiaco Guide 1968, Subiaco Abbey And Academy
The Subiaco Guide, 1902-1992
Course catalog and directory for Subiaco Academy, entitled "The Subiaco Guide," for the 1968-1969 school year.
An Historical Study Of The Solo Concerto Cadenza, Toni Christine Rydman
An Historical Study Of The Solo Concerto Cadenza, Toni Christine Rydman
All Master's Theses
The study of the solo concerto cadenza is one that encompasses the areas of performance, history and theory. Even though the cadenza occupies a small place in the total music literature, it is a sort of microcosm of music. It would be impossible to make a study of the cadenza without completely understanding the concerto and related forms of music. An historical study such as this can lead to deeper understanding of the music to be performed.
Religious Music Among The Jews, Walter E. Buszin
Religious Music Among The Jews, Walter E. Buszin
Concordia Theological Monthly
"Where were you ... when the morning stars sang together and all the sons of God shouted for joy?" With these words God challenged Job, who is referred to at times as the patron saint of musicians. God's words to Job serve to remind the Old Testament reader that already earlier, in prehistoric times, worship and song had been used together to glorify and extol the Creator. Ancient peoples, including Egyptians, Greeks, Romans, and a veritable host of early generations of mankind, recognized that the primary function of music is to honor and worship the Deity. Africans, Asiatics, Mongolians, Europeans, …
The Periscope, 1966-1968
The Periscope, 1921-2020
Bound volume of the Subiaco Academy newspaper entitled The Periscope, September 1966 to June 1968
73rd Annual Spring Concert; 73rd Annual Convocation, Sherwood Music School
73rd Annual Spring Concert; 73rd Annual Convocation, Sherwood Music School
Commencement Programs
Programs for the Sherwood Music School 73rd Annual Spring Concert at Orchestra Hall (220 South Michigan Avenue) on May 23, 1968 and the Convocation ceremony at The Kungsholm (100 East Ontario Street) on June 18, 1968.
Recital Report, Douglas C. Brenchley
Recital Report, Douglas C. Brenchley
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
In selecting the compositions to be presented in this graduate recital, several important factors had to be considered. First, this candidate felt that it was very important to include a variety of music in the recital; songs and arias from different eras of history, performed in their original languages, including French, German, Italian and English. Representative composers had to be selected, allowing the candidate to sing music worthy of a graduate recital. This music also had to include those qualities which would tax the candidate's ability as an educator and performer; rhythm, style, range, interpretation and technique--all of these qualities …
Beethoven’S An Die Ferne Geliebte, Paul R. Piersall
Beethoven’S An Die Ferne Geliebte, Paul R. Piersall
All Master's Theses
Beethoven has often been accused of writing vocal music which exceeds some normal limitations of the voice. Such unfortunate accusations result in many singers avoiding his vocal music. Through means of historical evidence presented in this paper, through an examination of An die ferne Geliebte and its performance, the writer hopes to dispel some of this misunderstanding of Beethoven's vocal music.
The Abbey Message, 1966-1968
The Abbey Message, 1940-2021
Bound volume of the Abbey Message publication, produced by Subiaco Abbey, May 1966 to April 1968.
Arts Festival 1968, Taylor University
Arts Festival 1968, Taylor University
Fine Arts Festival
The program of the Fine Arts Festival of Taylor University, April 17-22, 1968.
A History Of The Violin Étude To About 1800 Volume I, K. Marie Stolba
A History Of The Violin Étude To About 1800 Volume I, K. Marie Stolba
Fort Hays Studies Series
The purpose of this study is to investigate and ascertain the history and development of the étude as a specific form of didactic literature for the violin. All influential factors, both non-musical and musical, are considered; in a study of this type, however, more space is devoted to the musical than to the non-musical elements. This being the case, an investigation of instructional materials for the violin comprises the major portion of this writing. The period covered is form 1523 to around 1800.
An Original Composition For Chorus Missa Brevis, Robert Austin Barbey
An Original Composition For Chorus Missa Brevis, Robert Austin Barbey
All Master's Theses
In the composition of this Mass the composer was faced with several alternatives in the selection of a suitable musical style. These choices were narrowed to include (1) "traditional" or "romantic"; (2) "pop"; or "jazz"; (3) "folk-mass"; or (4) avant garde. The ultimate choice was a synthesis, consisting of devices from fourteenth century music, and elements of contemporary style.
Interview No. 572, Voices From The Past
Interview No. 572, Voices From The Past
Combined Interviews
25 tapes containing recordings of various political, entertainment and religious personalities.
Luther The Musician, Charles L. Hill
Luther The Musician, Charles L. Hill
Honors Theses
The chief contributions of Martin Luther to Western civilization are in the fields of theology and religious reform; but his influence upon, and even his direct contributions to, the development of music also are of considerable importance. Luther has established a place for himself in history as "the great German religious reformer who began the Protestant Reformation" (Brit., 436), but his abilities as a musician are often overlooked. That Luther had a great love for music is clear from a letter which he sent to Ludwig Senfl, the court musician at Munich, on October 4, 1530, in which he says: …
Effects Of Music Backgrounds On Silent Reading Test Results Of Sixth Grade Students, Delbert Ray Rydquist
Effects Of Music Backgrounds On Silent Reading Test Results Of Sixth Grade Students, Delbert Ray Rydquist
University of the Pacific Theses and Dissertations
It was the purpose of this study to analyze the effect that three backgrounds had on the silent reading achievement test results of sixth grade students. No music, soothing instrumental music, and stimulating instrumental music were used.