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Bolshevism And The Avant-Garde: Marxist Ideology And The Aesthetics Of Soviet Film, 1923-28, Garrett H. Booker

History Theses & Dissertations

When Eisenstein's Strike burst onto the cultural scene in 1925, Soviet cinema began a creative odyssey that left to posterity a brilliant collection of films that redefined the manner in which audiences viewed them. Not only was the form of these films dynamic and innovative, but their content captured the heroic actions of a new historical subject, the revolutionary proletariat. As the Soviet State assumed control over the production of films, politics imprinted its indelible mark on the content of these films, especially as Stalin tightened his grip over all aspects of artistic life. The author of this project will …