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Articles 1 - 8 of 8
Full-Text Articles in Arts and Humanities
Geschichte Der Kleinen Maria, Maria Teresa Ledóchowska
Geschichte Der Kleinen Maria, Maria Teresa Ledóchowska
Prose Fiction
No abstract provided.
Marias Täubchen - Play, Maria Teresa Ledóchowska
Juan Vadillo Family History, Juan Vadillo
Juan Vadillo Family History, Juan Vadillo
Your Family in History: HIST 550/700
Juan Vadillo was born on December 24, 1987 to Jose Juan Vadillo and Maria Lavastida in a small town on the outskirts of Mexico D.F. named San Jose Huilango. This was an especially difficult labor due to the proximity to the holidays and the relative lack of hospitals and medical professionals. On Christmas Eve Maria went in to labor and had to be rushed to the nearest hospital but was unable to find a reliable mode of transportation. Instead her and her husband, walked to the home of a midwife who lived a few minutes away. At approximately three in …
Shame, Marie Corelli, And The "New Woman" In Fin-De-Siecle Britain Fin-De-Siecle Britain, Sharon Crozier-De Rosa
Shame, Marie Corelli, And The "New Woman" In Fin-De-Siecle Britain Fin-De-Siecle Britain, Sharon Crozier-De Rosa
Faculty of Law, Humanities and the Arts - Papers (Archive)
Phenomenally popular fin-de-siecle celebrity Marie Carelli, in her fictional and nonfictional writing, repeatedly affirmed that the era's iconic New Woman represented not the promise but the threat of "modernity." Modernity, as represented by the New Woman, did not extend the civilizing process. Rather, it jeopardized it. By challenging rules of behavior that were integral to the civilized state, the New Woman threatened a return to a previous state of barbarianism. Indeed, by refusing to allow a proper feeling of womanly shame to regulate her thoughts and actions, this icon of modernity seemed to counter Norbert Elias's understanding of the symbiotic …
Juba’S “Black Face” / Lady Delacour’S “Mask”: Plotting Domesticity In Maria Edgeworth’S Belinda, Sharon Smith
Juba’S “Black Face” / Lady Delacour’S “Mask”: Plotting Domesticity In Maria Edgeworth’S Belinda, Sharon Smith
English Faculty Publications
In Belinda (1801), Maria Edgeworth forges parallel subplots between Juba, a former African slave residing in England, and Lady Delacour, a wealthy and dissipated London socialite, both of whom undergo a process of domestication during the course of the novel. The connection Edgeworth creates between these characters allows her to explore a version of womanhood that promotes domesticity by negotiating the boundary between domestic and public life; at the same time, however, it reveals the anxieties surrounding this understanding of womanhood. Edgeworth’s novel configures Lady Delacour as a plotting woman who bridges the public/private divide, revealing domesticity to be as …
O Gloriosa Virginem, Francis Schneider S.M.
O Gloriosa Virginem, Francis Schneider S.M.
Musical Compositions about the Marianist Charism
In praise of Mary
Marias Täubchen - Story, Maria Teresa Ledóchowska
Marienkultus In Den Missionsländern Afrikas, Maria Teresa Ledóchowska
Marienkultus In Den Missionsländern Afrikas, Maria Teresa Ledóchowska
Essays
No abstract provided.