Arts and Humanities Commons^™

A Contextual Analysis Of Solo Bass Clarinet Music By Irish Composers, Marcella Barz

Research Theses

The investigation of the emergence of solo bass clarinet music in Ireland evolved out of my experience learning Irish contemporary bass clarinet music with Dr Paul Roe. The intention was to discover why there had not been any solo bass clarinet music in Ireland prior to 2000, as well as to determine which events influenced the creation of the repertoire.

Data from interviews was vital to understanding how the bass clarinet repertoire in Ireland has steadily grown since 2000 and a search through The Irish Times archives provided information about bass clarinet activity in Ireland. A list of solo bass …

Idiom Type Identification With Smoothed Lexical Features And A Maximum Margin Classifier, Giancarlo Salton, Robert J. Ross, John D. Kelleher

Conference papers

In our work we address limitations in the state-of-the-art in idiom type identification. We investigate different approaches for a lexical fixedness metric, a component of the state-of-the-art model. We also show that our Machine Learning based approach to the idiom type identification task achieves an F1-score of 0.85, an improvement of 11 points over the state-of-the-art.

Key Inference From Irish Traditional Music Scores And Recordings, Pierre Beauguitte, Bryan Duggan, John D. Kelleher

Conference papers

The aim of this paper is to present techniques and results for identifying the key of Irish traditional music melodies, or tunes. Several corpora are used, consisting of both symbolic and audio representations. Monophonic and heterophonic recordings are present in the audio datasets. Some particularities of Irish traditional music are discussed, notably its modal nature. New key-profiles are defined, that are better suited to Irish music.

“Young Men Of Erin, Our Dead Are Calling”: Death, Immortality And The Otherworld In Modern Irish Republican Ballads, Seán Ó Cadhla

Articles

Irish physical-force Republicanism has long been noted for its tendency to promote the tropes of martyrdom and immortality as core tenets of its ideological belief system. This essay sets out to examine the genre of Republican death ballads so as to identify how such essentialist concepts are represented and promoted within the attendant song tradition. Particular attention will be paid to works that deploy overtly supernatural tropes in order to articulate the key Republican concept of heroic immortality. The present research will demonstrate the consistency with which such narrative devices have been retained within the Republican song tradition into the …

Princess Grace Library Monaco – Thomas Moore, Drawing Room Entertainer Or Rebel Songster?, Una Hunt

Conference papers

The poet of all circles and the idol of his own…

The words of Lord Byron, inscribed on the tall Celtic cross erected on Thomas Moore’s grave, in Bromham churchyard, one hundred years ago. Thomas Moore wrote a biography of Byron, his close friend, and Byron adored the Irish Melodies. He told Moore ‘I have them by heart … they are my matins and my vespers.’ Although he moved easily in privileged circles, Moore was also genuinely loved by the people of Ireland where he was described as ‘the true hearted Irishman.’

Ten volumes of Irish Melodies totalling 124 songs, …

The Evolution Of The Radio Éireann Symphony Orchestra 1926–1954, Patrick Joseph Kehoe

Doctoral

2RN, later to be re-named Radio Éireann, the Dublin-based Irish state broadcasting station, was established in 1926, and in that year it engaged five string players and a pianist to constitute the ‘Station Orchestra’. This chamber ensemble was incrementally enlarged over the following years by the recruitment of additional string players together with brass, woodwind and percussion. The ‘Orchestra’ performed a wide range of different kinds of music and was augmented to provide broadcasts of symphony concerts. In the late 1940s it was decided to bring the Orchestra up to symphonic strength, to devote it solely to art music, and …

Flute Music Of Luigi Zaninelli, Luigi Zaninelli, Julie M. Maisel, Catherina Lemoni-O'Doherty, John Hearne

Music recordings

Dedication inside front cover of the CD

"This recording has been a labour of love and a long journey which has finally come to fruition. It all began with an idea that developed into a doctoral dissertation The Flute Music of Luigi Zaninelli, which has now, many years later, culminated with this CD.

Heartfelt thanks to:

Jiggery Pokery Productions (Laoise O'Brien and Ben Rawlins); my wonderful colleagues who graciously agreed to participate in this project; Sandford Parish Church for the use of their beautiful facilities; and my husband, family, friends, and teachers who have supported me throughout this journey and …

A Portfolio Of Compositions, Anne-Marie O'Farrell

Research Theses

The works in the attached portfolio address a number of compositional focal points: to bring together diverse strands of musical influence into sustained musical argument, across various large-scale media; to enlarge and explore the musical language of the harp, including the lever harp; and to integrate received materials into new music so as to create a different context while acknowledging musical inheritance. These combine with the exploration of inherent instrumental colour within my approaches to rhythm, harmony, melodic transformation, structure and the use of text to demonstrate the development of my compositional style during my PhD study. The commentary opens …

Dit Conservatory Of Music And Drama Past And Present: A Celebration Of 30 Years Of The Bachelor Of Music Performance Degree In Dit, Technological University Dublin

Concert Programmes

Tonight we celebrate the success of the last three decades by connecting our Conservatory alumni and current students through what we do best. The music you will hear has been chosen specially for this evening and in many cases has a special meaning or memory for the groups/alumni involved. We are tremendously grateful to our alumni performing this evening: to the eleven featured soloists who represent many different eras of the last 30 years and who immediately said yes when we called, to the alumni who are performing tonight in our ensembles alongside our current students and staff, and to …

Accretion And Acrylics: Composition Portfolio With Commentary, Patrick Egan

Doctoral

This portfolio consists of nine compositions and an accompanying commentary on each of the pieces. The earlier compositions represent the exploration of preoccupations with canon, counterpoint, and rhythmically-charged, pulsating mobiles. This led to the further research elements incorporating the development of rhythmic motifs and their proliferation, culminating in static sonic canvases, slowing the rate of harmonic change. Investigative research into the various gradations applied to amplitude levels, first explored in my electronic music and then applied in the form of dynamics in my acoustic writing, represents another highly-featured process in this thesis. The opening chapters chart the processes of the …

A Case Study Of The Cellists And Treatise Authors: Johann Georg Christoph Schetky (1737-1824), Joseph Reinagle (1752-1825) And John Gunn (C.1765-1823): The Development Of The Cello In Provincial Britain, Margaret Doris

Doctoral

This dissertation provides an investigation of British provincial cello playing in the lateeighteenth and early-nineteenth centuries through a comprehensive examination of the biographical histories and the pedagogical outputs of the cellists and cello treatise authors, Johann Georg Christoph Schetky (1737–1824), Joseph Reinagle (1752–1825) and John Gunn (c.1765–1823). Through re-evaluation and analysis of the biographical profiles of Schetky, Reinagle and Gunn, in combination with a contextual review of their cello treatises, a provincial trend in British cello treatise authorship has been revealed. Schetky was principal cellist with the Edinburgh Musical Society [EMS], whilst Reinagle was principal cellist of the Oxford Musical …

Gender Counts: An Analysis Of Gender In Irish Theatre 2006-15, Brenda Donohue, Ciara O'Dowd, Tanya Dean, Ciara Murphy, Kathleen Cawley, Kate Harris

Books/Book Chapters

In 2016, thanks to support from The Arts Council / An Chomhairle Ealaíon, #WakingTheFeminists commissioned groundbreaking research into the gender balance in Irish theatre. Here are the results.

The research was conducted by a team of six researchers led by Dr. Brenda Donohue, in collaboration with Irish Theatre Institute and the Centre for Drama, Theatre and Performance at NUI Galway. Their work looks at key creative roles in ten of the top Arts Council-funded theatre organisations in the country over a ten year period from 2006-15

"Then To Death Walked, Softly Smiling": Violence And Martyrdom In Modern Irish Republican Ballads, Seán Ó Cadhla

Articles

This article critically considers the representation of death within the song tradition of modern Irish Republicanism. I explore how such representations have changed in parallel with the various ideological metamorphoses that Irish Republicanism has undergone, specifically in the twentieth century. I argue that the centrality of self-sacrifice has resulted in the development of ballad narratives that deliberately obfuscate on the issue of Republican violence, resulting in the deaths of all Republican militants (regardless of cause or context), ultimately portrayed as a form of heroic self-martyrdom.

San alt seo, déantar anailís chriticiúil ar léiriú an bháis i dtraidisiún amhránaíocht Phoblachtach na …

The Aepem Collection: A Set Of Annotated Traditional French Music Scores, Pierre Beauguitte

Conference papers

The aim of this paper is to present the AEPEM collection, consisting of more than five thousand scores of French traditional melodies. The original material and the digitized collection are described. A short statistical analysis is performed to compare this collection to existing ones in terms of melodic profiles.