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Full-Text Articles in Arts and Humanities

I Will Not Wear A Muzzle, Tiarra L. Riggins Nov 2015

I Will Not Wear A Muzzle, Tiarra L. Riggins

SURGE

Students are sent abroad to “become sensitive leaders in our changing world,” states the Gettysburg College Center for Global Education’s mission statement. We are asked to “foster global thinking and to instill a compassionate respect for others and our world.” Many students use this time to explore their true selves with hopes of not having to think too deeply about the life that they’ve left behind. [excerpt]


The Literary Significance Of Herman Melville’S Benito Cereno: An Analytical Reflection On Benito Cereno As A Fictional Narrative, Dani Kaiser Oct 2015

The Literary Significance Of Herman Melville’S Benito Cereno: An Analytical Reflection On Benito Cereno As A Fictional Narrative, Dani Kaiser

4997 English: Capstone

In Herman Melville’s Benito Cereno (1855), Captain Amasa Delano discovers a distressed slave ship in need of aid, only to later find out that his perception of the dire situation was completely incorrect. Melville’s novella is derived from Delano’s nonfiction account of the experience, titled Narrative of Voyages and Travels in the Northern and Southern Hemispheres (1817). This paper focuses on three questions that demonstrate why Melville wrote a novella almost completely derived from a nonfiction account of the events aboard the ship. In order to understand why Melville’s novella is powerful, one must ask, as an overarching question why …


Who Can Afford To Improvise? James Baldwin And Black Music, The Lyric And The Listeners [Table Of Contents], Ed Pavlic Oct 2015

Who Can Afford To Improvise? James Baldwin And Black Music, The Lyric And The Listeners [Table Of Contents], Ed Pavlic

Literature

More than a quarter-century after his death, James Baldwin remains an unparalleled figure in American literature and African American cultural politics. In Who Can Afford to Improvise? Ed Pavlić offers an unconventional, lyrical, and accessible meditation on the life, writings, and legacy of James Baldwin and their relationship to the lyric tradition in black music, from gospel and blues to jazz and R&B. Based on unprecedented access to private correspondence, unpublished manuscripts and attuned to a musically inclined poet’s skill in close listening, Who Can Afford to Improvise? frames a new narrative of James Baldwin’s work and life.

The route …


Trauma Of The Heart: Augmenting The Family Paradigm To Stem The Spread Of Hiv/Aids And To Facilitate Healing And Recovery In The Wake Of Hiv/Aids, Gibson Danjuma May 2015

Trauma Of The Heart: Augmenting The Family Paradigm To Stem The Spread Of Hiv/Aids And To Facilitate Healing And Recovery In The Wake Of Hiv/Aids, Gibson Danjuma

CTS Faculty Publications and Creative Activity

This article briefly reflects on the HIV/AIDS epidemic in the African American community. The article suggests an alternative paradigm that views the high-risk behaviors that contribute to the spread of the virus as a reaction to ‘trauma of the heart’ as opposed to viewing the epidemic solely in terms of a lack of HIV and sexually transmitted disease awareness. It further suggests a pastoral intervention of expanding the paradigm of family beyond the classical nuclear construct to family as a system of individuals committed to embracing and ‘adopting’ individuals who have experienced trauma of the heart. This augmented understanding of …


Assessing Reconstruction: Did The South Undergo Revolutionary Change?, Lauren H. Sobotka Apr 2015

Assessing Reconstruction: Did The South Undergo Revolutionary Change?, Lauren H. Sobotka

Student Publications

With the end of the Civil War, came a number of unanswered questions Reconstruction would attempt to answer for the South. While the South underwent economic, political and social changes for a short period, old traditions continued to persist resulting in racist sentiment.


Magic City Gospel, Ashley M. Jones Mar 2015

Magic City Gospel, Ashley M. Jones

FIU Electronic Theses and Dissertations

Magic City Gospel is a collection of poems that explores themes of race and identity with a special focus on racism in the American South. Many of the poems deal directly with the author’s upbringing in Birmingham, Alabama, the Magic City, and the ways in which the history of that geographical place informs the present. Magic City Gospel confronts race and identity through pop culture, history, and the author’s personal experiences as a black, Alabama-born woman. Magic City Gospel is, in part, influenced by the biting, but softly rendered truth and historical commentary of Lucille Clifton, the laid-back and inventive …


"Town Of God": Ota Benga, The Batetela Boys, And The Promise Of Black America, Karen Sotiropoulos Mar 2015

"Town Of God": Ota Benga, The Batetela Boys, And The Promise Of Black America, Karen Sotiropoulos

History Faculty Publications

No abstract provided.


Link Racial Past To The Present, Jill Ogline Titus Feb 2015

Link Racial Past To The Present, Jill Ogline Titus

Civil War Institute Faculty Publications

Americans have been putting a great deal of energy into commemorating the 50th anniversary of some of the key moments of the civil rights movement. This burst of memorialization has inspired one new museum in Atlanta and the redesign of another in Memphis. The Smithsonian and Library of Congress are launching a new oral-history initiative, and films like Selma bring the movement to life for those who rarely read a history book or visit a museum.

This year brings more anniversaries: the Selma-to-Montgomery March, the passage of the Voting Rights Act, and the Watts rebellion. And the commemorative stakes are …


African Americans Speak To Spectacle Lynchings, Mary Beth Mathews Jan 2015

African Americans Speak To Spectacle Lynchings, Mary Beth Mathews

Classics, Philosophy, and Religion Articles

Donald Mathews’s “The Southern Rite of Human Sacrifice” both describes southern lynching as a lived interpretation of Christianity and claims a role for the religious study of lynching. Relying largely on historiography, Mathews contends that white southerners created this religion and ignored obvious parallels between lynched black men and the death of Jesus on the cross. But missing from this and other interpretations is a key voice: that of contemporary black evangelical pastors.