Arts and Humanities Commons^™

Deconstructed Gender Norms In Princess Mononoke, Karen Olowu '14

2013 Fall Semester

I’ve loved anime ever since I was a little kid. I remember staying up late every Friday night to watch Toonami with my older brother. However as I’ve grown up, I’ve begun to resent the one sided femininity displayed by the majority of female anime characters. Anime is notorious for its stereotypical portrayal of female characters. Girls are usually naive and wide eyed, rushing stupidly into trouble only for the brave hero to pull them out of it. My frustration with carbon copy female heroines had gotten to the point that I considered putting my love for anime to rest. …

Summer Of Shrew, Part 4: Which End’S Up?, Daniel Pollack-Pelzner

Faculty Publications

In the last of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner explores how expanding the range of the titular Shrew to include male characters is actually a return to its original meaning. Pollack-Pelzner focuses on a long-forgotten Renaissance sequel to Shrew (John Fletcher's The Tamer Tamed) that takes the taming of men even further and turns its gender roles upside down.

Summer Of Shrew, Part 2: Tamed? Really?, Daniel Pollack-Pelzner

Faculty Publications

In the second of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner argues that Shakespeare’s play raises challenging questions about the way we define gender roles, and the answers aren’t as obvious as they might seem.

Summer Of Shrew, Part 1: A Tale Of Two Cities, Daniel Pollack-Pelzner

Faculty Publications

In the first of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner introduces two high-concept professional productions of the play — one in Ashland, Oregon at the Oregon Shakespeare Festival, and one in Portland, Oregon at the Portland Shakespeare Project.

A Bull Market For Moll Flanders: A Female Capitalizing On The Changing Economic Climate Of Eighteenth Century London, Sarah Damewood

Honors Program Theses and Projects

No abstract provided.

Whitewashing Blackface Minstrelsy In Nineteenth-Century England: Female Banjo Players In 'Punch', Laura Vorachek

English Faculty Publications

Blackface minstrelsy, popular in England since its introduction in 1836, reached its apogee in 1882 when the Prince of Wales took banjo lessons from James Bohee, an African-American performer. The result, according to musicologist Derek Scott, was a craze for the banjo among men of the middle classes. However, a close look at the periodical press, and the highly influential Punch in particular, indicates that the fad extended to women as well. While blackface minstrelsy was considered a wholesome entertainment in Victorian England, Punch's depiction of female banjo players highlights English unease with this practice in a way that male …

He Said, She Said: The Boy’S Own Paper And The Girl’S Own Paper, Jacqueline Boratyn

4710 English Undergraduate Research: Children’s Literature

This essay, “He Said, She Said: The Boy’s Own Paper and The Girl’s Own Paper,” analyzes the difference in newspapers geared toward children of the nineteenth century. Gender roles were prominent in England, where the newspapers were in print, and it was quite evident not only by their appearance but their content that girls and boys had two very different expectations in life. As women were expected to get an education and grow up quickly with their newly-found “power,” men were instead challenged to stay young and continue to explore life. In closing, this essay will examine The Girl’s …

The Black And The White Bride: Dualism, Gender, And Bodies In European Fairy Tales, Jeana Jorgensen

Scholarship and Professional Work - LAS

Fairy tales are one of the most important folklore genres in Western culture, spanning literary and oral cultures, folk and elite cultures, and print and mass media forms. As Jack Zipes observes: ‘The cultural evolution of the fairy tale is closely bound historically to all kinds of storytelling and different civilizing processes that have undergirded the formation of nation-states.’¹⁴³ Studying fairy tales thus opens a window onto European history and cultures, ideologies, and aesthetics.

Ida Pfeiffer In China: Examining The Suppression Of Gender Roles In The Face Of European Colonial Superiority, Alec Down

Library Research Grants

No abstract provided.

Underneath Her Pantsuit: A Reflection On Hanna Rosin's The End Of Men, Aziza Ahmed

Faculty Scholarship

In her book, The End of Men, ¹ Hanna Rosin argues that women have “surpassed” men. This new reality necessitates a reevaluation of marriage, family, sex, and gender roles.² To further her claim, Rosin dedicates a chapter of her book to the topic of violence committed by women. She argues that women are becoming more violent³ :

The new [trope] taps into a fear that as they gain more power, women will use violence and their new specialized skills to get what they want. Singular and exotic though these cases may be, they raise the broader unsettling possibility …