Arts and Humanities Commons^™

Dear Elsa: 10 Letters + 10 Experiments, Amanda Madden

Theses and Dissertations

Dear Elsa: 10 Letters + 10 Experiments is a short form personal experimental documentary in which filmmaker Amanda Madden attempts to embody and communicate with the ghost of the radical poet, model, performance artist, sculptor, and time traveler, Baroness Elsa von Freytag-Loringhoven (1874–1927) about living and creating as a womxn artist.

Spectacle, Spectatorship, And A New Reading Of The Nine Heroes Tapestries, Katherine L. Rachlin

Theses and Dissertations

This theatrical and performative interpretation of The Nine Heroes tapestries (1390–1410) argues for their connection to civic spectacles, courtly rituals, and enactments of the Nine Worthies in medieval performance traditions such as entry ceremonies. Consideration is given to the tapestries’ materiality, mediality, and their visceral impact on viewers.

The Performativity Of Indigenous Protest: Vernon Bellecourt And The First Encounters Exhibition, Robert Olive Little Jackson

Theses and Dissertations

At the Science Museum in St. Paul, Minnesota, Vernon Bellecourt of the American Indian Movement came to protest the arrival of the First Encounters: Spanish Explorations in the Caribbean and the United States: 1492-1570. To Bellecourt, the false narrative of Indigenous peoples represented the reality of the Columbus narrative that all indigenous peoples suffer from today. The gestures that Bellecourt engaged in during his protest performed an historic and powerful interconnected narrative. Bellecourt meant to perform an Indigenous cultural narrative of his own over that established Columbian narrative.

This paper will locate First Encounters within a long tradition of interrelated …

Surrogate Memories In Animation And Sound, Jared Duesterhaus

Theses and Dissertations

A document in support of my exploration into memory in relation to the mediums of animation, sound, and theater. A reflection on remembering as a creative act.

I Hope My Black Skin Don't Dirt This White Tuxedo, Luis A. Vasquez La Roche

Theses and Dissertations

I Hope My Black Skin Don't Dirt This White Tuxedo is a series of works--sculpture, installations, and performances--that explore themes of shame, failure, commodity, ephemerality, ritual, resilience, erasure, race, and death. The research and interest in these themes stem from a page of the Trinidad and Tobago Slave Registry. I use the research that surrounds this document to highlight different moments in history, in my personal life, and to imagine near futures.

Ghost Signs Are More Than Paintings On Brick, Eric Anthony Berdis

Theses and Dissertations

My work embraces a maximalist aesthetic that incorporates, archival research, personal secrets, and pubescent gay boy glamour. I seek to create a stimulating yet jarring experience, while building a world that is both familiar and inherently strange to the viewer. Thrift store cast-offs, hobbyist craft supplies, and saturated drawings are reassembled into a cast of characters and costumes that balance on the line between ghosts, creatures, and friends. While we often think of costume and even art installations as meant to cover bodies and walls, my work tends to reveal more than conceal. I aspire through this work to shine …