Arts and Humanities Commons^™

An Existentialist Approach To Teaching Writing: Anguish, Bad Faith, And Seriousness In Composition, Andreas Peter Herzog

Theses and Dissertations

This dissertation aims at developing a model concept for the teaching of ethics in the composition classroom through the use of existentialism in the writings of Jean-Paul Sartre. Overall, the gap I am trying to fill with my dissertation is a lack of awareness of how much Sartre actually fits rhetorical theory and composition. Ultimately, this dissertation is the attempt to develop an ethic that is universally applicable in the teaching of composition, without the need for a service learning environment or additional resources outside the university itself. To provide an overview of the project, the approach will be illustrated …

Guitar Suite, Stephanie Boyer

Theses and Dissertations

Guitar Suite is a two movement piece composed for solo guitar. In addition to the guitar suite, an orchestral arrangement of its second movement, "Dance of the Fields," concludes this thesis, presenting the same melody in various textures.

How Do We Teach All Students In Monolingual Classrooms? A Study Of Transfer And Translingualism, Norma Denae Dibrell

Theses and Dissertations

I take the work of Lorimer and Nowacek in “Transfer and Translingualism,” as a starting point to address these questions. In “Transfer and Translingualism” they argue that transfer and translingualism “both index movement among contexts, practices, or meaning” while “neither suggests a neutral carrying over of knowledge from one context or language to another” (260) and thus acknowledge prior knowledge and prior experience. Lorimer and Nowacek call for transfer researchers to look at language diversity “beyond recognition of difference to the matrices of power that regulate that difference” and to ask questions about how to measure transfer (261-262). Consequently, in …

“As The Occasion Demands”: Constraint-Based Practice In Rhetoric And Composition, Erica Kerstin Fischer

Theses and Dissertations

In their 2010 Composition Studies article, Laurie Gries and Collin Brooke observe, “constrained writing has been underappreciated” in the composition classroom (21). Taking seriously the potential value of constraints in pedagogical practice, this project executes a cross-disciplinary examination (drawing from design theory, experimental poetry, literary theory, composition, and rhetorical theory) of the various occurrences of, and approaches to, constraints and their influences on the ways we think and write. This investigation reveals that constraints create the conditions under which students can become productively defamiliarized to their thinking and writing habits, encouraging them to encounter alternatives otherwise left unnoticed.

I suggest …

The Leap In Place: Rethinking Key Concepts In The History Of Composition And The Return Of Lore., David Stubblefield

Theses and Dissertations

This dissertation attempts to affirm a key set of practical terms in order to guide Composition Pedagogy. These terms include error, language, voice, teacher neutrality, and rationality. In recent years, many of these terms have been discredited theoretically; however, they remain dominant in textbooks and in our actual teaching practice. The result has been a significant divide between theory and practice, resulting in a cognitive dissonance between our classroom activities and our scholarly activity. However, by presenting each of these terms as dynamic and performative, this dissertation invites the field to find productive practical possibilities inside of them. Moreover, the …