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Volume 53, Number 12 (December 1935), James Francis Cooke
Volume 53, Number 12 (December 1935), James Francis Cooke
The Etude Magazine: 1883-1957
Let Nothing Discourage You (interview with Lotte Lehmann)
So, This is the Hurdy-Gurdy!
Bach Fugue Simplified
Soul-Light
Music: The Magic Carpet of Radio
Why Every Child Should Have a Musical Training
Where Does American Musical Composition Stand?
Fiddle Box of Memories (interview with Sam Franko)
Counting the Group
One Way to Enjoy Music
Music Teachers' National Association Convention of 1935
Music of the New Day (interview with Mana-Zucca)
Christmas Prayer
Boston Symphony Orchestra: Its Origin, History and Activities
How Famous Composers Break all the Rules (interview with William Strasser)
Voice of Experience Inspects the Hammond Organ
Honesty in Piano Study …
Volume 43, Number 07 (July 1925), James Francis Cooke
Volume 43, Number 07 (July 1925), James Francis Cooke
The Etude Magazine: 1883-1957
Era of Great Orchestral Conductors in America
Gottschalk Bit His Nails
Everlasting Fight for Good Music
Those Fourth and Fifth Fingers
First Steps in Memorizing
Use of the Pedals
Feel the Rhythm
What is Thematic Development?
Another Way to Memorize
Practice of Arpeggios
Felix Le Couppey
Tempest, A Musical Play
Help to Acquire a Brilliant Technic
Contagious Short Motive
Von Buelow and His Vidow
Can I Learn to Conduct?: Practical Hints on Conducting Orchestras and Choruses
Four Charming Pupils' Recitals
Protect Your Friends From This Monstrous Musical Swindle
True-False Examination in Music
Miss Blank's Method
When to Leave a Teacher
Volume 24, Number 08 (August 1906), Winton J. Baltzell
Volume 24, Number 08 (August 1906), Winton J. Baltzell
The Etude Magazine: 1883-1957
Exercises for the Sight Reading Class
Reminiscences of Celebrated Singers (interview with Giovanni Sbriglia)
Significance of Bach to Modern Music
Public Taste in Music as Shown by Summer Orchestra Programs
Teaching of the Minor Scales
Bach Awakening
Aphorisms from the Manuscript of the Late C.H. Richter
Story of Johann and Joseph Strauss
Pupils' Rhythmical Problems
Volume 23, Number 08 (August 1905), Winton J. Baltzell
Volume 23, Number 08 (August 1905), Winton J. Baltzell
The Etude Magazine: 1883-1957
Practicable Promotion of Music in Small Places
Christian Sinding
Women in Music
Hans Christian Andersen and Music
Criticism of Popular Music
Should the Teacher of Music Give Free Lessons!
Summer Days in the Newberry Library, Chicago
Franz Schubert and His Coffee Mill
Lesson in Composition
Gaining Endurance
Practical Ideas Applied to the Teaching of Children
Volume 23, Number 07 (July 1905), Winton J. Baltzell
Volume 23, Number 07 (July 1905), Winton J. Baltzell
The Etude Magazine: 1883-1957
Study of Musical Conditions in the Southern States
Sir Edward Elgar
Practical Application of the Rudiments of Harmony to the Study of the Piano
Interpretation of Music Upon the Piano
Influence of the Music Teacher Upon the Pupil
On the Essence of the Beautiful in Piano-Playing
Volume 21, Number 08 (August 1903), Winton J. Baltzell
Volume 21, Number 08 (August 1903), Winton J. Baltzell
The Etude Magazine: 1883-1957
Centers for Music Study in Southern Germany: Munich, Bayreuth and the Wagner Festivals
Attitude of a Modern Would-be Virtuoso
Country Teacher's Need of Versatility
As One to Another: The Story of a Song
Private and Class Work: A Lesson to Teachers
Esthetics of Modern Music
Exercises to Promote Artistic Pedaling
What Method Do You Use?
Music and the Married Mistress of the Home
Volume 19, Number 05 (May 1901), Winton J. Baltzell
Volume 19, Number 05 (May 1901), Winton J. Baltzell
The Etude Magazine: 1883-1957
When Should Expression be Taught?
Touch and Tone
Raising the Standard of Musical Culture
Verdi's Advice
Emulation as a Factor in the Private Teacher's Work
Acquiring the Method of a Teacher Quickly
Liberation
Choosing a Music Teacher
Study in Concentration
Loose Use of the Term Technic
Composer's Individuality
Success Maxims
Teaching in Schools
Advice to Young Teachers
Cost of a Technic and How to Reduce It
Unconscious Combativeness
Teachers, Old and Young
Fingering and Its Evolution
Harmonics on the Piano
Art of Listening
Mr. David Bispham on the Study of the English Song
Two Classes of Music Lovers
Volume 18, Number 07 (July 1900), Winton J. Baltzell
Volume 18, Number 07 (July 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Artist and the Machine
Dr. William Mason's Memoires
Tale of a Would-Be Musician
Whims and Fancies of Celebrated Musicians
Sir George Grove and Schubert
How of It
Early Composers and Copyrights of this Country
Collateral Summer Reading for Musicians
Educational Value of Program Music
Some Selected Quotes for Singers from Musical Mosaics
Patti's Advice to Singers
Adventures of a Musician
Hints to Play Triplets and Chords
Curious Discovery of a Genius
Advice to the Student of Harmony: Original Work
Saint-Saens and the Phonograph
Fashions in Pianos
Volume 17, Number 05 (May 1899), Winton J. Baltzell
Volume 17, Number 05 (May 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Music and the American Public
American Virtuoso
American Composers
American as Musical Theorist
American Students
Foundations of Musical America
American Impatience
Americans in Musical Literature
Development of the Military Band in the United States
American Musical Instruments
Music Trades of America
Progress of the Middle West in Musical Art
Will American Composition Ever Possess a Distinctive Accent?
American Girl's Temperament in Relation to Music Study
Music Teaching in America and Abroad
Relation Between Pupil and Teacher
Musical Convention of New England: With a Backward Glance by the More Primitive Efforts for the Cause of Music
Musical Outlook for Women
American …
Volume 16, Number 06 (June 1898), Winton J. Baltzell
Volume 16, Number 06 (June 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
Persistency
Broader Musicianship Needed
Do Teachers Teach?
Music a Moral Force
Listening to Music
Repose
Musical Amateur
American Musician
Something for Nothing
Those Wicked Musicians
How is Art to Survive?
Improvement of the Musical Condition of America
Pronunciation of Russian Names
Josef Hofmann
Mendelssohniana
Advantages for Music Students in Various European Centers
How to Make Music Studios Attractive
Give Yourself Royally
Music and the Intellect
Teaching, a Business
Two Distinct Classes of Pupils
The Technical Terms of Harmony
Music Makes Character
Chapter on Arpeggios
Rhythmic Practice
Principles of Musical Pedagogy: Letters to a Young Music Teacher
Music and Manners
Art …
Volume 16, Number 05 (May 1898), Winton J. Baltzell
Volume 16, Number 05 (May 1898), Winton J. Baltzell
The Etude Magazine: 1883-1957
Social Status of the Musician
Enthusiasm
Thirteen Mistakes
Poor Old Blind Tom
Letters to Dead Musicians—Frederic Chopin
Wonderful Orchestra
Modern Musical Machines
Study of Pieces
Reed Organ
Boon for Composers
Need of Higher Education for Musicians
Some Hindrances to Fellowship Among Musicians
What is Meant by Playing with Expression?
Ability and Amiability: Two Important Factors in Teaching
What Made Me a Musician
Proper Age for Beginning the Study of Music
Preparing for a Pupil's Recital
Manners, Morals, and Music
Advantages for Music Students in the Various Music Centers
Chapter on Scales
Nature's Music
How to Make Music Studios Attractive
Beautiful …
Volume 15, Number 05 (May 1897), Winton J. Baltzell
Volume 15, Number 05 (May 1897), Winton J. Baltzell
The Etude Magazine: 1883-1957
Points in Music Teaching
Music Education
Play with Brains
Pianoforte Study: Hints on Piano Playing
Massage as a Means for Developing Suppleness in the Fingers
Music for Piano Students
Like unto a Magnet
Rubinstein's Thoughts
My Fellow-Students
Music Cure Again
Appogiaturas and Passing Notes
Mozart's Journey from Vienna to Prague: A Romance of His Private Life
Death of Brahms
Wasted Efforts
Good Advice for Composers
Hypocrisy in Music
Modern Music, or Feed for Thought
Ruskin on Music
Value of an Objective Point
Art of Playing Accompaniments
Use of Slow Piano Practice
Find Your Proper Niche
Vehicle of Music
Volume 10, Number 06 (June 1892), Theodore Presser
Volume 10, Number 06 (June 1892), Theodore Presser
The Etude Magazine: 1883-1957
Manuscript Music Society of Philadelphia
Two Views of the Music Teaching Profession
Change in Style
Classic Versus Modern Composers for the Pianoforte
Preparation for Teaching
Way and the Work
Legato Touch
How to Listen to a Fugue
Fugue
Music versus Public School Duties
What is Music Teaching?
In What Manner May Parents Assist Music Teachers in the Performance of Their Duties?
How Can One's Progress Be Determined?
Mason's Principle of Velocity and Arm Touches
Memorizing Music
Volume 08, Number 07 (July 1890), Theodore Presser
Volume 08, Number 07 (July 1890), Theodore Presser
The Etude Magazine: 1883-1957
Importance of Summer Reading for Musicians During Vacation
Audiences from the Standpoint of the Pianist
Shall We Study at Home or Abroad?
Where to Study Music
Amateur and Professional Music Teachers
Closed Eyes
Is Half an Hour Sufficient for a Private Lesson?
Genius, Chapter 2
Method of Study
Concerning Summer Schools
Mental Means to Mechanical Ends in Pianoforte Playing
Pianoforte Tone-Production
Modern Pianters
What Was the Musical Accent
Expect Better Playing
Volume 07, Number 07 (July 1889), Theodore Presser
Volume 07, Number 07 (July 1889), Theodore Presser
The Etude Magazine: 1883-1957
Eugene Thayer
Brief Hints at Odd Times
Clara E. Thoms Closes the New York State Convention with a Brilliant Piano Recital
Drift of Modern Piano Teaching
Old Proverbs
Chopin and Other Musical Essays
Sources of Skill in Musical Performance
Philosophy of the Beautiful
On Teaching and Teaching Reforms
Volume 07, Number 06 (June 1889), Theodore Presser
Volume 07, Number 06 (June 1889), Theodore Presser
The Etude Magazine: 1883-1957
Karl Merz
How Some Girls Study Music
Too Much Concerto
Place of Arm Motions in Elementary Piano Playing
Philosophy of the Beautiful
Oscar Raif's Method
What to Study in Piano Playing
Brief Hints at Odd Times
Song-Accompaniments
Wilson G. Smith's Piano Compositions
Adjectives in Music: Pretty, Nice, Just Lovely, Etc.
Class Teaching Once More
Volume 06, Number 07 (July 1888), Theodore Presser
Volume 06, Number 07 (July 1888), Theodore Presser
The Etude Magazine: 1883-1957
Festival Concerts
Piano-Forte Accompaniments
La Fileuse—Raff
Gossip About Masters, Old and Young
One-Armed Pianist
Piano Teaching
Modern Methods of Teaching
Neglect of Ear Training in Current Musical Education
Concerning Beauty of Tone
If You Want to Study Music, Study Music
Musical Notation and Terminology
Plan of Study
Volume 06, Number 06 (June 1888), Theodore Presser
Volume 06, Number 06 (June 1888), Theodore Presser
The Etude Magazine: 1883-1957
Brotherhood's Technicon and Elementary Piano Teaching
Consecutive Fifths
A.D. Turner (Obit.)
Historical Pianoforte Recitals
On the Importance of Theoretical Studies to the Pianist
On the Use of Studies in Piano Teaching
Deppe Method Again
Missing Lessons
Rainbow Reference Cards
New Piano Effects
Musical Normals
Piano Teaching
Volume 05, Number 08 (August 1887), Theodore Presser
Volume 05, Number 08 (August 1887), Theodore Presser
The Etude Magazine: 1883-1957
Elementary Piano Instructions
How Much Shall I Practice?
Manumoneon
Expression in Piano-Playing
Wanted—A Better School of Musical Criticism
Volume 04, Number 01 (January 1886), Theodore Presser
Volume 04, Number 01 (January 1886), Theodore Presser
The Etude Magazine: 1883-1957
Habit of Syncopating
Coming Meeting
Nature and Art
Articulation
Accentual Treatment of Exercises as Applied to Piano-Forte Exercises
Value of Mechanical Apparatus for Cultivation of Technic
Technical Treatment of the Piano-Forte
History of Fingering
Technic, and the Use of Mechanical Appliances for Its Development
Origin of the Tarantella
Wohltemperirte Klavier
Progressive Teacher
Faith, Hope and Charity, Sonnet
Gradual Development of the Science of Tuning Pianos
Musical Taste
Volume 04, Number 12 (December 1886), Theodore Presser
Volume 04, Number 12 (December 1886), Theodore Presser
The Etude Magazine: 1883-1957
Some Wholesome Truths for Teachers
Concerning the Pure Minor Scale
Study Music Itself
How to Use the Pedal
Young People's History of Music: The First Ten Centuries of Christian Music
Necessity of Studying Harmony
Teacher's Duty
Pianism and Poetry
Ann Arbor School of Music
Mental Processes in Musical Execution
Psychology Applied to Teachers
Touch
Of the Proper Utilization of Practice Time
Preparation for Piano Teaching
Is it Necessary That a Piano-Forte Teacher Should Be a Good Player?
Wanted in the Musical Profession, More Brains and Better Morals
Christmas Presents
How to Be Intelligent
Appeal to the Music Teachers of the …
Volume 03, Number 07 (July 1885), Theodore Presser
Volume 03, Number 07 (July 1885), Theodore Presser
The Etude Magazine: 1883-1957
Expectations Sure to be Disappointed
Imaginary Pilgrimage to Beethoven
Many Students of the Piano and Few Players: Letter Addressed to the Father of a Piano Pupil
Too Much Independence
Volume 02, Number 09 (September 1884), Theodore Presser
Volume 02, Number 09 (September 1884), Theodore Presser
The Etude Magazine: 1883-1957
On the Use of the Pedal
Course in Harmony
Graded List of Popular Music
Contributors
Chats with Pupils on What is it to be Musical?
Artist Concerts in Colleges, Etc.
How to Use the Metronome
Not a Musical Critic
Shall Lessons Missed Not Be Paid For?
John Field and His Habits
Piano Technic: The Formation of the Hand
Oberlin Conservatory of Music
How to Proceed in the Lesson Hour
Crossness
Some Commonplaces of Piano-Forte Teaching: The Pedal
Growth of Piano Playing
Volume 02, Number 08 (August 1884), Theodore Presser
Volume 02, Number 08 (August 1884), Theodore Presser
The Etude Magazine: 1883-1957
As Thy Days So Shall Thy Strength Be
How to Employ Vacation Time
Details
Symphony of Life
Gospel of Simplicity: A Short Sermon on a Musical Text
Main Principle of Fingering
Old and New Schools of Piano Playing
How to Study—How to Teach
Personal Appearance of Geniuses