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Full-Text Articles in Arts and Humanities

Whose Voice The Waters Heard: A Short Story Cycle, Grace E. Hagan Apr 2017

Whose Voice The Waters Heard: A Short Story Cycle, Grace E. Hagan

Honors Theses

Abstract In this collection of short stories, each short story is a unique exploration of the powerful and often enigmatic concept of loss. The common unity for the collection presents itself in two parts: place and theme. Characters of all ages, from all walks of life, go to the river to have their voices heard and to grieve a particular form of loss. The collection takes a dynamic and expansive view on loss, and each short story reflects a different idea or experience of loss. It seeks to examine not only what can be lost, but also what can and …


Young Adult Fiction: Inside The Mirror Image, Paige Christin Flannelly Apr 2017

Young Adult Fiction: Inside The Mirror Image, Paige Christin Flannelly

Honors Theses

Identity and image-of-self are concepts intertwined throughout the pages of Young Adult Fiction Literature. Characters in Young Adult Fiction interact with their surroundings and as a result form an identity based on these interactions. Research has shown how young adults respond to the feedback of their surroundings whether embodied by other characters or their environment. The way in which identity and the image characters see in the mirror are formed is directly related to the interactions characters experience in their daily lives. Interactions with landscapes, peers, illness, grief, and parents are the specific interactions discussed in this thesis. The novels …


Ambiguous Pleasure(Ers): Negotiating The Bodies Of Falstaff And Moll, Lauren Van Atta Apr 2017

Ambiguous Pleasure(Ers): Negotiating The Bodies Of Falstaff And Moll, Lauren Van Atta

Honors Theses

The British Early Modern Period was a time of shifting social ideologies where class as well as gender were mapped onto bodies and embedded in the very material conditions of life. But class and gender were not discreet categories with dichotomous definitions like ‘male’ and ‘female’, or ‘nobility’ and ‘peasant’. They had many inbetweens, and the theater was perhaps the most glaring inbetween of all. The theater necessarily complicates definitions and ways of viewing bodies as no body is what they seem. And at the heart of these ambiguous identities lay the fat body. It is consumptive, it is transgressive, …


Aiscrima E Checchi Italian-American Dialect And Development In The New Millennium, Elizabeth Loyacano Pedrotti Apr 2017

Aiscrima E Checchi Italian-American Dialect And Development In The New Millennium, Elizabeth Loyacano Pedrotti

Honors Theses

The Italian-American identity is inextricably linked with language. Italian immigrants and their descendants have formed a culture in the United states with a dynamic history, particularly when it comes to language use and perceptions. This study examined multigenerational Italian Americans’ perceptions of English, Italian, and the unique Italian-American dialect; it aimed to discover changes in the usage of Italian-American dialect over time. Italian Americans in the Dayton area were interviewed and presented with surveys to gather both quantitative and qualitative data. Results indicate that while overall usage and recognition of Italian-American lexical items has decreased dramatically since the 1980s, younger …


Challenging The Postwar Narrative: The Art And Agenda Of Boris Lurie, Kiersten Signe Remster Apr 2017

Challenging The Postwar Narrative: The Art And Agenda Of Boris Lurie, Kiersten Signe Remster

Honors Theses

Art history is shaped, studied, and taught based on narratives, artistic movements, and the biographies of celebrated artists. While contributing to an understanding of prevalent traditions and artists working in those traditions, these narratives are also constructions of inclusion and exclusion that establish art historical placement for certain artists while relegating others to historical obscurity. It is clear what happens to the critical fortunes of artists who are placed within these narratives. Yet what happens to the artists who do not fit within any of the categories established by these constructions? Are they then to be understood as simply minor …