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Reconstructing The Present/Past: Antimodernism And Early Film Reenactments, Alex W. Bordino

Doctoral Dissertations

This dissertation examines the cultural history surrounding early film reenactments and elucidates their relationship with modernity. Beginning in the 1890s, motion pictures became part of modern unreality. In a world that seemed increasingly more abstracted from reality, antimodernism emerged in a variety of sectors as a quest toward authenticity. Early film reenactments, despite being ancillary fabrications of real events, aligned with this antimodern sensibility, which would ultimately, and somewhat paradoxically, inform modern culture. The motion picture’s appearance of reality at a cultural moment of modern disillusion, or in some cases outright discontent, formulated a simulated version of reality distinct from …