Arts and Humanities Commons^™

A Female Pharaoh And The Emperor’S Wife: Hatshepsut, Julia Domna, And Female Authority In Antiquity, Gabriella E. Ramalho

Dissertations, Theses, and Capstone Projects

This thesis analyzes how historical notions of masculinity and femininity shaped perceptions of power between the Egyptian female pharaoh Hatshepsut and Roman empress Julia Domna. Both rulers carefully created visual narratives of masculinity and femininity to leverage respect from their citizens, in accordance with what was contextually appropriate for their respective societies.

It will be shown that there are blatant disconnects between how others perceived them and how they wished to be portrayed. Hatshepsut, a rare female pharaoh, depicted herself in the regalia of a male king with a false ceremonial beard, scepters and crowns. Domna was described as the …

What Rome Really Adopted From Ancient Greece, Christian J. Vella

Dissertations, Theses, and Capstone Projects

The Roman conquest of the Greek city-states and the appropriation of many aspects of its culture, especially architecture and art, is well known. But what of the many great philosophies that began in the various city-states of Ancient Greece? This piece is made in attempt to answer this question. The scope of these sources will start with the beginning of the Western Philosophical Tradition, with Thales of Miletus and the Milesian, all the way up to, but not including, the foundation of the Christian Philosophical Tradition. After the year 146 BC if a philosopher is born in a Greek-City state, …

Buying Time: Consuming Urban Pasts In Nineteenth-Century Britain, Dory Agazarian

Dissertations, Theses, and Capstone Projects

This dissertation is about how historical narratives developed in the context of a modern marketplace in nineteenth-century Britain. In particular, it explores British historicism through urban space with a focus on Rome and London. Both cities were invested with complex political, religious and cultural meanings central to the British imagination. These were favorite tourist destinations and the subjects of popular and professional history writing. Both cities operated as palimpsests, offering a variety of histories to be “tried on” across the span of time. In Rome, British consumers struggled when traditional histories were problematized by emerging scholarship and archaeology. In London, …

Vim Parat: Patterns Of Sexualized Violence, Victim-Blaming, And Sororophobia In Ovid, Melissa Marturano

Dissertations, Theses, and Capstone Projects

My dissertation argues for the importance of understanding the depiction of sexualized violence and rape in the Roman poet Ovid’s extensive corpus through the modern feminist concepts of victim-blaming (blaming victims of sexual abuse for their own abuse) and sororophobia (female figures participating in misogyny). It explores sexualized violence and rape in Ovid long-form, examines the discernible patterns that emerge and the deviations from them as he depicts that violence throughout his texts, and more importantly, introduces victim-blaming and sororophobia into an analysis of these patterns. Despite the fact that previous scholars have done substantial analyses of the patterns of …

The Needed Man: The Evolution, Abandonment, And Resurrection Of The Roman Dictatorship, Mark B. Wilson

Dissertations, Theses, and Capstone Projects

Despite being an integral institution of the Roman state, employed frequently and routinely from the Republic’s earliest crises to the last days of the climactic fight with Hannibal, the Roman dictatorship is profoundly misunderstood. Perplexed by the idea of the Roman Republic—a state born out of the rejection of the preeminence of any one man—nonetheless investing the power of the state in a single unelected individual, and reacting to the anomalous first-century BCE dictatorships of Sulla and Caesar, both late-Republic historians and modern scholars have consistently described the office in ominous and fundamentally mythological terms that are largely contradicted by …

Export / Import: The Promotion Of Contemporary Italian Art In The United States, 1935–1969, Raffaele Bedarida

Dissertations, Theses, and Capstone Projects

Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process. I do not concentrate on the Italian art scene per se, or on the American reception of Italian shows. Through a transnational perspective, instead, I examine the role of art exhibitions, publications, and critical discourse aimed at American audiences. Inaugurated by the Fascist regime as a form of political propaganda, this form of cultural outreach to the United States continued after WWII as Italian museums, dealers, and critics aimed to vaunt the …