Arts and Humanities Commons^™

Review Of David Matthews, The Invention Of Middle English, Richard Utz

Medieval Institute Affiliated Faculty & Staff Publications

No abstract provided.

Marc Landes, Trumpet & Flugelhorn, Marc Landes

School of Music Graduate Recitals

• MARC LANDES, Trumpet & Flugelhorn
• assisted by THE EAST END ORCHESTRA Shawn Wallace, Saxophone Raphael Crawford, Trombone Dan Kramlich, Piano Joe Ayoub, Bass Jevin Hunter, Drums
• ORQUESTA RANURA Shawn Wallace, Saxophone Raphael Crawford, Trombone Joe Hettinga, Piano Dan Thatcher, Bass Landon Ewers, Drums Paul Spata, Conga Drums David McCormick, Auxiliary Percussion
• and Fred Knapp, Drums

Marc Landes is a candidate for the Master of Music degree majoring in jazz performance. He received his bachelor’s degree from Western Michigan University.

When Hope Unblooms: Chance And Moral Luck In The Fiction Of Thomas Hardy, Jil Larson

Center for the Study of Ethics in Society Papers

Paper presented at the Center for the Study of Ethics in Society at Western Michigan University, September 20, 2001.

Lori Sims, Piano, 9/23, College Of Fine Arts

School of Music Faculty Recitals

• LORI SIMS, Piano

Renata Artman Knific, Violin & Raymond Harvey, Piano, 9/16, College Of Fine Arts

School of Music Faculty Recitals

• RENATA ARTMAN KNIFIC, Violin
• RICH RIDENOUR, Piano
• assisted by RAYMOND HARVEY, Narrator

Gonca Huff, Cello, Gonca Huff

School of Music Graduate Recitals

• GONCA HUFF, Cello
• My-Hoa Le, Piano

Gonca Huff is a candidate for the Master of Music degree majoring in cello performance. She received her bachelor’s degree from the Ankara State Conservatory (Turkey).

36th International Congress On Medieval Studies, Medieval Institute, Western Michigan University

International Congress on Medieval Studies Archive

The printed program of the 36th International Congress on Medieval Studies (May 3-6, 2001).

The Cistercian Studies Conference, 2001, The Institute Of Cistercian Studies

Conference on Cistercian Studies Programs

Program for the 2001 Cistercian Studies Conference at Western Michigan University in conjunction with the 36th Annual International Congress on Medieval Studies. This conference happened between May 3-6 2001.

Douglass L. Phillips, Conductor, Douglas L. Phillips

School of Music Graduate Recitals

• DOUGLAS L. PHILLIPS, Conductor
• conducting the University Symphonic Band

Douglas L. Phillips is a candidate for the Master of Music degree majoring in instrumental conducting. He received his bachelor’s degree from Stetson University (DeLand, Florida).

Shawn Wallace, Alto Saxophone, Shawn Wallace

School of Music Graduate Recitals

• SHAWN WALLACE, Alto Saxophone
• assisted by Bartosz Hadala and Dan Kramlich, Piano Roger Shew and Joe Ayoub, Bass Kevin Garcia and Jevin Hunter, Drums Marc Landes, Trumpet Raphael Crawford, Trombone Darius Pimpleton, Saxophone Justin Avery, Vocals Brett Farkas, Guitar Charles Laster II and the Christian Life Center Choir

Shawn Wallace is a candidate for the Master of Music degree majoring in saxophone performance. He received his bachelor’s degree from Western Michigan University.

Jamie L. Shew, Vocals, Jamie L. Shew

School of Music Graduate Recitals

• JAMIE L. SHEW, Vocals
• assisted by Bartosz Hadala and David Proulx, Piano Brett Farkas, Guitar Dan Kramlich, Vibes Roger Shew, Bass Chris Earley and Kevin Garcia, Percussion Shawn Wallace, Tenor Saxophone Jennifer Scovell, Christina Johnson, Ben Scott, Seth Ashby, and Rob Gardner, Vocals and Elizabeth Huffman, Violin with members of the LIBERACE STRING QUARTET Christina Gaston, Violin Aleksandra Holowka, Viola Renée Goubeaux, Cello

Jamie L. Shew is a candidate for the Master of Music degree majoring in jazz performance. She received her bachelor’s degree from Washington State University.

Olga Ziabrikova, Viola, Olga Ziabrikova

School of Music Graduate Recitals

• OLGA ZIABRIKOVA, Viola
• Nikolai Choubine and Bartosz Hadala, Piano

Olga Ziabrikova is a candidate for the Master of Music degree majoring in viola performance. She received her bachelor’s degree from Astrakhan State Conservatory (Russia).

Jennifer M. Scovell, Vocals And Piano, Jennifer M. Scovell

School of Music Graduate Recitals

• JENNIFER M. SCOVELL, Vocals and Piano
• assisted by Ben Scott, Seth Ashby, Jamie Shew, Rob Gardner and Christina Johnson, Vocals Raphael Crawford, Trombone Brett Farkas, Guitar Bartosz Hadala and David Proulx, Piano Mark Ziegler and Dan Thatcher, Bass Kevin Garcia and Fred Knapp, Drums

Jennifer M. Scovell is a candidate for the Master of Music degree majoring in jazz performance. She received her bachelor’s degree from the University of Wisconsin-Green Bay.

The Ethics Of Making The Body Beautiful: Lessons From Cosmetic Surgery For A Future Of Cosmetic Genetics, Sara Goering

Center for the Study of Ethics in Society Papers

This piece was originally published in the Philosophy and Public Policy Quarterly, Spring 2001 issue (from the Maryland Institute for Philosophy and Public Policy).

Roger Shew, Double Bass, Roger Shew

School of Music Graduate Recitals

• ROGER SHEW, Double Bass
• assisted by Shawn Wallace, Tenor Saxophone Marc Landes, Trumpet Dan Kramlich and David Proulx, Piano Brett Farkas, Guitar Chris Earley and Fred Knapp, Drums

Roger Shew is a candidate for the Master of Music degree majoring in jazz studies. He received his bachelor’s degree from Washington State University.

Angie J. Rohlik, Piano, Angie J. Rohlik

School of Music Graduate Recitals

• ANGIE J. ROHLIK, Piano

Angie J. Rohlik is a candidate for the Master of Music degree majoring in piano performance. She received her bachelor’s degree from Northern Michigan University.

Travis Freshner, Trumpet, Travis Freshner

School of Music Graduate Recitals

• TRAVIS FRESHNER, Trumpet
• Helen Lukan, Piano
• assisted by Wendy Wheeler, Soprano Tabitha Phelps, Horn Ben Kadow, Trombone Miriam Esper, Narrator

Travis Freshner is a candidate for the Master of Music degree majoring in trumpet performance. He received his bachelor’s degree from the University of Oregon.

Jae Chung, Guitar, Jae Chung

School of Music Graduate Recitals

• JAE CHUNG, Guitar
• assisted by Shawn Wallace, Flute and Alto Saxophone Roger Shew, Bass Ben Ball, Drums Kevin Garcia, Percussion

Jae Chung is a candidate for the Master of Music degree majoring in jazz studies. He received his bachelor’s degree from the University of Toronto.

Tim Williams, Tuba, Tim Williams

School of Music Graduate Recitals

• TIM WILLIAMS, Tuba
• Helen Lukan, Piano

Tim Williams is a candidate for the Master of Music degree majoring in tuba performance. He received his bachelor’s degree from Western Michigan University.

Michelle Milliken, Soprano, Michelle Milliken

School of Music Graduate Recitals

• MICHELLE M. MILLIKEN, Soprano
• Gunta Laukmane, Piano

Michelle M. Milliken is a candidate for the Master of Music degree majoring in vocal performance. She received her bachelor’s degree from Albion College (Michigan).

Morality And God, John Hare

Center for the Study of Ethics in Society Papers

Paper presented at the Center for the Study of Ethics in Society at Western Michigan University, January 18,2001 with the title, "Does Morality Need God?"

Earlie Braggs, Trombone, Earlie Braggs

School of Music Graduate Recitals

• EARLIE BRAGGS, Trombone
• Wenli Zhou, Piano

Earlie Braggs is a candidate for the Master of Music degree majoring in performance/jazz. He received his bachelor’s degree from Midland Lutheran College in Fremont, Nebraska.

The Merling Trio, 1/12, College Of Fine Arts

School of Music Faculty Recitals

• THE MERLING TRIO
• Renata Artman Knific, Violin
• Bruce Uchimura, Cello
• Susan Wiersma Uchimura, Piano
• assisted by Igor Fedotov, Viola

Living Temple Buddhism In Contemporary Japan: The Tendai Sect Today, Stephen G. Covell

Comparative Religion Publications

This study aims to redress the lack of serious scholarly study on Contemporary
Japanese Buddhism. using the Tendai sect as an example. The sects of Temple
Buddhism today are caught between ideal images of "real" Buddhism. which they
themselves help perpetuate through their self-legitimizing rhetoric of renunciation. and
the reality of day-to-day temple functioning. which often fails to live up to the rhetoric.
Moreover. both scholarly and popular constructions of Temple Buddhism communicate a message that Temple Buddhism is "corrupt:' This unique space occupied by the sects of Temple Buddhism provides the thematic focal point for the dissertation. while each …