Arts and Humanities Commons^™

The Day Before The Day, Marlaina Lutz

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The reason any particular moment has the potential to change the course of your life is because of the accumulation of meaningful moments that happened in between. The in between is where care happens. It’s where acts of kindness are done without witnesses and where vulnerability is met with an unconditional reception. It’s where trust is built and where our darkest and brightest parts become exposed. Can you remember what you did the day before you decided someone was your best friend? Or what you did the day before you spoke to a parent for the last time? What about …

Tea Time With The Devil, Hamish Jackson

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Tea time with the Devil

Tea Time with the Devil began with the hypothesis that I could create a diverse palette of glazes from one local material. I chose to base my experiments on a granite from Devil’s Playground in western Utah. I collected its rocks, hauled them back to USU and crushed them into powder. Each glaze contains at least 50% of the Devil’s granite. This palette resulted from much trial and error — mostly error. Between 2020 and 2023, I ran thousands of glaze tests to formulate and hone these surfaces.

Why this place and material?

The wild …

Sweet Nothing, Austin Riddle

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

These pots were made as companions for you and your home. A vase for your table, full of freshly picked flowers as you and your partner eat breakfast and plan your day's activities. Large platters and compartment trays to present home-cooked meals with friends on a warm summer evening. Whiskey sippers that nestle in warm hands, topped off as needed from a half-empty bottle of Jack Daniels.

As a maker, I play these moments on repeat in my mind. As a designer, these scenarios direct the formal elements I develop for each piece. Pushing out an exaggerated belly on a …

Artifiact, Max Saunders

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The main purpose of this body of work is to explore gestural mark making and wood kiln effects on functional and sculptural vessels. A limited number of forms, including teapots, cups and large sculptural vessels were made to explore different types of mark making and the different effects that can be achieved in the wood kiln. The end goal was a body of work that can be explored on many levels, from using the pots as functional vessels to exploring the larger work as dynamic gestural sculptures.

Waiting Room, Adam Lefebvre

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Waiting can be exasperating, but sometimes that helplessness, knowing there is nothing to do but wait, is a comfort.

I have come to understand the value of the handmade through using and living with thoughtfully crafted objects. I am attracted to goods made by people who give voice to their material. When this is done well, I slow down and pay more attention to the object and the task they are performing.

Attraction and distraction. What are the differences between objects meant to attract our attention and those meant to distract? I would much rather lead a life full …

Finding Balance, Quinn Maher

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Exhibition Statement

Finding Balance is my exploration into the relationship between form, firing, and utility.

In the studio I pay close attention the silhouette of each piece, looking for strong continuous lines in both the positive and negative space accentuating the volume created on the potter’s wheel. I spend time with each piece combing the surface to create texture and reveal the course particles below the surface. As I apply white slip to this textures surface, the high points allow the fluid slip to break and pool in recessed areas creating a layer of depth and variety. The white slip …

Wonder, Katriona Drijber

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

WONDER is an exploration of the point at which what we know and what we think we know begins to break down. I melt and erode the perfect patterns I worked hard to construct through the manipulation of kiln atmosphere, using excess carbon, wood, and soda ash. I then add ephemeral, delicate imagery of animals in china paint. These steps introduce elements of the unknown and unpredictable onto intimate objects at the core of domestic human life. By disrupting organized patterns and reintroducing the animals we share the world with, I explore the question: What is lost when we surround …

Point Of Inflection, Jonathan D. Stein

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Images of Soda Fired Clay