Arts and Humanities Commons^™

Review Of A Revolution In Canvas: The Rise Of Women Artists In Britain And France, 1760-1830, By Paris A. Spies-Gans, Gabrielle Stecher

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of Paris A. Spies-Gans, A Revolution on Canvas: The Rise of Women Artists in Britain and France, 1760-1830 by Gabrielle Stecher

Review Of Placing Charlotte Smith, Eds Elizabeth A. Dolan And Jacqueline M. Labbe, Heather Heckman-Mckenna

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of Placing Charlotte Smith edited by Elizabeth A. Dolan and Jacqueline M. Labbe, written by Heather Heckman-McKenna

Review Of Female Husbands: A Trans History, By Jen Manion, Jeremy Chow

ABO: Interactive Journal for Women in the Arts, 1640-1830

This review evaluates Jen Manion's Female Husbands: A Trans History.

Review Of The Life And Legend Of Catterina Vizzani: Sexual Identity, Science And Sensationalism In Eighteenth-Century Italy And England, By Clorinda Donato, Ula E. Lukszo Klein

ABO: Interactive Journal for Women in the Arts, 1640-1830

Review of The Life and Legend of Catterina Vizzani: Sexual Identity, Science and Sensationalism in Eighteenth-Century Italy and England, by Clorinda Donato, written by Ula Lukszo Klein. Oxford University Studies in the Enlightenment, Liverpool University Press, 2020, 347 pp., 3 b/w images. ISBN: 978-1-789-62221-8

Review Of The Novel Stage: Narrative Form From The Restoration To Jane Austen, By Marcie Frank, Kathleen E. Urda

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of Marcie Frank's The Novel Stage: Narrative Form from the Restoration to Jane Austen by Kathleen E. Urda

Negotiating Gender, Representing Landscape: Teaching Lady Anne Lindsay Barnard’S Letters, Journals And Watercolours From The Cape Colony (1797–1801), Lenka Filipova

ABO: Interactive Journal for Women in the Arts, 1640-1830

The article focuses on Lady Anne Lindsay Barnard’s letters, journals and watercolours that she produced during her stay at the Cape Colony (1797–1801). Combining a series of tasks focused on close reading of Barnard’s work and a critical discussion of the historical context, the article provides a teaching strategy to examine her work with respect to the gendered discourse of the eighteenth century, and her approach to the Cape landscape and its inhabitants which both employs and, significantly, subverts contemporaneous conventions. More specifically, the tasks draw attention to Barnard’s use of ‘the modesty topos’ and the way she uses rhetorical …

Teaching Mary Wollstonecraft's Travelogue Of Historical Trauma, Annette Hulbert

ABO: Interactive Journal for Women in the Arts, 1640-1830

Abstract: I teach Mary Wollstonecraft’s Letters Written During a Short Residence in Sweden, Norway, and Denmark (1796) in an undergraduate English literature course on “Survival Narratives of the Eighteenth Century” at the University of California, Davis. The aim of this course is to show how significant perilous voyages were to the ways in which writers in eighteenth-century Britain imagined and interpreted their world. The course draws from the burst of new scholarship on rethinking the traditional “rise of the novel” narrative in imperial, oceanic, and global contexts and develops interpretive frameworks for the eighteenth century’s changing relationship to commerce and …

Ripped From The Headlines: Teaching Lady Mary Wortley Montagu's Turkish Letters In The Context Of 21st-Century Controversies, Susan Spencer

ABO: Interactive Journal for Women in the Arts, 1640-1830

In the long shadow of 9/11 and the ongoing COVID pandemic, Lady Mary Wortley Montagu’s Turkish Embassy Letters connect with the lived experience of today’s students, especially the cluster of eight letters dated 1 April 1717. By emphasizing parallels between Montagu’s observations and the students’ own lives, The Turkish Embassy Letters can add a modern dimension to the eighteenth century in general, challenges of gender, and texts written in and about the Muslim world.

Teaching Eliza Fay's Original Letters From India (1817) Through Classroom Editing, Lacy Marschalk

ABO: Interactive Journal for Women in the Arts, 1640-1830

Travel writing is an ever-growing area of interest in eighteenth-century studies, but it can be difficult to teach. Students often find the writing dry and unrelatable, and faculty who have had little experience with travel writing in their own educations may not know which texts would prove useful to their courses. In this article, I discuss the travel narrative with which I've found the most pedagogical success, Eliza Fay's Original Letters from India (1817). Fay's initial journey to India includes a range of captivating adventures, including encounters with Marie Antoinette in Paris, bandits in Egypt, and Hyder Ali in Calicut, …

Concise Collections: Teaching British Women Travelers, Tiffany Potter

ABO: Interactive Journal for Women in the Arts, 1640-1830

No abstract provided.

Cooking Up Knowledge: Materiality, Recipes, And Jane Barker’S A Patch-Work Screen For The Ladies, Carolin Boettcher

ABO: Interactive Journal for Women in the Arts, 1640-1830

The recipes included in Jane Barker’s A Patch-Work Screen for the Ladies (1723) appear to be some of the most jarring and out-of-context inclusions in the narrative. This article explores the relationship between Barker’s novel and the form of the recipe collection in the late seventeenth and early eighteenth centuries on both a material and an epistemological level. The entanglements between recipes and the patchwork screen not only point to the processes of constructing and conveying knowledge, but also to the materiality of these processes as Galesia and the Lady build the patchwork screen. Her focus on the materiality of …

Postures After The Antique In Eighteenth-Century Portraits Of Women, Lauren K. Disalvo

ABO: Interactive Journal for Women in the Arts, 1640-1830

This paper re-examines the relationship between eighteenth-century portraiture and the antique where women adopt the postures of floating female figures from Pompeiian wall paintings in eighteenth-century portraiture. I argue that eighteenth-century floating portraits afforded their female sitters an opportunity to assert classical knowledge while adhering to typical conventions of femininity.

Taking Chardin's Kitchen Maids Seriously, Danielle Ezor

ABO: Interactive Journal for Women in the Arts, 1640-1830

Historically, Jean-Siméon Chardin’s The Kitchen Maid and Return from the Market have been characterized as austere images of middle-class virtue. However, the engravings made after these paintings include verses that place the paintings within the satirical tradition. Thus, there is a misalignment between the canonical interpretation of Chardin’s kitchen maids as virtuous and the satirical understanding of these paintings. I reconcile these two contradictory interpretations by offering a feminist reinterpretation of Chardin’s The Kitchen Maid and Return from the Market, juxtaposing the prints and their satirical verses and considering the female viewer. In my analysis, I focus on small, …

Hannah Humphrey, London’S Leading Caricature Printseller, Ersy Contogouris, Béatrice Denis

ABO: Interactive Journal for Women in the Arts, 1640-1830

Hannah Humphrey (ca. 1745-1818) was the exclusive publisher of James Gillray's (1756-1815) caricatures from 1791 until Gillray's death. His achievements were made possible in large part thanks to Humphrey and her innovative business acumen. But while Gillray has been celebrated and studied by art historians, Humphrey’s contribution to his success and to the history of graphic satire has remained unexamined. This article is a first attempt to shift the focus onto her in the story of the “golden age” of British caricature. It outlines Humphrey’s career, takes a closer look at her relationship with Gillray, and finally considers some of …

Editors' Introduction

Genocide Studies and Prevention: An International Journal

No abstract provided.

Round Table (Full Symposium): What’S Raphaël Lemkin Got To Do With Genocide Studies? A Conversation On Gender, Culture, Economics, Categorical Violence, And Colonization With Professors Sarah Federman, Dirk Moses, Max Pensky, And Scott Straus, A. Dirk Moses, Sarah Federman, Scott Straus, Max Pensky, Douglas Irvin-Erickson

Genocide Studies and Prevention: An International Journal

No abstract provided.

Table Of Contents

Genocide Studies and Prevention: An International Journal

No abstract provided.

Arts & Literature: Looking Back At The Roots Of Genocides In Ex-Belgian Africa, René Lemarchand

Genocide Studies and Prevention: An International Journal

No abstract provided.

Notas Sobre Borges, Utopía Y Ciencia Ficción Para Una Relectura De “Tlön, Uqbar, Orbis Tertius”, Alberto Del Pozo

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

El articulo resume las aproximaciones bibliograficas que se han generado dentro y fuera de la academia en torno a la relacion de Borges, la ciencia ficcion, y la idea de utopia y distopia. Refectando esas visiones entre ellas, se propone una relectura de “Tlön, Uqbar, Orbis Tertius” que vaya mas alla de una mera vision "distopica" o critica con movimientos ideologicos "totalitarios", para entatizar los elementos formales, genealogicos y de proyeccion hacia el tuturo que convierten el texto en una critica a la expansion del capitalismo en la Argentina de los años 40.

La Ciencia Ficción En América Latina. Crítica. Teoría. Historia. Silvia G. Kurlat Ares Y Ezequiel De Rosso Eds. Nueva York: Peter Lang, 2021. 396 Pp., Dale Knickerbocker

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

NA (book review)

Round Table (Part 1): The Apex Of Biographical Intellectual History, A. Dirk Moses

Genocide Studies and Prevention: An International Journal

In my brief commentary, I ask Douglas Irvin-Erickson, six years since his book appeared, about what comes next: namely, whether he thinks a new intellectual history of genocide needs transcend the assumption about its humanization of domestic and international affairs.

Round Table (Part 2): Reflections & Questions, Sarah Federman

Genocide Studies and Prevention: An International Journal

No abstract provided.

Full Issue 16.2

Genocide Studies and Prevention: An International Journal

No abstract provided.

Round Table (Part 3): The Limits Of Lemkin, Scott Straus

Genocide Studies and Prevention: An International Journal

No abstract provided.

Round Table (Part 4): The Marginal Man, Max Pensky

Genocide Studies and Prevention: An International Journal

No abstract provided.

Round Table (Part 5): What’S Raphaël Lemkin Got To Do With Genocide Studies?, Douglas Irvin-Erickson

Genocide Studies and Prevention: An International Journal

No abstract provided.

Armenian Resistance To The Hamidian Massacres, Deborah Mayersen

Genocide Studies and Prevention: An International Journal

Between 1894 and 1896, the Hamidian massacres claimed the lives of more than 100,000 Armenians in Ottoman Turkey. This article presents an exploratory analysis of Armenian resistance to the massacres. It examines the context and contours of resistance, including the strategies employed, scope and organization of resistance efforts. Evidence indicates that resistance was widespread, and Armenians adopted a diverse range of strategies in attempting self-protection. The relative powerlessness of the Armenian minority, however, meant that most attempts at resistance were overwhelmed. Additionally, resisters were often targeted for especially violent retribution. The lack of success of resistance efforts can also be …

Critique Beyond Judgment: Exploring Testimony And Truth In The Classroom, Sean Sidky

Genocide Studies and Prevention: An International Journal

This essay offers a set of strategies for utilizing the words of survivors and of witnesses to genocide in the classroom. Including the voices of survivors and victims in our classroom conversations about genocide, its impact, representation, and the possibilities for its prevention is crucial to an ethical and wholistic pedagogy of genocide. Discussion of these events in the classroom often finds us confronting questions from students about truth, historical accuracy, authenticity, and authority. Addressing such questions requires careful framing that takes into account student assumptions and cultural discourses about memory and witnessing, as we work with students to develop …

El Aviso De Los Monstruos: Biopolítica Y Modernidad Estéril En Inti Huamán O Eva Again De Efraim Castillo, Maria Jose Gutierrez Barajas

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Inti Huamán o Eva Again plantea un mundo distópico en el que, tras décadas de esterilización para garantizar el acceso a los recursos, la noticia del embarazo de la india Inti Huamán ofrece una esperanza de futuro a una humanidad abocada a la extinción. Sin embargo, las criaturas que engendra supondrán un punto de inflexión en la evolución. Publicada en 1983, aunque concebida en 1967, en este ensayo sitúo la novela en el contexto narrativo de la República Dominicana de la segunda mitad del siglo XX, y sostengo que Inti Huamán es la primera novela de ciencia ficción escrita en …

Islamic Hospitality Philosophy, Islamophobia Host-Guest Relationships, Traveler Psychographic And Archetype In The Muslims World, Jamaliah Jamil, Zulhasni A. Rahim

University of South Florida (USF) M3 Publishing

The Islamic hospitality emerged within the cultural transformation between tradition and religion context. Throughout history, the Islamic hospitality it spreads to all parts of the world together with the adoption of Islamic faith and lifestyle. Today, the it is visible to identify the Islamic hospitality in many shapes and form of social activities and also commercial industries sectors. Once of the significant form of brand of the Islamic hospitality is the halal industries, which covers food, services, tourism and more based on the increasing demand on the Muslim market. However, the negative concept of Islamophobia that are dominantly prompted by …