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Beauty, Objectification, And Transcendence: Modernist Aesthetics In The Picture Of Dorian Gray And Pale Fire, Deborah S. Mcleod

USF Tampa Graduate Theses and Dissertations

This study compares the relation between beauty, objectification, and transcendence in two novels: Oscar Wilde's early-modernist The Picture of Dorian Gray (1891) and Vladimir Nabokov's late-modernist Pale Fire (1962). Though written over half a century apart, the works feature similar critiques of the aesthete's devotion to beauty. While Wilde's novel offers an insider's view of aristocratic Decadence in late-nineteenth-century London, Nabokov's reflects his early influence from the Russian Symbolists and recalls that tradition in the American suburbs of the mid-twentieth-century. Both novels demonstrate the trust that many modernists held in the ability of beauty to offer transcendence over the limits …