Arts and Humanities Commons^™

Transmisogyny In Popular Culture, Feminisms, And Shakespeare Studies, Lisa S. Starks

USF St. Petersburg campus Faculty Publications

In this article, I deal with the disparagement of femininity and trans persons in multiple levels of our culture, including in some feminist theory and Shakespearean criticism. I point out that contemporary culture, patriarchal institutions, and some feminist positions share misogynistic stances towards expressions and embodiments of femininity; and these perspectives carry over into some criticism, as well as our academic institutions and classrooms. I examine the double-standard that is often applied to feminine-gendered behavior and bodies in contemporary culture and the profession. In so doing, I address the points of tension and common ground between feminist, queer, and transgender …

Response: In And Out Of The Game, As Usual, Steven E. Jones

English Faculty Publications

In this response article, I revisit the idea of paratext in video games. I start, however, with the example of a book by Tolstoy, and the textual studies work of McKenzie and McGann, in order to make the point that paratextuality has never been limited to Genette’s rigid definition, even in the case of print texts. Video games foreground what has always been the case: the dynamic, volatile, multidirectional nature of paratexts, which can take you into but also out of the enclosure of the main text (or “game itself”) in unexpected ways. Illustrations include Animal Crossing: New Horizons and …

Review Of 'The Penelope Project: An Arts-Based Odyssey To Change Elder Care, Valerie Barnes Lipscomb

English Sarasota Manatee Campus Faculty Publications

No abstract provided.

Reverse Engineering The First Humanities Computing Center, Steven E. Jones

English Faculty Publications

The Jesuit scholar, Roberto Busa, is often called the founder of humanities computing. In fact, starting as early as 1949, he collaborated with IBM to perform experiments using suites of punched-card machines. These punched-card data systems—with their plug-board setups, clacking machinery, and flurries of perforated rectangular cards—were developed for business accounting and tabulating, and adapted for government censuses, defense calculations, archival management, and information processing of all kinds. The first decade of humanities computing can more accurately be described as an era of humanities data processing—in the historically specific and contextually rich sense of the term. This essay describes an …

“Putting On Her White Hair” The Life Course In Wilder’S The Long Christmas Dinner, Valerie Barnes Lipscomb

English Sarasota Manatee Campus Faculty Publications

Thornton Wilder’s The Long Christmas Dinner (1931) holds a unique place in American drama, as it covers ninety years in the history of one family. The one-act play captivated composer Paul Hindemith, who collaborated with Wilder to adapt The Long Christmas Dinner as a 1961 short opera by the same name. Analyses of both works overlook the representation of age and aging on stage. Actors perform the aging of characters from young adulthood to death in just a few minutes of stage time, challenging the “difference” of age by suggesting the stability of human identity over the life course. One …

Locating Early America., Thomas Hallock

USF St. Petersburg campus Faculty Publications

No abstract provided.

The Emergence Of The Digital Humanities, Steven E. Jones

English Faculty Publications

The past decade has seen a profound shift in our collective understanding of the digital network. What was once understood to be a transcendent virtual reality is now experienced as a ubiquitous grid of data that we move through and interact with every day, raising new questions about the social, locative, embodied, and object-oriented nature of our experience in the networked world.

In The Emergence of the Digital Humanities, Steven E. Jones examines this shift in our relationship to digital technology and the ways that it has affected humanities scholarship and the academy more broadly. Based on the premise …

“The Play’S The Thing”: Theatre As A Scholarly Meeting Ground In Age Studies, Valerie Barnes Lipscomb

English Sarasota Manatee Campus Faculty Publications

Addressing three current critical turns in gerontology, this article proposes the theatre as a fertile ground for various theoretical angles in age studies - including the performative on and off stage, the narrative in the script and the critical questioning of age and ageism in the multiple realities of performance. Beginning from a shared site in the theatre, researchers may be able to establish greater common ground, resulting not only in multi-disciplinary efforts but also in truly interdisciplinary work. With a foundation in performance studies, this article suggests promising directions for age studies and theatre scholarship by examining three aspects …

Notes On The State Of Virginia And The Jeffersonian West., Thomas Hallock

USF St. Petersburg campus Faculty Publications

No abstract provided.

Twinkle While You Shake It., Thomas Hallock

USF St. Petersburg campus Faculty Publications

No abstract provided.

Joy! Rapture! I’Ve Got A Brain!, Thomas Hallock

USF St. Petersburg campus Faculty Publications

No abstract provided.

Between Accommodation And Usurpation: Lewis Evans, Geography, And The Iroquois-British Frontier, 1743-1784., Thomas Hallock

USF St. Petersburg campus Faculty Publications

No abstract provided.

Literary Recipes From The Lewis And Clark Journals: The Epic Design And Wilderness Tastes Of Early National Nature Writing., Thomas Hallock

USF St. Petersburg campus Faculty Publications

No abstract provided.