Arts and Humanities Commons^™

Emily And Annie: Doris Lessing's And Jamaica Kincaid's Portraits Of The Mothers They Remember And The Mothers That Might Have Been, Daryl Cumber Dance

English Faculty Publications

In 2008 at the age of eighty-nine, Nobel laureate Doris Lessing returned to the mother who has haunted her life and her literature in order to rewrite a fictional account of the life that might have been and a biographical account of the life that she actually lived in Alfred & Emily. Her efforts to finally exorcise the powerful and hated figure that has hounded her for most of her eighty-nine years call to mind similar efforts throughout the canon of fifty-nine-year-old celebrated Antiguan-American novelist Jamaica Kincaid to free herself. Both writers take advantage of and seek to find …

"I Going Away. I Going Home.": Austin Clarke's "Leaving This Island Place", Daryl Cumber Dance

English Faculty Publications

Austin Clarke’s “Leaving This Island Place” is one of scores of Caribbean autobiographical works that focus on a bright, young, lower-class islander leaving his/her small island place and setting out on “Eldorado voyages.” The narrative of that journey away from home to Europe or Canada or the United States and the later efforts to return may be said to be the Caribbean story, as suggested in the subtitle of Wilfred Cartey’s study of Caribbean literature, Whispers from the Caribbean: I Going Away, I Going Home, which argues that while in Caribbean literature there is much movement away, there is …

Writing Southern Race Relations: Stories Ellen Douglas Was Brave Enough To Tell, Suzanne W. Jones

English Faculty Publications

When Ellen Douglas started writing, she drew inspiration from the way William Faulkner and other southern writers whom she admired, like Eudora Welty, depicted southern places. Douglas planted all of her fiction firmly in the region of Mississippi that she knew best; her Homochitto is modeled of Natchez, where she was born, and her Philippi on Greenville, where she lived with her husband and their children. But Douglas reacted against the gothic and mythic elements in Faulkner's work and used as her first literary models the great nineteenth-century realists: Dostoevsky, Flaubert, James, and Tolstoy. She admired Eudora Welty, but found …

The Obama Effect On American Discourse About Racial Identity: Dreams From My Father (And Mother), Barack Obama's Search For Self, Suzanne W. Jones

English Faculty Publications

During the 2008 presidential campaign, Joseph Curl reported that the Obama organization "would not answer when asked why the biracial candidate calls himself black," replying only that the question didn't "seem especially topical." Biracial ancestry and racial identity are still sensitive subjects in the United States, not suitable for sound bites. But they are perfect topics for the introspective musings of an autobiography, and Barack Obama must have thought he had answered this question in depth in Dreams from My Father (1995). In his introduction, Obama hesitates to use the term "autobiography" because it connotes, he says, "a certain closure"; …

Telling Old Tales Newly : Intertextuality In Young Adult Fiction For Girls, Elisabeth Rose Gruner

English Faculty Publications

In one of the inaugural articles in feminist literary criticism, "Feminism and Fairy Tales," Karen Rowe followed Simon de Beauvoir's lead in claiming that fairy tales structure the consciousness of girls and women, and in a negative way. As Donald Haase has noted, "In Rowe's view, the fairy tale--perhaps precisely because of its 'awesome imaginative power'--had a role to play in cultivating equality among men and women, but it would have to be a rejuvenated fairy tale fully divested of its idealized romantic fantasies" (5). In the years since Rowe's essay first appeared, however, it has been unclear whether the …

Faulkner's Sexualized City: Modernism, Commerce, And The (Textual) Body, Peter Lurie

English Faculty Publications

Such classicism is the aesthetic opposite of what Faulkner demonstrates at moments in Mosquitoes and that would go on to become his famously baroque style. In the discussion that follows, I will be asking a number of questions about that development, among them the following: What is the role in Faulkner of a baroque, highly refined language, especially when Faulkner uses it to convey sexuality? And what connections (or disconnections) might that style have to Faulkner’s use of the setting of the city, as in Mosquitoes, or elsewhere of the rural countryside? As we will see, changes in these …

True Crime, Laura Browder

English Faculty Publications

Whether or not Capote invented something called the “nonfiction novel,” he ushered in the serious, extensive, non-fiction treatment of murder. In the years since In Cold Blood appeared, the genre of true crime regularly appears on the bestseller list. It is related to crime fiction, certainly – but it might equally well be grouped with documentary or read alongside romance fiction. And while its readers have a deep engagement with the genre that is very different from the engagement of readers of crime fiction, its writers are often forced to occupy a position – in relation to victims, criminals and …

The Heart Is A Strange Muscle, Laura Browder

English Faculty Publications

Rachel’s beeper went off just as her back began growing numb, jammed against the pieces of broken and discarded furniture in the storage room. A second later, Bobby’s went off too. She unwrapped her legs from around his sweaty back, pulled herself up to a sitting position, and groped through the jumble of clothing.

Women Home From War, Laura Browder

English Faculty Publications

The first time I heard a woman describe her deployment in glowing terms, I was taken aback. Marine Colonel Jenny Holbert told me that being in charge of public affairs for the second battle of Fallujah was "probably one of the biggest events of my life, other than birthing two children." I thought, cynically, that this enthusiasm was all part of her role as a public-affairs officer. It took me a while to understand how compelling the experiences of being in a combat zone could be for the women I talked with. Colonel Holbert's enthusiasm for deployment was only one …

Latter-Day Saints, Church Of Jesus Christ Of, Terryl Givens

English Faculty Publications

The Church of Jesus Christ of Latter-day Saints emerged in the 19th c. out of a Restoration* rather than a Reformation* ideology. Joseph Smith* organized the Latter-day Saints in Fayette, New York, in 1830, shortly after he produced the Book of Mormon* which, he claimed, he received from the angel Moroni and translated from an ancient record.

Mormon, Book Of, Terryl Givens

English Faculty Publications

In 1830 Joseph Smith* published a book he claimed to have translated "by the gift and power of God" from ancient gold plates buried in a hillside in upstate New York. The book records the details of three ancient peoples who had inhabited the North American continent.

Mormon Worship, Terryl Givens

English Faculty Publications

Mormons, members of the Church of Jesus Christ of Latter-day Saints*, (LDS), worship God, the eternal Father, and Jesus Christ.

LDS doctrine designates temples as the most sacred sites of worship, the believers' homes as the second most privileged spaces for devotional acts, and the chapels, or meetinghouses, as the third most important. A temple (more than 100 worldwide in 2000) is a holy place, a "house of the Lord."

Smith, Joseph, Terryl Givens

English Faculty Publications

An influential 19th-c. US religious figure, Joseph Smith was a 14-year-old boy living in New York, when, by his own account, God the Father and Jesus Christ appeared to him.

Young, Brigham, Terryl Givens

English Faculty Publications

Upon Joseph Smith's murder in 1844, Young, as president of the Quoram of the Twelve Apostles, was recognized as the new leader by most members of the Church of the Jesus Christ of Latter-day Saints.

Invisible Dread, From Twisted: The Dreadlock Chronicles, Bertram D. Ashe

English Faculty Publications

This excerpt traces the issues and process surrounding the dreadlocking of an Afri­can-American professor's hair. The personal history leading up to the decision to grow locks is briefly addressed, as is the experience of getting twisted for the first time and some reactions to the new hairstyle. Twisted discusses issues of cultural authenticity and academic nonconformity. It examines dreadlocks as a pathway to explore black identity, but in opposing ways: the act of locking ones hair does dis­play unconventional blackness - but it also participates in a preexisting black style. To what extent, the excerpt asks, can the adoption of …