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Full-Text Articles in Arts and Humanities

Cultural-Studies Criticism, Peter Lurie Jan 2004

Cultural-Studies Criticism, Peter Lurie

English Faculty Publications

Faulkner’s “career” within cultural studies began, within the history of the cultural-studies movement itself, comparatively late. This is not an especially remarkable point about Faulkner or any one particular writers; as a critical movement, cultural studies was never concerned more with any one figure than another, and was always concerned with an interdisciplinary and interdiscursive focus rather than a writer’s singularity. It is a point worth noting, however, because of the specific ways in which Faulkner’s work seems hospitable to cultural studies’ concerns. From his earliest stages of writing, Faulkner was aware of his work’s position within a field of …


Querying The Modernist Canon: Historical Consciousness And The Sexuality Of Suffering In Faulkner And Hart Crane, Peter Lurie Jan 2004

Querying The Modernist Canon: Historical Consciousness And The Sexuality Of Suffering In Faulkner And Hart Crane, Peter Lurie

English Faculty Publications

The extended historical “moments” that Crane and Faulkner both seek to offer readers may then be defined by their affinities with pain. In the context of American history, that painfulness refers to the experience of historical subjects such as the American Indian as well as marginalized populations like Southern blacks and, as with young Thomas Sutpen, rural poor whites. What both Faulkner and Crane signal in key sections of their work is the way that historical awareness, on the part of either characters or readers, is activated by and necessitates a textual effect of suffering. It is the different valence …


[Introduction To] Race Mixing: Southern Fiction Since The Sixties, Suzanne W. Jones Jan 2004

[Introduction To] Race Mixing: Southern Fiction Since The Sixties, Suzanne W. Jones

Bookshelf

In the southern United States, there remains a deep need among both black and white writers to examine the topic of race relations, whether they grew up during segregation or belong to the younger generation that graduated from integrated schools. In Race Mixing, Suzanne Jones offers insightful and provocative readings of contemporary novels, the work of a wide range of writers—black and white, established and emerging. Their stories explore the possibilities of cross-racial friendships, examine the repressed history of interracial love, reimagine the Civil Rights era through children's eyes, herald the reemergence of the racially mixed character, investigate acts …