Arts and Humanities Commons^™

Children’S Literature At Fifty: Pedagogy Under The Covers, Elisabeth Rose Gruner

English Faculty Publications

Like so many scholars of children’s literature, I came to children’s lit- erature through teaching. Trained as a Victorianist, I saw a gap in my department’s course offerings and somewhat naively offered to fill it with a children’s literature course, banking on my work on childhood in the Victorian novel and my pedagogical skills to carry me through. The Children’s Literature Association and Children’s Literature were my mentors during those years—as they continue to be—teaching me how to teach and think about children’s literature both as a genre and as a course of undergraduate study.

Francelia Butler’s entrée into the …

Rva, Richmond, And The Geography Of Memory, Laura Browder

English Faculty Publications

“Can The Old South Rebrand Itself? Richmond Tries, With A Dynamic New Logo” ran the headline of a 2012 article in the monthly business magazine Fast Company, announcing the city’s new logo, RVA — shorthand for Richmond, Virginia. “The former seat of the Confederacy has been quietly transforming itself into a more creative place,” explained author Emily Badger. “Now it has the visual identity to match.” Badger went on to describe the challenge faced by students at the VCU Brandcenter, who in 2010 were charged with rebranding the city, “a task more daunting given that Richmond has long had a …

Pocahontas Looks Back And Then Looks Elsewhere: The Entangled Gaze In Contemporary Indigenous Art, Monika Siebert

English Faculty Publications

In the late twentieth and early twenty-first centuries, various genres of visual art in North America feature Indigenous subjects looking from the canvas or the screen at the viewers to interpellate them as implicated in the gaze framing the artwork. In this article, I provide an historical genealogy of this returned gaze, starting with Simon van de Passe’s 1616 engraving, Matoaka als Lady Rebecca. I show how subsequent depictions of Pocahontas depart from the reciprocal gaze of de Passe’s portrait and how contemporary art returns to this theme of the returned gaze, using Shelley Niro’s video work The Shirt (2003) …

The Meaning Of The Soldier: In The Year Of The Pig And Hearts And Minds, Laura Browder

English Faculty Publications

In the Year of the Pig (1968) and Hearts and Minds (1974)—the first an Academy Award nominee, the second an Academy Award winner—are the two best-known Vietnam War documentaries of their time. They are works that could hardly be more different—one a cool, intellectual take on the origins and then-current state of the war, and the second a highly emotional appeal to end the war. By viewing them together it is possible not only to connect the dots between the contrasting intellectual and filmic traditions from which each emerged, but also to see, through the viewpoints of each film, how …

Their Confederate Kinfolk: African Americans' Interracial Family Histories, Suzanne W. Jones

English Faculty Publications

The interracial mixing of American families dates back to colonial times, but the history of slavery and racism in the American South made public discussion of the subject taboo—so shameful for whites that they long repressed facts that challenged their fantasies of racial purity, so painful or politically incorrect for African Americans that they suppressed the details of their mixed ancestry. In the 1970s the popularity of Alex Haley’s Roots (1976), and the television miniseries that followed, sparked an interest in genealogy among many African Americans, who had long given up hope of tracing African roots severed by the middle …

Leading Through Reading In Contemporary Young Adult Fantasy By Philip Pullman And Terry Pratchett, Elisabeth Rose Gruner

English Faculty Publications

There’s a popular bumper sticker in some areas that reads: “God said it, I believe it, that settles it.” It is sometimes paired with another one: “Bibles that are falling apart usually belong to people that aren’t.” The two combine to suggest an approach to reading and religion that are at the core of my argument in this chapter: they suggest that religious reading is fundamentally anti-interpretive; that reading the Bible or other religious texts provides direct access to truth. In the young adult texts I discuss in this essay, however, the opposite is the case: while texts (of many …

Black And White, Suzanne W. Jones

English Faculty Publications

Continued popular perception and past scholarly analysis of the South as a region to be mapped in black and white is not surprising, given that African slaves were brought to Virginia in 1619, a Civil War was fought over the enslavement of black people, a bloody civil rights movement was needed to end the de jure racial segregation and racial violence that followed, and much ink continues to be spilled over the de facto social segregation that lingers outside the workplace. But since the turn of the twenty-first century, many scholars have come to view this biracial rendering as a …

’Sans Artifice Est Ma Simplicité’: Sincerité Et Vertu Dans Les Regrets Et Astrophil And Stella, Anthony P. Russell

English Faculty Publications

Dans le présent essai, j'aimerais avancer l'hypothèse que ce recueil original et insolite a eu, sur le développement de la poésie lyrique anglaise, un impact bien plus significatif que ce qui a été admis jusqu’à ce jour. Je souhaite spécifiquement examiner l'éventuelle importance pour Philip Sidney, clans son Astrophil et Stella, de la complexité avec laquelle Du Bellay a abordé la vertu de la sincérité. Que l'on prenne au sens littéral ou non les engagements de sincérité personnelle et de liberté esthétique de Du Bellay clans les Regrets, on ne peut nier que le poète ait choisi de présenter la …

"The Color Purple" Takes Us On Emotional Journey Of Self-Discovery (Performance Review), Daryl Cumber Dance

English Faculty Publications

Extraordinary. That's the only way to describe the Virginia Repertory Theatre's musical version of "The Color Purple." Based on Alice Walker's classic novel, this Broadway-class show takes the audience on a moving, soulful journey of self-discovery with the heroine, Celie.

"Wood For The Coffins Ran Out": Modernism And The Shadowed Afterlife Of The Influenza Pandemic, Elizabeth Outka

English Faculty Publications

Here’s what we already know—during the First World War, soldiers and civilians often had remarkably different experiences of the war corpse. Dead bodies were omnipresent on the front line and in the trenches, an inescapable constant for the living soldier. As critic Allyson Booth notes, “Trench soldiers . . . inhabited worlds constructed, literally, of corpses.”¹ In Britain and America, however, such corpses were strangely absent; unlike in previous conflicts, bodies were not returned. This dichotomy underscores some of our central assumptions about the differences between the front line and the home front: in the trenches, dead bodies and …

The Divided Reception Of The Help, Suzanne W. Jones

English Faculty Publications

The reception of Kathryn Stockett’s The Help (2009) calls to mind the reception of two other novels about race relations by southern white writers: Margaret Mitchell’s Gone With the Wind (1936) and William Styron’s The Confessions of Nat Turner (1967). Like Gone With the Wind, The Help has been a pop culture phenomenon— prominent in bookstores and box offices, and the “darling of book clubs everywhere.” In January 2012 when I asked students in my Women in Modern Literature class what was the best book they had recently read by a woman, most named either The Help or The Hunger …

Extending An Alternative: Writing Centers And Curricular Change, Joe Essid

English Faculty Publications

When our Writing Center staked its reputation and perhaps its survival on a proposal to change our first-year curriculum, we entered territory that would have been unthinkable to those in our field a few decades ago. Writing center directors and peer tutors may not like it, but the climate now is very different from the salad days of the 1980s, when scholars such as Tilly and John Warnock argued “it is probably a mistake for centers to seek integration into the established institution” (22). In both the United States and EU nations, we face curricular change driven by emerging technologies, …

David Walker, Harriet Beecher Stowe And The Logic Of Sentimental Terror, Kevin Pelletier

English Faculty Publications

With few exceptions, contemporary criticism reads nineteenth-century sentimental fiction as a literature of love. When Harriet Beecher Stowe famously asserted that the moral growth of the nation depended on each citizen’s ability to “feel right,” she voiced a sentiment shared by many of her contemporaries. It is no surprise, then, that scholars have assumed Stowe’s injunction to “feel right” was a call to feel compassion and love, for it was ostensibly through a rhetoric of Christian love that Stowe was able to foment a passionate outcry against slavery from many of her Northern readers. Indeed, sentimentalism’s transformative potential is best …

A Familiar Strangeness: American Fiction And The Language Of Photography, 1939–1945 By Stuart Burrows (Review), Peter Lurie

English Faculty Publications

Stuart Burrows's book makes a strangely familiar claim. Its premise traces an arc in literary history and understandings of vision and epistemology that we think we know but which, in Burrows' hands, in fact turns toward a different idea about American prose realism than one with which we're familiar (that is, that writers responded to the daguerreotype by emulating its representational fidelity). Realist writers like Hawthorne, Stephen Crane, and the early James, Burrows shows, were hardly naïve about the changes in perception wrought by a then-new technology of vision like photography. For their realism is not a version of fiction …

An Archive, Public Participation And A Performance: Five Perspectives, Laura Browder, Patricia Herrera

English Faculty Publications

This essay discusses our work on the digital archive, The Fight for Knowledge: Civil Rights and Education in Richmond, Virginia, which grew out of our five-year documentary theater project at the University of Richmond. We include the voices of six collaborators—students, a special collections librarian, a digital archivist, and faculty members—to closely examine the multiple archives that have grown out of this project, and the way this has led us to propose a new way of thinking both about archives and about our documentary theater methodologies. This collaborative process has helped us to reconceptualize the relationship between archive and …

Women's Gun Culture In America, Laura Browder

English Faculty Publications

A recent article in the New York Times focused on the possible increase in female gun ownership in the United States. This “new” phenomenon of women and guns is of course far from new: as early as the 1870s, trapshooting for women was publicized by gun manufacturers as yet another feminine activity, not far removed from shopping or club work. The ultra-feminine Annie Oakley, who in the 1880s became an international star in Buffalo Bill’s Wild West, personally taught fifteen thousand women to shoot. By the turn of the twentieth century, gun manufacturers were promoting hunting as a healthful activity …

Nostalgia And Modernist Anxiety, Elizabeth Outka

English Faculty Publications

Here at the end of the collection I want to propose going back to the beginning—not to the beginning of nostalgic desire in the modernist era, but to the start of the anxiety over nostalgia in the modernist era. The discomfort has, I want to argue, two distinct periods: the early twentieth-century anxiety that various modernists had toward nostalgia, and the later uneasiness modernist critics have with nostalgia within the modernist period. Most eras, of course, experience at least some form of nostalgic longing, along with a corresponding distrust and uneasiness about such longing. The apprehension that nostalgia may provoke …

Dead Men, Walking: Actors, Networks, And Actualized Metaphors In Mrs. Dalloway And Raymond, Elizabeth Outka

English Faculty Publications

This article takes up Rita Felski’s recent call to modernists to explore how Bruno Latour’s latest work on actor-network theory might be adapted for literary studies. It examines two accounts of World War I soldiers who (allegedly) return from the dead in material form: Virginia Woolf’s fictional account of Septimus Smith, who is convinced his friend Evans has come back from the dead, and Oliver Lodge’s best-selling memoir, Raymond, or Life and Death, which recounts in detail how Lodge believed his dead son sent messages to the family to assure them of his continued material existence. That these moments …

A Personal Look At America's Foremost Communist, Laura Browder

English Faculty Publications

There is nothing quite like the experience of being in the beautiful, sunlit special collections reading room on the top floor of Bird Library—especially when one is about to dive into 86 meticulously cataloged boxes of family history. I was there to do research for a documentary about my grandfather, Earl Browder, as well as a joint biography of him and my grandmother, Raissa Berkmann Browder—a task that was almost overwhelming to contemplate.

After all, my grandfather Earl Browder was the head of the American Communist Party (CPUSA) during its most influential period—the Great Depression. He coined the slogan “Communism …

Foreword: Dead Wood And Rushing Water: Essays On Mormon Faith, Family And Culture, Terryl Givens

English Faculty Publications

The essay is a form particularly well suited for Mormon writers, for it blends a number of their cultural and religious imperatives. We are a confessional people, in both senses of the word. In keeping with Augustine’s principal employment of the term, we are committed to the public profession of our faith. Not merely as an act of evangelizing, but among the more reflective Saints, as an articulated meditation on our yearning for the divine, and a psalmic celebration of God’s gifts. We are also confessional in the more conventional sense: journal keeping, the informality of Mormon worship, public testimony …

Mormonism And The Family (Forum), Terryl Givens

English Faculty Publications

When we speak of the family in Mormonism, the term can mean many things. There is an idealized Mormon family, the one described in church magazines, General Conference talks, and Mormon public service commercials. There is the family of the Mormon theological tradition, stretching endlessly off into the eternities, bound together with temple ordinances, the forever family of Mormon bumper stickers. There is another family, product of a more speculative bent in Mormon theology, which comes of an eschatological reading of the Abrahamic covenant, and which imputes to a temple-sealed Mormon couple the right to an endless seed, a posterity …

Faulkner's Literary Historiography: Color, Photography, And The Accessible Past, Peter Lurie

English Faculty Publications

This paper looks at changes in visual representation in the 1930s as a means of understanding Faulkner's newly historiographic methods in this decade. The advent of Kodachrome® in 1935 as the first widely used color film stock presaged the turn toward the black-and-white documentary mode so important to the nation's efforts to "countenance," or see, the economic crises of the period. Faulkner's descriptive and representational practices in the period 1929-36 also shifted from a more pervasive use of coloration to a style like the silver halide photos prevalent in the middle nineteenth century--the period of the past-tense events in Absalom, …

Historical Realism And Imperialist Nostalgia In Terrence Malick’S The New World, Monika Siebert

English Faculty Publications

The promotional materials for Terrence Malick’s The New World (2005) devote considerable time to detailing the extraordinary effort of the production crew to recreate Werowocomoco, the capital of the Powhatan’s paramount chiefdom, and Fort James, the first surviving English settlement in Virginia, in the period from 1607 to 1617. The hour-long documentary on “The Making of The New World” accompanying the DVD release of the film, for example, chronicles the shared work of a research team of historians, archeologists, linguists, anthropologists, and members of Virginia tribes to represent as faithfully as possible Powhatan and English agriculture, architecture, language, and …

William Faulkner, William James, And The American Pragmatic Tradition (Review), Peter Lurie

English Faculty Publications

In his book's final sentence, David Evans is concerned that we "assure a future for Faulkner, and a Faulkner for the future" (236). Taken at a glance, this concern might imply a need to safeguard Faulkner's continuing relevance: pointing to the future and Faulkner together suggests that their mutuality is not, in fact, certain. And in light of shifting critical approaches to this canonical writer, not to mention the diminishing importance of author studies as well as scholarly genres like the monograph, Evans's caution makes a certain critical sense.

Yet the statement's fuller meaning within the context of this new …

Revisions In Red, Laura Browder

English Faculty Publications

In this article the author reflects on her experience of researching the history of her grandfather Earl Browder, a former leader in the U.S. Communist Party, and exploring his significance both in historical and personal terms. She comments on her research regarding his status as a spy of the Soviet Union, share her views on her father's reluctance to discuss his past, and notes Browder's campaigns for President of the U.S. in the 1930s.

Joseph Smith, Romanticism, And Tragic Creation, Terryl Givens

English Faculty Publications

Joseph Smith, as I think historians readily recognize, has much to commend him as a Romantic thinker. Personal freedom was as sacred to him as to the young Schiller, his emphasis on individualism invites comparison with Byron and Emerson, his view of restoration as inspired syncretism is the religious equivalent of Friedrich Schlegel's "progressive universal poetry," his hostility to dogma and creeds evokes Blake's cry, "I must create my own system or be enslaved by another man's," and his celebration of human innocence and human potential transform into theology what Rousseau and Goethe had merely plumbed through the novel and …

How Mormons Became American, Terryl Givens

English Faculty Publications

A century ago, it was once a simple matter to assume a norm for American culture and situate the Mormon well outside it. Polygamy was likened to slavery in the nineteenth century (as the first Republican Party platform did in 1856). Brigham Young was compared to an Asian despot. Mormon women were victims in need of mythic frontier heroes like Captain Plum and Buffalo Bill to save them. Even Joseph Smith’s martyrdom could be seen as the penalty for his violation of the right to a free press. Mormonism made available to the playwrights of the Great American Saga the …

The Haitian Connection In Connie May Fowler’S Sugar Cage, Suzanne W. Jones

English Faculty Publications

In her first novel, Sugar Cage (1992), Connie May Fowler, a white Floridian with Cherokee ancestry and an early exposure to Voodoo, employs some of the narrative conventions of magical realism as a way around the impasse of Southern race relations in Florida in the 1960s. Her otherwise modernist narrative technique of nine first-person narrators emphasizes the isolation of her characters at the same time that the variety of viewpoints encourages readers to see both the interracial and international connections that elude or confuse her characters. The cultural and transnational complexities she explores, especially as regards the importation of African …

The Curious Case Of Asa Carter And The Education Of Little Tree, Laura Browder

English Faculty Publications

Little Tree was number one on the New York Times nonfiction bestseller list on October 4, 1991, when historian Dan T. Carter published an op-ed piece in the New York Times that demolished the image of the book’s author, explaining that Forrest Carter was in reality Asa Carter, and he was no Indian. Rather, Dan Carter (no relation) wrote, “Between 1946 and 1973, the Alabama native [Asa Carter] carved out a violent career in Southern politics as a Ku Klux Klan terrorist, right-wing radio announcer, home-grown American fascist and anti-Semite, rabble-rousing demagogue and secret author of the famous 1963 speech …

Book Review: A Brief History Of The Soul, Terryl Givens

English Faculty Publications

A Brief History of a Soul is the story of a lively debate whose arguments, vocabulary, and even subject have evolved over millennia. In this historical narrative cum apologia, Stewart Goetz and Charles Taliaferro champion “substance dualism,” a philosophical position that asserts the ontologically distinct reality of matter and soul (or body and mind in post-Cartesian terms). They largely succeed in their efforts to be “fair and balanced” (4) and succeed in presenting a sophisticated and nuanced yet readable account of the controversy in its philosophical and, to some extent, theological and scientific dimensions. As entailed by the “Brief …