Arts and Humanities Commons^™

[Introduction To] Red Star Tales: A Century Of Russian And Soviet Science Of Fiction, Yvonne H. Howell

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For over a century, most of the science fiction produced by the world’s largest country has been beyond the reach of Western readers. This new collection aims to change that, bringing a large body of influential works into the English orbit.

A scientist keeps a severed head alive, and the head lives to tell the tale… An explorer experiences life on the moon, in a story written six decades before the first moon landing... Electrical appliances respond to human anxieties and threaten to crash the electrical grid… Archaeologists discover strange powers emanating from a Central Asian excavation site… A teleporting …

[Introduction To] Vision’S Immanence: Faulkner, Film, And The Popular Imagination, Peter Lurie

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William Faulkner occupied a unique position as a modern writer. Although famous for his modernist novels and their notorious difficulty, he also wrote extensively for the "culture industry," and the works he produced for it—including short stories, adaptations, and screenplays—bore many of the hallmarks of consumer art. His experiences as a Hollywood screenwriter influenced him in a number of ways, many of them negative, while the films turned out by the "dream factories" in which he labored sporadically inspired both his interest and his contempt. Faulkner also disparaged the popular magazines—though he frequently sold short stories to them.

To what …

[Introduction To] Saving Adam Smith: A Tale Of Wealth, Transformation, And Virtue, Jonathan B. Wight

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Every once in a while a great business novel is published. This is one of those novels. Follow an up-and-coming graduate student on a picturesque adventure involving terroristics and love, and learn, or better yet, re-learn, correctly this time, a little economics.

[Introduction To] From Within The Frame: Storytelling In African-American Studies, Bertram D. Ashe

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The book explores the written representation of African-American oral storytelling from Charles Chesnutt, Zora Neale Hurston and Ralph Ellison to James Alan McPherson, Toni Cade Bambara and John Edgar Wideman. At its core, the book compares the relationship of the "frame tale" - an inside-the-text storyteller telling a tale to an inside-the-text listener - with the relationship between the outside-the-text writer and reader. The progression is from Chesnutt's 1899 frame texts, in which the black spoken voice is contained by a white narrator/listener, to Bambara's sixties-era example of a "frameless" spoken voice text, to Wideman's neo-frame text of the late …