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Foreword: Dead Wood And Rushing Water: Essays On Mormon Faith, Family And Culture, Terryl Givens

English Faculty Publications

The essay is a form particularly well suited for Mormon writers, for it blends a number of their cultural and religious imperatives. We are a confessional people, in both senses of the word. In keeping with Augustine’s principal employment of the term, we are committed to the public profession of our faith. Not merely as an act of evangelizing, but among the more reflective Saints, as an articulated meditation on our yearning for the divine, and a psalmic celebration of God’s gifts. We are also confessional in the more conventional sense: journal keeping, the informality of Mormon worship, public testimony …

[Introduction To] People Of Paradox: A History Of Mormon Culture, Terryl Givens

Bookshelf

In People of Paradox, Terryl Givens traces the rise and development of Mormon culture from the days of Joseph Smith in upstate New York, through Brigham Young's founding of the Territory of Deseret on the shores of Great Salt Lake, to the spread of the Latter-Day Saints around the globe.

Throughout the last century and a half, Givens notes, distinctive traditions have emerged among the Latter-Day Saints, shaped by dynamic tensions--or paradoxes--that give Mormon cultural expression much of its vitality. Here is a religion shaped by a rigid authoritarian hierarchy and radical individualism; by prophetic certainty and a celebration …

[Introduction To] The Viper On The Hearth: Mormons, Myths, And The Construction Of Heresy, Terryl Givens

Bookshelf

Nineteenth-century American writers frequently cast the Mormon as a stock villain in such fictional genres as mysteries, westerns, and popular romances. The Mormons were depicted as a violent and perverse people--the "viper on the hearth"--who sought to violate the domestic sphere of the mainstream. While other critics have mined the socio-political sources of anti-Mormonism, Givens is the first to reveal how popular fiction, in its attempt to deal with the sources and nature of this conflict, constructed an image of the Mormon as a religious and social "Other."