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Articles 1 - 8 of 8
Full-Text Articles in Arts and Humanities
"Possessed": The Phenomenology Of Immersive Theatre, Shannon M. Flynn
"Possessed": The Phenomenology Of Immersive Theatre, Shannon M. Flynn
Theatre & Dance ETDs
Using phenomenology as a lens of analysis, I investigate how immersive theatre engages audiences in a more direct and sensory way than traditional theatre. In a proscenium theatre the action is seen from the same angle. The theatre itself becomes a phenomenon in audience’s minds, each performance subtly influencing how the audience perceives the next. I investigate how relationships between audience and performers are altered in immersive experiences with no delineation between the space audience and actors occupy. The phenomenological idea of frontality places immersed audiences in positions where they are able to explore a constantly changing perspective of the …
Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez
Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez
American Studies ETDs
New Mexican visual art and culture, as molded by state-sanctioned endeavors, is often casted in order to conceal the tension, conflict, and violence of settler colonialism and imperialism. Widely known myths of empire, such as the Tricultural myth, create a visualizing enterprise through which settler colonial logics transit and create political material reality. This thesis explores the following questions: How do New Mexican Hispanos and queer Chicanxs position themselves in relation to the logics of settler colonialism and empire? How are they positioned in relation to settler colonialism and empire? On the one hand, I argue that the state of …
Decolonizing Playwriting Through Indigenous Ceremonial Performances, Jay B. Muskett
Decolonizing Playwriting Through Indigenous Ceremonial Performances, Jay B. Muskett
Theatre & Dance ETDs
This dissertation attempts to express the importance of storytelling within the Indigenous Theater framework. It does so by first analyzing the progression of the writer’s unique upbringing and analyzing the influences of story upon an indigenous identity. I will also attempt to describe the aesthetics of Native Theater along two lines of methodology which includes praxis described and developed by Hanay Geiogamah and Rolland Meinholtz. I will also explain how the script 1n2ian tries to follow those concepts of Native Theater to create a ceremonial performance that uses a blending of both methodologies.
Subverting The Nature Of Thing: Gender Agency In Spiritual Systems And Contemporary Performances Of Zimbabwe's Shona People, Rujeko S. Dumbutshena
Subverting The Nature Of Thing: Gender Agency In Spiritual Systems And Contemporary Performances Of Zimbabwe's Shona People, Rujeko S. Dumbutshena
Theatre & Dance ETDs
Gender, ritual and performance in the Shona cultures of Zimbabwe, are inexorably linked. They demonstrate how the flexibility of the Shona spiritual systems offers agency to ritual leaders and practitioners. The story of Murumbi Karivara, a Shona rainmaker from the 19th Century, provides the inspirational imagery for the researcher’s Masters of Fine Arts thesis concert DE RERUM NATURA - the way things are (performed on September 2 and 3, 2018). The researcher positions herself among contemporary Shona artists living in Zimbabwe and abroad who negotiate the spaces they occupy during ceremonies, on concert stages, and in institutions; to find autonomy …
The Indigenous Sovereign Body: Gender, Sexuality And Performance., Michelle S. Mcgeough, Michelle Susan Mcgeough
The Indigenous Sovereign Body: Gender, Sexuality And Performance., Michelle S. Mcgeough, Michelle Susan Mcgeough
Art & Art History ETDs
Gender variance and artist production are not topics that are often discussed within the discipline of art history. In fact gender variance and in particular its relationship to sexual orientation was not a topic studied, much less discussed outside of the medical community until the mid-twentieth century. It was generally thought that sexuality and gender were “biologically determined” and deviation from the heterosexual norm was considered pathological. In contrast, Indigenous nations in Canada and the United States had a very different understanding regarding the relationship between gender, biology, and sexual object of choice. One area that provides us with a …
The Female Writer And Her Female Characters: A Coming Of Age Story, Stephanie N. Grilo
The Female Writer And Her Female Characters: A Coming Of Age Story, Stephanie N. Grilo
Theatre & Dance ETDs
In this essay, I review my growth and learning as a playwright in this MFA program. I position my play, Red Dirt, within the context of psychoanalysis and feminist theory as a study of the behavioral patterns that emerge when female melancholia and violent masculinity collide. I examine the praxis of my writing and research methodologies, as well as the technical, thematic, and academic aspects of my writing practice.
Performance Of Gender Social Status: Social Identity Through Clothes, Fanny M. Hamon
Performance Of Gender Social Status: Social Identity Through Clothes, Fanny M. Hamon
Foreign Languages & Literatures ETDs
I focus on the study of the role of the ball gowns in fairy tales, and I argue that Donkey Skin and Cinderella’s civilization process happens through their clothes. I demonstrate that the garments bear considerable historic values in the narratives. The performance they put in place is allowed by the wealth of their dresses.
I apply Butler’s performance theory to show that the performance of the two heroines is the inherent necessity to their social ascent and social recognition. For both heroines, the performance is a strategy to overcome the punitive aspects they underwent in their animal state. The …
The Word And The Flesh: The Transformation Of Female Slave Subject To Mystic Agent Through Performance In The Texts Of Úrsula De Jesus, Theresa (Chicaba) De Santo Domingo And Rosa Maria Egipcíaca, Rachel Spaulding
Spanish and Portuguese ETDs
Previous research about the African slave experience in the Ibero-Atlantic world has understood slave agency, or more polemically, slave autonomy, through the binary of accommodation versus resistance. However, current African Diaspora scholarship (Schwartz, Thornton, etc.) situates the slave experience within a spectrum of lived experiences. These lived experiences range from accommodation to resistance but often overlap: lived experiences expressed overtly as accommodation reveal covert resistance. My dissertation explores the words of three Afro-women: \xdarsula de Jesus (1604-1666), an Afro-Peruvian Mystic, Sister Teresa de Santo Domingo (1676-1748), also known as Sor Chicaba, who lived as a Dominican tertiary in Salamanca, Spain, …