Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 2 of 2

Full-Text Articles in Arts and Humanities

Devilish Leaders, Demonic Parliaments, And Diabolical Rebels: The Political Devil And Nationalistic Rhetoric From Malmesbury To Milton, Karra Hk Shimabukuro Nov 2017

Devilish Leaders, Demonic Parliaments, And Diabolical Rebels: The Political Devil And Nationalistic Rhetoric From Malmesbury To Milton, Karra Hk Shimabukuro

English Language and Literature ETDs

Throughout its history, England and its writers have created its national identity out of thin air. Some writers such as William of Malmesbury and John Milton have consciously constructed their imagined Englands, while other authors during the medieval and early modern periods are subtler, but whose works reflect the historical and cultural moment, the fears, desires, and anxieties about kingship, tyranny, heirs, and stability, that existed during that time. Little scholarship has focused on the devil’s role in these constructions, his political nature, and how this nature is used in constructing nationalistic arguments. This devil can lead kings, nobles, and …


Texas-Mexico Border Cultural Production: Ethnographic Aesthetics And Modernity In Folklore, Literature, And Film, Margie Montanez Jul 2017

Texas-Mexico Border Cultural Production: Ethnographic Aesthetics And Modernity In Folklore, Literature, And Film, Margie Montanez

American Studies ETDs

This dissertation develops the trope of an ethnographic aesthetic to dissect the cultural production of Jovita González, Américo Paredes, and more recent works by Alicia Gaspar de Alba and Lourdes Portillo. The dissertation argues that Texas-Mexican cultural production actively produces knowledge. In other words, when understood within the framework of ethnographic aesthetics, Texas-Mexican border cultural anticipates and imagines local futures in a constant shifting colonial space. Texas-Mexico border cultural production is not passive or residual but is in fact active and emergent.

The dissertation situates Texas-Mexico border cultural production as responding to and within post-national American Studies discourse that “stresses …