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Full-Text Articles in Arts and Humanities
Theatre And The Overwhelming Question: Why Make Theatre In These Times?, Mónica Valeria Sánchez
Theatre And The Overwhelming Question: Why Make Theatre In These Times?, Mónica Valeria Sánchez
Theatre & Dance ETDs
The following essay communicates my journey as a longtime theatre artist as I have navigated my way through the discipline, and towards the craft of playwriting. My intention to study in the program was soon escalated by an existential turning point subsequent to the neoliberal agenda that gained momentum pre, post, and during the election of 2016. This thesis is in response to the question, "Why make theatre now?" I approach this query through the themes and the characters in my plays; through a socio-cultural-historic lens, and via an examination of the creative process as it relates to the metaphysics …
Planeta Solitario: Dramatizing Autobiography, Diego Miguel Gomez
Planeta Solitario: Dramatizing Autobiography, Diego Miguel Gomez
Theatre & Dance ETDs
Hola. Me llamo Diego Miguel Gomez. I am a Chicano from Santa Fe, New Mexico, a screenwriter, an athlete, and now a playwright. Through this dissertation, I guide you through my personal and artistic journey leading up to this point. In the abstract, I reflect the process of production for my thesis play, Planeta Solitario, along with my aspirations beyond the Master of Fine Arts in Dramatic Writing program at the University of New Mexico. Throughout this essay I switch languages and employ slang from different cultures and sub-cultures because I don’t speak in one language or tongue, I speak …
Strange Labor: Toward The Non-Expression Of Feelings Themselves, Nevarez G. Encinias
Strange Labor: Toward The Non-Expression Of Feelings Themselves, Nevarez G. Encinias
Theatre & Dance ETDs
This essay accompanies the researcher’s Master of Fine Arts thesis concert, Sensaciones y emociones (performed on September 5 and 6, 2017). It describes how he employed his training as a flamenco dancer to choreographically model three non-expressive interactions with three discrete feelings in the performances of this concert. The essay outlines the ways in which the researcher used his art practice to imagine alternative strategies for relating to emotions and sensations, as phenomena that might put a body in motion, but that do not always or necessarily travel from inside of a feeling subject, outward, in an act commonly called …
Holding On/Letting Go: Situating Trauma And Memory In Theatrical Spaces, Caroline T. Graham
Holding On/Letting Go: Situating Trauma And Memory In Theatrical Spaces, Caroline T. Graham
Theatre & Dance ETDs
In this essay, I review my development as a playwright in the MFA Dramatic Writing program and examine the shifting, overlapping goals of playwright-as-educator and playwright-as-entertainer. In Part One, I position my academic exploration of trauma in relation to ethics in journalism, embodied knowledge, and intersectional feminism and outline my creative experiments in staging trauma through the process of witnessing, retelling, and abstraction. In Part Two, I detail the artistic and personal roots of my dissertation play, The Great Maverick Adventure of 2007, and the structural and dramaturgical tools I employed to rebuild a sense of play and theatricality …