Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

University of Nebraska - Lincoln

Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity

2006

Articles 1 - 2 of 2

Full-Text Articles in Arts and Humanities

The Blackfriars Gladiators: Masters Of Fence, Playing A Prize, And The Elizabethan And Stuart Theater, Ian Borden Jan 2006

The Blackfriars Gladiators: Masters Of Fence, Playing A Prize, And The Elizabethan And Stuart Theater, Ian Borden

Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity

Attempting to determine the nature of staged combat during the Elizabethan and Stuart periods is a difficult venture, for very few descriptions of stage fighting exist. Most plays from these periods, even when a moment of combat is central to the plot, simply describe swordplay as "They fight." Yet dueling was common to the theatrical venues of the day, not just in period drama, but also in contests between skilled professional fencers and instructors called Masters of Fence or Masters of Defence. Known as "playing a prize," or "prize fighting," competitions between these masters attracted substantial crowds. Beginning as amateur, …


Review Of The Longing For Myth In Germany By George S. Williamson., William Grange Jan 2006

Review Of The Longing For Myth In Germany By George S. Williamson., William Grange

Johnny Carson School of Theatre and Film: Faculty Publications and Creative Activity

Williamson has written a superb work of scholarship, examining trends in German cultural thought from the beginning of the nineteenth century to the death of Nietzsche in 1900. He has also provided an insightful Epilogue, recapitulating what preceded in the body of his book and extrapolating on the longing for myth into the twentieth century. The book’s greatest value lies in the background Williamson provides for the best known (to English-speaking readers, at least) manifestations of myth in both aesthetic and intellectual life, specifically in the work of Wagner and Nietzsche.