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The Motet In England In The Fourteenth Century, Peter M. Lefferts

Glenn Korff School of Music: Faculty Publications

The history of polyphonic music in late medieval England is difficult to reconstruct on account of the paucity of intact sources, the concomitant lack of a substantial number of complete pieces, and the difficulty with which the surviving repertoire can be associated with any specific institutions or social milieu. Nonetheless, there are significant scattered remains, and this study endeavors to examine in detail one important genre, the motet, in light of all surviving music, placing a great deal of weight on the analysis of fragments. The evidence suggests that the motet was cultivated for the larger abbeys and monastic cathedrals, …