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From What Remains: The Politics Of Aesthetic Mourning And The Poetics Of Loss In Contemporary African American Culture, Kajsa K. Henry

Doctoral Dissertations

While critical analyses of loss and mourning in African American studies have tended to focus on narratives that primarily concentrate on the Atlantic slave trade/slavery and music, particularly blues and gospel spirituals, this project advocates reimagining the boundaries of our discussions of loss to include other art forms, including assemblage art and performative dance. From What Remains: The Politics of Aesthetic Mourning and the Poetics of Loss in Contemporary African American Culture includes the assemblage art of the 1966 exhibition Signs of Neon and Tyree Guyton’s ongoing Heidelberg Project that respond to the violence of urban rebellions and decay and …

The Spatiality In Storytelling, Xiang Yu

Masters Theses

Theatre has always been played a irreplaceable role in people’s lives, even nowadays where people have multiple choices for entertainment. Some theater architecture has also become the symbol of the city, such as Paris Opéra and Sydney Opera House. By taking a close look at various case studies, one will understand how the theatre architecture corresponds with their city representing its history, culture and visions for the future.

The development of my thesis is based on the integration of the ‘space’ of storytelling and the space of design. Will the quality of space bring out the memories that have been …

Summoning The Body That Acts, Brendan M. Mccauley

Masters Theses

Seven series of artworks; painted, drawn and performed. These works are presented as affective incorporation exercises, that test modes of aesthetic communication in response to varying political contingencies. The constitutive processes used to develop the work also function as a methodology for my own political radicalization. As an artist I am wagering how to talk, as an activist I am preparing to act. The artworks discussed occur at the crossroads of these desires as enactions of futurity within the subjunctive mood.