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Arts and Humanities Commons

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University of Massachusetts Amherst

Selected Works

2014

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Articles 1 - 10 of 10

Full-Text Articles in Arts and Humanities

Innovative Representations Of Light, Behaving As Both Particles And Waves, Among The Paintings Of Monet And Renoir, Charles Smith Nov 2014

Innovative Representations Of Light, Behaving As Both Particles And Waves, Among The Paintings Of Monet And Renoir, Charles Smith

Charles Kay Smith

Monet and Renoir, friends collaborating in open air about 1865, discovered that sunlight filtering through a canopy of tree leaves does not produce the splotches and dapples that studio artists conventionally represented at the time but circles of light. Sometimes the circles of light punctuating the shade are clear, separate and crisp, as though light is being propagated as particles, but if the pin-hole gaps between leaves are very close together, they will project compound or superimposed circles that look like the waves that Thomas Young saw in his double slit experiment in 1803-4. Newton’s Opticks published in 1704 had …


Shadows Know, A Poem 11/12/2014, Charles Smith Nov 2014

Shadows Know, A Poem 11/12/2014, Charles Smith

Charles Kay Smith

Partly written during an illness several years ago; I finished it last year.


Elegy For Allen, Prose/Poem 9/12/2014, Charles Smith Sep 2014

Elegy For Allen, Prose/Poem 9/12/2014, Charles Smith

Charles Kay Smith

This Elegy is a poetic version of a eulogy I made at Allen Midyett's memorial service in late summer of 2013.


Dress Shopping With Ginny, A Prose/Poem 8/5/2014, Charles Smith Aug 2014

Dress Shopping With Ginny, A Prose/Poem 8/5/2014, Charles Smith

Charles Kay Smith

Another poetic experiment that opens an alternative direction for future work.


Merci Beaucoup, Mercy Barracuda, Charles Smith, Virginia Midyette Jun 2014

Merci Beaucoup, Mercy Barracuda, Charles Smith, Virginia Midyette

Charles Kay Smith

A children's book of 45 pp for ages 9-12. The story is about a friendly Barracuda named Mercy who teaches environmentalism to schools of fish, and three children who fall in love with her.


Jeanne D'Arc: Maid Of Oleans, A Prose/Poem 6/4/2014, Charles Kay Smith Jun 2014

Jeanne D'Arc: Maid Of Oleans, A Prose/Poem 6/4/2014, Charles Kay Smith

Charles Kay Smith

A poem introducing a theory of how Joan, an illiterate teenager, inspired a demoralized French army to defeat the English.


Participatory Design Ethnography In The Learning Commons: Initial Research Findings, Krista Harper May 2014

Participatory Design Ethnography In The Learning Commons: Initial Research Findings, Krista Harper

Krista M. Harper

Presentation on initial findings from research at the UMass Amherst Learning Commons using participatory design ethnography and Photovoice. In this Spring 2014 project, I guided students through a semester-length research study of students' perspectives on and practices in the library.


American Inequality, A Prose/Poem 3/2/2014, Charles Smith Mar 2014

American Inequality, A Prose/Poem 3/2/2014, Charles Smith

Charles Kay Smith

Science has made possible an increased productivity that creates an economic surplus--science continually teaches us how to do more with less resources. Why should the fruits of science be enjoyed only by the rich, since most of the innovations of science and technology have been funded or subsidized by citizen taxes. If the added productivity of science were shared among all citizens instead of only the 1%, poverty and homelessness could be ended.


Hadrian's Beard, A Prose/Poem 2/26/2014, Charles Smith Feb 2014

Hadrian's Beard, A Prose/Poem 2/26/2014, Charles Smith

Charles Kay Smith

In his official portraits, Roman Emperor Hadrian sported a Greek beard rather than the clean shaven face that all Roman leaders had shown before him. What was his purpose in shattering precedent?


From Cultural Property To Cultural Data: The Multiple Dimensions Of "Ownership" In A Global Digital Age, Neil A. Silberman Jan 2014

From Cultural Property To Cultural Data: The Multiple Dimensions Of "Ownership" In A Global Digital Age, Neil A. Silberman

Neil A. Silberman

No abstract provided.