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Full-Text Articles in Arts and Humanities

Sweating Femininity: Women Athletes, Masculine Culture, And American Inequality From 1930 To The Present, Michella Mary Marino May 2013

Sweating Femininity: Women Athletes, Masculine Culture, And American Inequality From 1930 To The Present, Michella Mary Marino

Open Access Dissertations

Despite a long history of participation in sports, women have yet to gain equal access to this male-dominated realm. The national sports culture continues to regard them as marginal, if not invisible. For more than a century, women athletes have struggled against a subordinate status based on rigid definitions of female sexuality, an emphasis on white middle-class standards of beauty, and restrictive cultural expectations of motherhood. This dissertation, however, reveals a vital story of feminist women who have consistently stretched the boundaries of gender and have actively carved out their own identities as women, athletes, and mothers while playing an …


Racialized Spaces In Teacher Discourse: A Critical Discourse Analysis Of Place-Based Identities In Roche Bois, Mauritius, Elsa Marie Wiehe Feb 2013

Racialized Spaces In Teacher Discourse: A Critical Discourse Analysis Of Place-Based Identities In Roche Bois, Mauritius, Elsa Marie Wiehe

Open Access Dissertations

This eleven-month ethnographic study puts critical discourse analysis in dialogue with postmodern conceptualizations of space and place to explore how eight educators talk about space and in the process, produce racialized spaces in Roche Bois, Mauritius. The macro-historical context of racialization of this urban marginalized community informs the discursive analysis of educators' talk at school. Drawing on theories of race that call for the non-deterministic exploration of race relations as they occur in different contexts and times (Hall, 2000; Pandian & Kosek, 2003; Essed & Goldberg, 2000), I explore the spatial racialization of children in Roche Bois as a process …


A 'Living Art': Working-Class, Transcultural, And Feminist Aesthetics In The United States, Mexico, And Algeria, 1930s, Tabitha Adams Morgan May 2012

A 'Living Art': Working-Class, Transcultural, And Feminist Aesthetics In The United States, Mexico, And Algeria, 1930s, Tabitha Adams Morgan

Open Access Dissertations

The cultural productions of Katherine Anne Porter, Anita Brenner, Tina Modotti, Maria Izquierdo, and Juanita Guccione represent a distinctive interweaving of gender and class consciousness, national identification and political resistance, as represented in their artistic work. These five women became transnational carriers of a radical realist and modernist thought, culture, and ideology that became transported through their art when their gendered and classed bodies were left otherwise silenced and boundaried. These women, their cultural productions, and the ways in which their art generates a counter discourse to the dominant and institutionalized conceptions of transculturalism, aesthetics, and re-production, are vital to …


Identity And The Limits Of Possibility, Sam Cowling Sep 2011

Identity And The Limits Of Possibility, Sam Cowling

Open Access Dissertations

Possibilities divide into two kinds. Non-qualitative possibilities are distinguished by their connection to specific individuals. For example, the possibility that Napoleon is a novelist is non-qualitative, since it is a possibility for a specific individual, Napoleon. In contrast, the possibility that someone---anyone at all---is a novelist is a qualitative possibility, since it does not depend upon any specific individual. Haecceitism is a thesis about the relation between qualitative and non-qualitative possibilities. In one guise, it holds that some maximal possibilities---total ways the world could be---differ non-qualitatively without differing qualitatively. It would, for example, be only a haecceitistic difference that distinguishes …


'Oh! La Que Su Rostro Tapa/No Debe Valer Gran Cosa': Identidad Y Critica Social En La Cultura Transatlantica Hispanica (1520 - 1860) / 'Oh! The One Who Covers Her Face / Surely Is Not Worth Much': Identity And Social Criticism In Transatlantic Hispanic Culture (1520-1860), Isabelle Therriault May 2010

'Oh! La Que Su Rostro Tapa/No Debe Valer Gran Cosa': Identidad Y Critica Social En La Cultura Transatlantica Hispanica (1520 - 1860) / 'Oh! The One Who Covers Her Face / Surely Is Not Worth Much': Identity And Social Criticism In Transatlantic Hispanic Culture (1520-1860), Isabelle Therriault

Open Access Dissertations

In 1639, a law prohibiting women any head covering; veil, mantilla, manto for example, is promulgated for the fifth time in the Iberian Peninsula under the penalty of losing the garment, and subsequently incurring more severe punishments. Regardless of these edicts this social practice continued. My dissertation investigates the cultural representation of these covered women (tapadas) in Spain and the New World in a vast array of early modern literary, historical and legal documents (plays, prose, and regal laws, etc.). Overall, critics associate the use of the veil in the Spanish territories with religious tendencies and overlook the social component …