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The Adjudicator Speaks: A Study Of Choral Festival Adjudicators’ Practices, Procedures And Preferences, David L. Hensley Jan 2016

The Adjudicator Speaks: A Study Of Choral Festival Adjudicators’ Practices, Procedures And Preferences, David L. Hensley

Theses and Dissertations--Music

Choral Festivals, whether competitive or non-competitive, involve preparation, performance, and evaluation. The process of preparing for and performing at a choral festival often leaves the conductor and choir members wondering what the adjudicators (judges) will be listening for and on what basis the choir will receive its critique. Few if any music education publications (including methods textbooks, scholarly publications, and journal articles) have addressed this topic, and those that have addressed it have failed to include the adjudicator’s point of view. This dissertation addresses the point of view of the choral festival adjudicator, giving insight into the standards of performance …


Symphony For Wind Orchestra By Luis Serrano Alarcón: Background, Analysis, And Conductor’S Guide, Donald F. Goodwin Jan 2016

Symphony For Wind Orchestra By Luis Serrano Alarcón: Background, Analysis, And Conductor’S Guide, Donald F. Goodwin

Theses and Dissertations--Music

Born in 1972, Luis Serrano Alarcón has in a very short period of time, established himself as one of Spain’s most prominent composers. His works are constantly being performed, not only in his home country, but throughout the world. While some of his compositions tend to retain the rhythmic, harmonic, and melodic style typical to Spanish music, many of the works sound as if they were borne more from the Viennese symphonic tradition, both during the time of Haydn and Beethoven, but also during the time of Arnold Schoenberg.

As a young boy Alarcón took up piano lessons with a …


Beyond England's "Green And Pleasant Land": English Romantics Outside The Musical Renaissance, Christopher Little Jan 2016

Beyond England's "Green And Pleasant Land": English Romantics Outside The Musical Renaissance, Christopher Little

Theses and Dissertations--Music

England experienced a resurgence of musical talent in the late nineteenth and early twentieth centuries known as the "English Musical Renaissance." This rebirth spanned the years 1880 – 1945 and is credited to the work of Edward Elgar, Frederick Delius, Gustav Holst, and Ralph Vaughan Williams. Their break with Continental compositional models and the subsequent rediscovery of Tudor music and English folk song eventually created a "pastoral" musical style, heard as the authentically English musical voice.

A strain of English musical Romanticism continued parallel to the Renaissance, however, represented by Granville Bantock, Joseph Holbrooke, Rutland Boughton, Arnold Bax, and Havergal …


Recommendations For Vocal Pedagogy Curriculum Based On A Survey Of Singers’ Knowledge And Research In Vocal Hygiene, Diana Lindsey Vetter Jan 2016

Recommendations For Vocal Pedagogy Curriculum Based On A Survey Of Singers’ Knowledge And Research In Vocal Hygiene, Diana Lindsey Vetter

Theses and Dissertations--Music

Professional voice users such as singers and teachers are at high risk for vocal injury. A literature review was conducted to understand the prevalence of voice problems and the effectiveness of vocal hygiene education. The findings of the review suggested that in order to reduce the impact of voice disorders, it is imperative that the education of singers and teachers include how the voice functions and how to best take care of it.

The purpose of this study was to discover what students on a collegiate level know about vocal anatomy, physiology, and vocal hygiene issues. It was hypothesized that …


Meter, Phrase, And Form In The Compositions Of Maria Schneider, Benjamin M. Geyer Jan 2016

Meter, Phrase, And Form In The Compositions Of Maria Schneider, Benjamin M. Geyer

Theses and Dissertations--Music

The central claims of this study are that Maria Schneider relies on normative rhythmic structures from the jazz tradition, and that her expressive deviations from those norms are comprehensible to experienced listeners in real time. The study proposes a non-recursive model of hypermeter wherein the measure is formed through entrainment, the four-bar sub-unit is formed through recognizable qualia at the measure level, and the eight-bar level is formed through the expectation for sub-units to group into pairs. I introduce the “structural phrase” as a unit that, while normatively hypermetrical, is distinct from the issue of hypermeter in its formal aspects …


A Performance Guide For Lyric Tenor: A Pedagogical Analysis Of Ten Francesco Paolo Tosti Songs, Mark Aaron Kano Jan 2016

A Performance Guide For Lyric Tenor: A Pedagogical Analysis Of Ten Francesco Paolo Tosti Songs, Mark Aaron Kano

Theses and Dissertations--Music

This study provides background information, International Phonetic Alphabet (IPA) transcriptions and pronunciations, poetic translations, and pedagogical analyses of ten Francesco Paolo Tosti songs. Included is the connection between the rhythm and meter of the poetry and its’ influence on Tosti’s setting of the text to music. In addition, a portion is devoted to an overview of pedagogy, specifically, appoggio, registers and passaggi in the lyric tenor voice, range and, as well as chiaroscuro. This document addresses potential vocal challenges presented for the lyric tenor voice within each song, as well as the benefits. In particular, suggestions for vowel …


Music As Narrative In American College Football, John M. Mccluskey Jan 2016

Music As Narrative In American College Football, John M. Mccluskey

Theses and Dissertations--Music

American college football features an enormous amount of music woven into the fabric of the event, with selections accompanying approximately two-thirds of a game’s plays. Musical selections are controlled by a number of forces, including audio and video technicians, university marketing departments, financial sponsors, and wind bands. These blend together in a complex design that offers audible and visual stimulation to the audience during the game’s pauses. The music chosen for performance in these moments frequently communicates meaning beyond entertainment value. Selections reinforce the game’s emotional drive, cue celebrations, direct specific audience actions, and prompt behaviors that can directly impact …


Music Therapy Interventions For End-Of-Life Care: An Integrative Literature Review, Ranjani Sukumaran Jan 2016

Music Therapy Interventions For End-Of-Life Care: An Integrative Literature Review, Ranjani Sukumaran

Theses and Dissertations--Music

Music therapy plays an integral role in end-of-life care, positively impacting emotional, social, physical, cognitive and spiritual health. The purpose of this integrative review was to collect and compile studies (N= 55) between 2000 and 2016 on the topic of music therapy interventions in end-of-life care, in order to provide both music therapy students and therapists access to the most recent and commonly used music therapy interventions and goals. Results of the integrative literature review indicate that the most common intervention for all age groups in end-of-life care is songwriting and composition, with the most common therapeutic goal …


Practices And Perceptions Of Music Therapists Using Songwriting Interventions With Clients Who Are Grieving, Erin Aubrey Batkiewicz Jan 2016

Practices And Perceptions Of Music Therapists Using Songwriting Interventions With Clients Who Are Grieving, Erin Aubrey Batkiewicz

Theses and Dissertations--Music

Music therapists use songwriting interventions to address a variety of goals with several populations. Nevertheless, limited research exists regarding the use of songwriting interventions with individuals who are grieving. The purpose of this study was to examine practices and perceptions of board-certified music therapists working with clients who are grieving, specifically: (a) common interventions used to address grief (b) use of songwriting intervention; (c) perceived effectiveness of songwriting; and (d) music therapists’ comfort levels and training in implementing songwriting interventions. An online survey was sent to 6,292 board-certified music therapists, 324 of whom completed the survey. Participants reported that they …


Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio Jan 2016

Robert Nelson's A Room With A View: The Creation Of A Contemporary Opera, Marcello Cormio

Theses and Dissertations--Music

My recent engagement as music director and conductor of Robert Nelson’s A Room with a View (1992, rev. 2004) has offered me the valuable opportunity to work on an opera side by side with its composer. The purpose of this dissertation is to reconstruct the various stages of the process of creation, interpretation, and performance of a contemporary opera, addressing aspects of the collaboration between the composer and the conductor.

The methodology used in my research is based primarily on direct observation and interview. The investigation is conducted from the perspective of a “participant-observer,” due to my personal involvement in …


Current Practices In Music Therapy With Bone Marrow And Organ Transplant Recipients, Heather Humphrey Jan 2016

Current Practices In Music Therapy With Bone Marrow And Organ Transplant Recipients, Heather Humphrey

Theses and Dissertations--Music

There is limited research on music therapy for transplant recipients, yet board-certified music therapists working in medical settings often encounter individuals from the transplant population. The purpose of this study was to examine the current practices of music therapists working with bone marrow and organ transplant recipients. A total of 68 board-certified music therapists completed an online survey, providing information related to goal areas addressed in music therapy sessions and interventions frequently used with bone marrow and organ transplant patients. The most frequently reported goal areas included: coping skills, mood, and self-expression. The most frequently reported interventions included: singing, songwriting, …


The Choral Composer/Conductor Collective: An Ongoing Experiment In Musical Self-Governance, Julian D. Bryson Jan 2016

The Choral Composer/Conductor Collective: An Ongoing Experiment In Musical Self-Governance, Julian D. Bryson

Theses and Dissertations--Music

C4: The Choral Composer/Conductor Collective and Triad: Boston’s Choral Collective are the first choirs to explore collectivity as a method of ensemble organization. While more traditional ensembles have a single artistic director, C4 and Triad share and rotate leadership responsibilities among the full membership. Artistic and logistical decisions develop through conversation, consensus, and/or voting.

This monograph draws primarily on interviews with thirteen current and former members of the two ensembles as well as the author’s personal experiences with Triad’s inaugural concert cycle to present a narrative description of member characteristics, governance, and operational processes. Interview responses are compared to relevant …


Music For Brass Quintet With Orchestral Accompaniment: Commissioned Works, The Annapolis Brass Quintet, And A Survey Of Literature For Brass Quintet And Orchestra, Stacy L. Simpson Jan 2016

Music For Brass Quintet With Orchestral Accompaniment: Commissioned Works, The Annapolis Brass Quintet, And A Survey Of Literature For Brass Quintet And Orchestra, Stacy L. Simpson

Theses and Dissertations--Music

Today’s leading brass chamber ensemble is the brass quintet, whose inception was relatively late compared to the string quartet or woodwind quintet. The first modern brass quintet formed in the 1950s, while the first string quartet can be traced to the 17th century. Compositions for woodwind quintet were written as early as 1811 during the Classical Period.

The New York Brass Quintet, American Brass Quintet, and Annapolis Brass Quintet commissioned a large portion of the currently existing brass quintet literature. The literature grew exponentially as the brass quintet became popular in the 1960s. Also during this time, a new genre …


La Voix Humaine: A Technology Time Warp, Whitney Myers Jan 2016

La Voix Humaine: A Technology Time Warp, Whitney Myers

Theses and Dissertations--Music

In 1959 French composer Francis Poulenc composed the opera La Voix humaine based on Jean Cocteau’s original play (1928). La Voix humaine is a one-act opera for soprano. The main character, Elle, spends the opera on the phone with her ex-lover who is marrying another the next day. Many musicians believe this opera is difficult or impossible to update, due to the use of the telephone and its dated operator system, which is a large aspect of the action and drama.

This document provides the reader with a new interpretation of the opera with modern technology. Chapter One begins with …


Attitudinal Differences Of Choral Music Teachers In Regards To Vocal Change Type, Jill C. Campbell Jan 2016

Attitudinal Differences Of Choral Music Teachers In Regards To Vocal Change Type, Jill C. Campbell

Theses and Dissertations--Music

The purpose of this study was to investigate whether differences exist in secondary choral music teachers’ understandings and attitudes toward sex-specific vocal change and whether these differences vary by virtue of years of teaching experience. Participants (N = 405) were secondary choral music educators and current members on the National Association for Music Education who were surveyed using a researcher-designed attitudinal questionnaire. The survey instrument consisted of 20 questions related to teacher attitude towards sex-specific vocal change. Responses were recorded in using a 7-point Likert-type scale and included two anecdotal responses. Paired-samples t-tests were conducted and revealed that there …


Comparing Textbooks From Entry-Level Courses In Music Therapy And Related Health Professions, Alexandria Langella Jan 2016

Comparing Textbooks From Entry-Level Courses In Music Therapy And Related Health Professions, Alexandria Langella

Theses and Dissertations--Music

Music therapists often co-treat with other therapists from related professions, including physical therapy, occupational therapy, and speech-language pathology. In order to co-treat effectively and obtain referrals for music therapy services, it is important that other professionals have an awareness of the profession of music therapy. University-level professional training program courses are one place where health care professionals may learn about music therapy. The purpose of this study was to see if required textbooks used in physical therapy, occupational therapy, and speech-language pathology entry-level courses in Kentucky contain references to music therapy, and if the required textbooks used in music therapy …


Childe Roland: String Quartet, Percussion And Electric Guitar, David Blevins Jan 2016

Childe Roland: String Quartet, Percussion And Electric Guitar, David Blevins

Theses and Dissertations--Music

An original composition in five movements for string quartet, percussion and electric guitar. Majority of the electric guitar parts are marked “quasi-improvisation”, with the intent of allowing the player freedom to explore their own creativity and expand upon the notated guitar parts as desired. The percussion parts, also marked “quasi-improvisation”, allow the player to expand upon the notated rhythms and choose their own combination of muted wood blocks as desired.

The name of this piece and its individual movements pay homage to the author Steven King and his series of books known as the The Dark Tower. Much of …


An Alternative Approach To The Singer's Breath: Method And Workshop, Bradley S. Williard Jan 2016

An Alternative Approach To The Singer's Breath: Method And Workshop, Bradley S. Williard

Theses and Dissertations--Music

This research endeavors to stretch the boundaries of vocal training, a field defined by its century-old techniques and teachings, to include the cultivation of a relationship with the breath, body, and Self. The paper reviews the contributions of Ilse Middendorf and Carl Stough’s work with the breath and body and outlines a new method, Unlock Your Breath (UYB) – Performance Breathwork, which integrates the greatest strengths of those methods. UYB Performance Breathwork teaches the singer’s breath as a way towards deeper embodiment of Self (mind-body-voice relationship), while creating a stronger breath-body-voice connection with minimum effort and maximum efficiency. This …


The Effect Of Implied Performer Age, Implied Performer Gender, And Performance Quality Level On Music Majors’ Evaluations Of Solo Musical Performances, Ann M. Harrington Jan 2016

The Effect Of Implied Performer Age, Implied Performer Gender, And Performance Quality Level On Music Majors’ Evaluations Of Solo Musical Performances, Ann M. Harrington

Theses and Dissertations--Music

The purpose of this study was to examine the effect of implied performer age, implied performer gender, and performance quality level on undergraduate music majors’ evaluations of solo alto saxophone performances. Participants (N = 124) were randomly assigned to one of four experimental conditions: (a) good quality musical performances with images of male performers, (b) good quality musical performances with images of female performers, (c) poor quality musical performances with images of male performers, and (d) poor quality musical performances with images of female performers. All experimental conditions contained high quality images of the faces of both older adults …


Understanding The Percussion Works Of Alejandro Viñao: An Analysis And Performer’S Guide Of Water For Percussion Ensemble, Christopher L. Butler Jan 2016

Understanding The Percussion Works Of Alejandro Viñao: An Analysis And Performer’S Guide Of Water For Percussion Ensemble, Christopher L. Butler

Theses and Dissertations--Music

The music of Alejandro Viñao is driven primarily by rhythm rather than traditional classical music components such as melody, harmony, and formal structures. As such, this focus on rhythm showcases the innovation of multiple time, defined as the musical simulation of various meters and tempi. Pioneered by Conlon Nancarrow, this rhythmic innovation is identified within Water (2013).

The purpose of this dissertation is to provide insight and analysis of the specific musical characteristics of Viñao’s compositional style. These characteristics include the use of rhythmic grooves, attractors, echo effect, tenuto markings, Euclidean rhythms, and water imagery. Once this analysis has been …