Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 30 of 32

Full-Text Articles in Arts and Humanities

Review Of Adele Reinhartz, Jesus Of Hollywood [Review Of The Book Jesus Of Hollywood, By A. Reinhartz], Rubén R. Dupertuis Nov 2008

Review Of Adele Reinhartz, Jesus Of Hollywood [Review Of The Book Jesus Of Hollywood, By A. Reinhartz], Rubén R. Dupertuis

Religion Faculty Research

Since the advent of the modern film in the late nineteenth century over one hundred films on Jesus have been made. They tend to come in spurts. About a half-dozen major silent films were produced in the 1920s and 1930s, the most famous of which is Cecil B. DeMille's The King of Kings (1927). After over three decades in which no Jesus film appeared—thanks in part to the Production Code adopted by Hollywood and promoted by the Catholic Legion of Decency—several rmajor films on Jesus were released in the 1960s, and several more in the 1970s, including two musicals. The …


Real Lies, White Lies And Gray Lies: Towards A Typology Of Deception, Erin M. Bryant Oct 2008

Real Lies, White Lies And Gray Lies: Towards A Typology Of Deception, Erin M. Bryant

Human Communication and Theatre Faculty Research

Despite its aversive label, deception is an extremely common social behavior that the average person performs on a daily basis (Camden, Motley, & Wilson, 1984; DePaulo, Kashy, Kirkendol, Wyer, & Epstein, 1996; Turner, Edgley, & Omstead, 1975). In fact, the use of white lies is so widespread they are often viewed as a form of communication competency that is necessary to successfully negotiate social interactions (Camden et al, 1984; Di Battista, 1994; Knapp & Comedena, 1975; Knapp, Hart, & Dennis, 1974). This study aimed to explore how college students perceive white lies and differentiate them from other types of lies …


The Death Of Sigmund Freud: The Legacy Of His Last Days [Review], Michael Fischer Oct 2008

The Death Of Sigmund Freud: The Legacy Of His Last Days [Review], Michael Fischer

English Faculty Research

Sigmund Freud has been on Mark Edmundson’s mind at least since his 1990 book, Towards Reading Freud: Self-Creation in Milton, Wordsworth, Emerson, and Sigmund Freud. In that book, Edmundson uncovers a tension between two sides of Freud: the normative Freud committed to a rigid understanding of human behavior, and the romantic Freud whose restlessness with all given conventions inspired endless self-reinvention in his own writing. This side of Freud shows his kinship to Wordsworth, Emerson, and other writers and provides grounds of resistance to what is most stultifying in his own work. In Edmundson’s view, we need the imaginative …


Inner Workings: Literary Essays 2000-2005 [Review], David Rando Oct 2008

Inner Workings: Literary Essays 2000-2005 [Review], David Rando

English Faculty Research

Like Stranger Shores (2000), Inner Workings collects J. M. Coetzee’s recent literary essays, many of which first appeared in The New York Review of Books or as introductions. Bound together, they accrue a taste and texture that readers might not have suspected if they encountered these essays in their original publications. Coetzee engages a compelling cluster of twentieth-century writers, including, among others, Italo Svevo, Walter Benjamin, Paul Celan, W. G. Sebald, Samuel Beckett, Saul Bellow, Nadine Gordimer, Gabriel García Márquez, V. S. Naipaul, and, likely of special interest to this journal’s readers, Philip Roth. Walt Whitman is the lonely denizen …


The Methodology Of Musical Ontology: Descriptivism And Its Implications, Andrew Kania Oct 2008

The Methodology Of Musical Ontology: Descriptivism And Its Implications, Andrew Kania

Philosophy Faculty Research

I investigate the widely held view that fundamental musical ontology should be descriptivist rather than revisionary, that is, that it should describe how we think about musical works, rather than how they are independently of our thought about them. I argue that if we take descriptivism seriously then, first, we should be sceptical of art-ontological arguments that appeal to independent metaphysical respectability; and, second, we should give ‘fictionalism’ about musical works—the theory that they do not exist—more serious consideration than it is usually accorded.


The Mother Church: Mary Baker Eddy And The Practice Of Sentimentalism, Claudia Stokes Sep 2008

The Mother Church: Mary Baker Eddy And The Practice Of Sentimentalism, Claudia Stokes

English Faculty Research

“The Mother Church” analyzes the influence of literary sentimentalism on the writings and doctrine of Mary Baker Eddy, the founder of Christian Science. Having attempted a career as a sentimental poet in her early life, Eddy imported sentimental notions of motherhood and parent-child separation into Christian Science belief and iconography.


The Design Argument In Classical Hindu Thought, C. Mackenzie Brown Aug 2008

The Design Argument In Classical Hindu Thought, C. Mackenzie Brown

Religion Faculty Research

Hindu responses to Darwinism, like Christian, have run the gamut from outright rejection to fairly robust but limited accommodations of the Darwinian perspective. Despite certain features of Hindu thought such as the enormous time-scales of traditional cosmogonies that may suggest considerable affinity with modern notions of organic evolution, more often than not traditional assumptions have worked against deep engagement with Darwinism, allowing only for superficial assimilation at best. Three fundamental factors have affected Hindu responses to Darwinism: the great diversity within the tradition spanning evolutionist and creationist perspectives, the encounter with Darwinism in the late nineteenth century as part of …


Review Of Jonathan L. Reed, The Harpercollins Visual Guide To The New Testament [Review Of The Book The Harpercollins Visual Guide To The New Testament: What Archaeology Reveals About The First Christians, By J. L. Reed], Rubén R. Dupertuis Jul 2008

Review Of Jonathan L. Reed, The Harpercollins Visual Guide To The New Testament [Review Of The Book The Harpercollins Visual Guide To The New Testament: What Archaeology Reveals About The First Christians, By J. L. Reed], Rubén R. Dupertuis

Religion Faculty Research

Jonathan Reed begins the first chapter of The HarperCollins Visual Guide to the New Testament with the assertion that "archaeology is imperative for the study of the New Testament." This much most students of the New Testament and early Christian literature would grant. But how and to what degree is archaeology important to biblical studies is less clear and can be at times a contentious issue. The expectation that archaeology should provide proof of the historical reliability of the New Testament has for decades sent many a would-be Indiana Jones off in search of this or that biblical site with …


In Defense Of Genius: Howells And The Limits Of Literary History, Claudia Stokes Apr 2008

In Defense Of Genius: Howells And The Limits Of Literary History, Claudia Stokes

English Faculty Research

In early 1886, William Dean Howells fell into an ugly public debate with the poet and critic Edmund Clarence Stedman. Carried out in the pages of Harper’s Monthly and the New Princeton Review, this dispute started as a disagreement about the origins of literary craftsmanship but quickly escalated into a heated epistemological squabble about the limits of historical knowledge. It began in March of that year, when Howells gave a mixed review to Stedman’s Poets of America (1885), a history of American poetry. Though Howells conceded the importance of Stedman’s contribution to the emerging discipline of American literary history, …


Using Stanley Cavell, Michael Fischer Apr 2008

Using Stanley Cavell, Michael Fischer

English Faculty Research

Stanley Cavell often speaks of inheriting and carrying on the work of Ludwig Wittgenstein, Ralph Waldo Emerson, Henry David Thoreau, and other writers. These writers help him move on in his own thinking, turning him around when he feels lost, provoking him when he gets discouraged or stuck. His indebtedness to J. L. Austin in the acknowledgements to Must We Mean What We Say? (1969) captures one way he benefits from all the writers who have influenced him: “To the late J. L. Austin I owe, beyond what I hope is plain in my work, whatever is owed the teacher …


Joyce's Kaleidoscope: An Invitation To "Finnegans Wake" [Review], David Rando Apr 2008

Joyce's Kaleidoscope: An Invitation To "Finnegans Wake" [Review], David Rando

English Faculty Research

Books about Finnegans Wake announce their forms with unusual regularity: skeleton keys, plot summaries, reader’s guides, first-draft versions, lexicons, gazetteers, censuses, genetic guides, annotations, and more. Every form offers a particular route through the Wake, and we hope our collective efforts add up to a cartography of possibilities. But until now we have never been issued an “invitation” to the Wake. Many readers of this journal will realize that they must have invited themselves uncouthly to the Wake long ago, and some will imagine that it is too late for invitations when one has already been at the party …


The Play Of Means And Ends: Justice In Lope's Fuenteovejuna, Matthew D. Stroud Apr 2008

The Play Of Means And Ends: Justice In Lope's Fuenteovejuna, Matthew D. Stroud

Modern Languages and Literatures Faculty Research

Lope’s masterpiece, Fuenteovejuna, is generally considered to be a glowing endorsement of the reign of Fernando and Isabel, who represent not just a glorious and hopeful Spanish history but political acumen, justice, and the triumph of good over evil. A closer examination of several key plot elements, however, reveals that almost every time characters are called upon to make decisions, they choose the option that at best circumvents the requirements for justice and at worst actively works to the detriment of the proper administration of justice and law. This study focuses on four pivotal moments—when Frondoso takes the Comendador’s …


"That's What I'Ll Remember": Louise Glück’S Odyssey From Nostos To Nostalgia, Corinne Ondine Pache Apr 2008

"That's What I'Ll Remember": Louise Glück’S Odyssey From Nostos To Nostalgia, Corinne Ondine Pache

Classical Studies Faculty Research

From Vergil’s Aeneid to James Joyce’s Ulysses and Derek Walcott’s Omeros, writers have used the Odyssey as a framework to explore the meaning of memory, home, and homecoming. When the American poet Louise Glück looks at a marriage unraveling in her collection of poems entitled Meadowlands (Glück 1996), she too turns to the Odyssey. Some of the poems in the collection refer directly to their ancient model as Glück gives voice to Circe’s regrets and anger, Penelope’s grief, and Telemachus’ ambivalence towards his parents. Other poems allude less transparently to their Homeric antecedents, but also go back to …


How And Why Potmarks Matter, Nicolle E. Hirschfeld Mar 2008

How And Why Potmarks Matter, Nicolle E. Hirschfeld

Classical Studies Faculty Research

Potmarks lie in a no-man's land, not quite within the usual parameters of ceramic studies, not usually a concern for epigraphists. Although many excavations have yielded some potmarks, they are not a regular feature of publication. But potmarks found in Bronze Age contexts in Cyprus occupy an unusual position in the archaeology of the Bronze Age Mediterranean: they are regularly noticed and published.


Rogier Van Der Weyden And Early Netherlandish Wall Memorials, Douglas Brine Jan 2008

Rogier Van Der Weyden And Early Netherlandish Wall Memorials, Douglas Brine

Art and Art History Faculty Research

The article considers two sculpted wall memorials from the Burgundian Netherlands that can be closely linked to the painter Rogier van der Weyden. The first was commissioned by Philip the Good, Duke of Burgundy, for the Franciscan convent church in Brussels in commemoration of two long-deceased Brabantine duchesses to whom he was distantly related. It was destroyed by the Calvinists but a series of payments of 1440 records the various craftsmen responsible for its creation, including Rogier van der Weyden, who polychromed the sculpture and painted the duke’s coats of arms on its wings. It is argued that the memorial …


Paul The Reluctant Witness: Power And Weakness In Luke's Portrayal [Review Of The Book Paul The Reluctant Witness: Power And Weakness In Luke's Portrayal By B. Shipp], Rubén R. Dupertuis Jan 2008

Paul The Reluctant Witness: Power And Weakness In Luke's Portrayal [Review Of The Book Paul The Reluctant Witness: Power And Weakness In Luke's Portrayal By B. Shipp], Rubén R. Dupertuis

Religion Faculty Research

That the Acts of the Apostles includes three slightly different accounts of Paul's Damascus road encounter with Jesus has long presented a challenge to interpreters. In this book Blake Shipp seeks to understand the function of the three accounts in Acts 9, 22, and 26 within the larger narrative sweep of Acts by means of a rhetorical analysis. Critical of what he calls the chaotic state of current rhetorical criticism, Shipp also proposes guidelines for the application of rhetorical analysis of the New Testament, something he terms a "literary-rhetorical" method. The bulk of Shipp's analysis of Acts consists of the …


Review Of Santiago Guijarro Oporto, Jesús Y Sus Primeros Discípulos [Review Of The Book Jesús Y Sus Primeros Discípulos, By S. Guijarro Oporto], Rubén R. Dupertuis Jan 2008

Review Of Santiago Guijarro Oporto, Jesús Y Sus Primeros Discípulos [Review Of The Book Jesús Y Sus Primeros Discípulos, By S. Guijarro Oporto], Rubén R. Dupertuis

Religion Faculty Research

This book collects nine studies by the author, each of which addresses slightly different aspects of the study of earliest Christianity in Palestine. All but one of the essays have been previously published between the years 2000 and 2006. As such, the book does not systematically work toward a single argument; nonetheless, the various chapters display a remarkable unity by virtue of addressing aspects of the study of the Synoptic Gospels and by means of a largely consistent methodological approach that can be described as a combination of typical New Testament methods and approaches, such as form and redaction criticism, …


Literary Retrospection In The Harlem Renaissance, Claudia Stokes Jan 2008

Literary Retrospection In The Harlem Renaissance, Claudia Stokes

English Faculty Research

In 1925, book collector and Harlem Renaissance patron Arthur A. Schomburg began the essay "The Negro Digs Up His Past," published in Alain Locke's landmark anthology The New Negro (1925), by proclaiming that the "American Negro must remake his past in order to make his future. ... So among the rising democratic millions we find the Negro thinking more collectively, more retrospectively than the rest, and opt out of the very pressure of the present to become the most enthusiastic antiquarian of them all" (231). These words might be surprising to the beginning student of the Harlem Renaissance, seduced by …


Functionalism, Curtis Brown Jan 2008

Functionalism, Curtis Brown

Philosophy Faculty Research

The term functionalism has been used in at least three different senses in the social sciences. In the philosophy of mind, functionalism is a view about the nature of mental states. In sociology and anthropology, functionalism is an approach to understanding social processes in terms of their contribution to the operation of a social system. In psychology, functionalism was an approach to mental phenomena which emphasized mental processes as opposed to static mental structures.


Plotinus On Primary Being, Damian Caluori Jan 2008

Plotinus On Primary Being, Damian Caluori

Philosophy Faculty Research

Late antique philosophers took a great interest in metaphysics. Indeed, the discipline's very name, "metaphysics", goes back to late antiquity.1 One of the main reasons for this great interest can be found in the view - widespread in this period - that an understanding of reality is crucial for our lives and for the destiny and salvation of our souls.2 Only by contemplating and by possessing knowledge of reality - a reality that was thought to be beyond the world of our ordinary experience - is the soul in an uncorrupted state of well being. Metaphysics is precisely …


Plotin: Was Fühlt Der Leib? Was Empfindet Die Seele?, Damian Caluori Jan 2008

Plotin: Was Fühlt Der Leib? Was Empfindet Die Seele?, Damian Caluori

Philosophy Faculty Research

Thema dieses Aufsatzes ist Plotins Theorie der Emotionen, eines Themas, das in der antiken Philosophie in der Regel im Rahmen einer Handlungstheorie diskutiert wurde. So auch bei Plotin. In meinem Aufsatz wird gezeigt, wie der plotinische Leib-Seele-Dualismus im Hintergrund von Plotins Emotionstheorie steht: Leibliche Affekte werden von seelischen Emotionen unterschieden und es wird deutlich gemacht, dass das Haben einer Emotion im eigentlichen Sinn sowohl Rationalität als auch einen Leib voraussetzt. Zwei Aspekte werden besonders hervorgehoben: 1. Plotin gehört zu den Vertretern einer kognitivistischen Emotionstheorie. 2. Im Gegensatz zu vielen anderen Kognitivisten (z.B. der Stoa) macht er aber auch in einer …


Literature And The Passion Of Virtue, Lawrence Kimmel Jan 2008

Literature And The Passion Of Virtue, Lawrence Kimmel

Philosophy Faculty Research

There has always been a reasonable concern that passion constitutes a challenge to the ordeal of civility—that passion and pathology are close cousins if not twin siblings. But in a time and place where political correctness seems to be replacing moral sensibility and political biases are hawked as the morality of family values, it is reasonable to redirect attention to a world of literature in which morality has never been reduced to norms of social currency and where virtue still embodies a passion of commitment that aspires to excellence.


Eros / Kalon / Agathos: Love, The Beautiful And The Good, Lawrence Kimmel Jan 2008

Eros / Kalon / Agathos: Love, The Beautiful And The Good, Lawrence Kimmel

Philosophy Faculty Research

My interest in this essay is an investigation of beauty in the transformation of standards of value. This requires that I address not simply an aesthetics of beauty—the sensuous experience common to the judgment that something is beautiful—but a poetics of beauty, in the sense that beauty is not merely a passive reflection of experience, but an active bringing forth. Contemporary discussions of beauty in art, if the question is addressed at all (artists understandably weary at the insistence that art be “beautiful” in traditional or accepted standards of the time) tend, as do other such questions, to be technical …


Piece For The End Of Time: In Defence Of Musical Ontology, Andrew Kania Jan 2008

Piece For The End Of Time: In Defence Of Musical Ontology, Andrew Kania

Philosophy Faculty Research

Aaron Ridley has recently attacked the study of musical ontology—an apparently fertile area in the philosophy of music. I argue here that Ridley’s arguments are unsound. There are genuinely puzzling ontological questions about music, many of which are closely related to questions of musical value. While it is true that musical ontology must be descriptive of pre-existing musical practices and that some debates, such as that over the creatability of musical works, have little consequence for questions of musical value, none of this implies that these debates themselves are without value.


Works, Recordings, Performances: Classical, Rock, Jazz, Andrew Kania Jan 2008

Works, Recordings, Performances: Classical, Rock, Jazz, Andrew Kania

Philosophy Faculty Research

In this essay, I undertake a comparative study of the ontologies of three quite distinct Western musical traditions – classical, rock, and jazz – approached from the unusual angle of their recordings. By the ‘ontology’ of a tradition I mean simply the kinds of things there are in that tradition and the relations that hold between them. A study of this scope is bound to leave many questions unanswered when restricted to this length. The ontology of classical music has been debated in the analytic tradition for close to half a century, and there has been a growing interest in …


New Waves In Musical Ontology, Andrew Kania Jan 2008

New Waves In Musical Ontology, Andrew Kania

Philosophy Faculty Research

Since analytic aesthetics began, around 50 years ago, music has perhaps been the art most discussed by philosophers. The reasons for philosophers' attraction to music as a subject are obscure, but one element is surely that music, as a non-linguistic, non-pictorial, multiple-instance, performance art, raises at least as many questions about expression, ontology, interpretation and value as any other art—questions that often seem more puzzling than those raised by other arts.


Intimate Moments Among The Dead: Death And Time In The Work Of Loren Eiseley, Lawrence Kimmel Jan 2008

Intimate Moments Among The Dead: Death And Time In The Work Of Loren Eiseley, Lawrence Kimmel

Philosophy Faculty Research

This essay is written in the shadow of the wisdom of Loren Eiseley. The source of the thought herein is drawn from Eiseley's unique vision of time and the relational ambiguities of the living and the dead, or at the very least these notes are haunted by the penetrating and often dark insights of this inveterate bone hunter and very human scholar of man's origins. What follows, then, is written against the background reference to what is arguable a unique approach and singular sensitivity to the world of the dead in the writings of Loren Eiseley.


Time, Lawrence Kim Jan 2008

Time, Lawrence Kim

Classical Studies Faculty Research

In his monumental work Time and Narrative, Paul Ricoeur distinguishes 'tales about time', like The Magic Mountain or Remembrance of Things Past, from 'tales of time', which all narratives are by virtue of the fact that they are read and unfold in time. Few would put the ancient novels into the former category; they are not explicitly about time in an abstract sense, that is, they rarely discuss time in a philosophical or reflective fashion. Much scholarship has instead focused on how the novelists manage their 'tales of time' - for example how Heliodorus manipulates the temporal order …


Mortels Et Immortelles Dans La Théogonie, Corinne Ondine Pache Jan 2008

Mortels Et Immortelles Dans La Théogonie, Corinne Ondine Pache

Classical Studies Faculty Research

Cet essai prend comme point de départ Ia conclusion de Ia Théogonie. Le poème d'Hésiode nous dit I'origine du monde et la naissance des dieux, un récit qui mène à la victoire et au règne suprême de Zeus sur le monde divin. Mais l'histoire ne finit pas Ià: au vers 963, l’aède invoque à nouveau les Muses et chante un catalogue à la gloire des déesses qui reposèrent dans les bras des mortels et donnèrent le jour à des enfants. La question de l’authenticité de ce catalogue a beaucoup occupé les spécialistes et certains ont même avancé I 'hypothèse qu …


Cypriot Pottery, Nicolle E. Hirschfeld Jan 2008

Cypriot Pottery, Nicolle E. Hirschfeld

Classical Studies Faculty Research

At least 3 of the 10 pithoi (large ceramic transport containers) stowed on the ship that sank at Uluburun contained Cypriot pottery: Bucchero jugs, lug-handled bowls, milk bowls, Base Ring bowls and a single juglet, White Shaved juglets, lamps, and wall brackets—about 140 pieces in total, excluding the pithoi. The Uluburun shipment and the ceramic cargo jettisoned off Point Iria on the Greek mainland a century later are the only extant excavated direct archaeological evidence for the transport of pottery in the eastern Mediterranean during the Late Bronze Age. These examples of ceramics-in-transport are highly significant for what they tell …