Arts and Humanities Commons^™

Defining Gastrocriticism As A Critical Paradigm On The Example Of Irish Literature And Food Writing: A Vade Mecum, Anke Klitzing

Doctoral

The aim of this study is to map out the gastrocritical approach, using Irish literature and writing to test its premises, and to provide a vade mecum for its practical application, particularly for interdisciplinary scholars. The gastrocritical approach furnishes a “culinary lens” for reading food and foodways in imaginative texts, informed by work in the field of food studies and gastronomy. The approach was broadly characterised by Tobin in 2002, but only sparsely used since. The past fifteen years have seen an increasing self-awareness and reflexivity in the field of literary food studies. As the field matures, there have been …

What Is The Entrepreneurship Process For Communication Design Enterprises?, Con Kennedy

Doctoral

The literature indicated that entrepreneurship plays a crucial role in economic development and that understanding what entrepreneurship is has changed with the development of society and entrepreneurship theory (Murphy et al., 2006). However, there is an identified skills deficit in understanding entrepreneurship in the communication design sector (Design Enterprise Skillnet, 2021; Department of Jobs, Enterprise and Innovation, 2016; Intertrade Ireland, 2009; Design Council, 2007; Enterprise Ireland, 1999). Nevertheless, within each of these studies, the deficit has not been addressed, nor is the entrepreneurship process for communication design enterprises established. The literature on entrepreneurship generally ignores entrepreneurship in the design sector, …

Integrating Sensor Technology Into Artistic Practice: A Critical Examination Of The Role Of The Performer, Marcella Barz

Doctoral

This research questions how interactive music technology might enable creativity in performers. The format is a semi-autoethnographic narrative that follows the performer’s artistic process of preparing nine compositions for performance; these works are for bass clarinet or clarinet and live processing (created with Ableton Live, Max for Live, and the SABRe multi-sensor and remote).

In order to conduct this research, I remixed two existing bass clarinet works, collaborated with two composers on six new works, and composed my own piece. I maintained a reflective journal for four and a half years that documented the process of preparing these compositions for …

Merging Modest With Complexity, Mark Garry

Doctoral

This thesis will enable a retrospective critical examination of aspects of my practice as an artist from 2005 - 2020. The research question addresses the implication of multiple forms of inter-reliance enabled in the practice. This will be enabled by opening a discursive space that retrospectively, integrates and critically examines the role and function of inter-reliance as a structural methodology and how this is implicated in the practice over this period.

This thesis will use term inter-reliance to define a play of relations where individual art works when viewed in isolation exist only in partial illumination as a form of …

Transmedia Strategies For Participatory Politics In Russia: Alexey Navalny’S Grassroots Campaign, Sergei Medvedev

Doctoral

Transmedia storytelling scholarship has been progressing rapidly over recent decades. Yet, a question that remains open is the lack of analysis of political transmedia campaigns. This political communication thesis contributes to filling that gap. Its goal is to develop a flexible and locally-specific approach to analysing transmedia political campaigning. To understand the context that affects the destinies of transmedia grassroots campaigns, the study turns to social movement and grassroots activism scholarships. In particular, it employs the idea of political opportunity structures to conceptualise those external opportunities and threats that affects transmedia campaigns in politics. To mitigate the negative aspects of …

The Pedal Harp Tradition In Ireland (C.1790-1900): Practitioners, Pedagogy, Trade And Repertoire, Clare Mccague

Doctoral

This study examines the European pedal harp tradition in Ireland in the period c.1790-1900. Steered by collections of nineteenth-century pedal harp repertoire, and hinged on data extracted from newspaper archives, it addresses a lacuna in harp-focused scholarship, by illuminating the significance of the pedal harp tradition in nineteenth-century Irish musical life and reviving nineteenth-century pedal harp repertoire of Irish interest.

The evolution of the pedal harp tradition in Ireland was influenced by multiple personalities. Foreign pedal harpists, including Nicholas Charles Bochsa (1789-1856), Charles Oberthür (1819-1895) and Aptommas (1829-1913), had a significant impact on the tradition and travelled regularly to Ireland …

The Apprentice Africa Tv Format: Local Culture, Global Model, And Informalized Production Practices In The Nigerian Media Industry, Kosidichimma Anyanwu

Doctoral

In 2008, the hugely popular American global television format programme, The Apprentice, debuted its Africa wide version, The Apprentice Africa, in the African market. This became the first entrepreneurship format programme to be produced in Nigeria and Africa. First, the show was broadcast on three Nigerian channels, then moved to broadcasters in Ghana, Kenya, Uganda, and Tanzania. The Apprentice Africa reality TV show is a strategic research site for investigating the conditions of television format production in Nigeria, considering the programme’s interaction with multiple economic sectors of the country.

This study is set against the backdrop of the …

A Laboratory Of Common Interest: Contesting The Economisation Of Space In Limerick City Through The Practice Of Aesthetic Work, Fiona Woods

Doctoral

This arts practice-based research [APBR] addresses a political and ethical problem, namely how a creative practice can operate contrary to the destructive, predatory forces of extractive capitalism. The research took the systemic, socio-spatial violence of enclosure and economisation as a starting point, anchored in the concrete conditions of Limerick city, to test the critical, political possibilities of collaborative, cultural work. From an examination of the ways in which lived space is subsumed under the abstractive logic of ‘the Economy’, two processes of abstraction and enclosure are isolated and examined: i) a hollowing out of publicness, captured by the lexigraph public …

Integrative Sonic Urbanism: Artist-Led Strategies For Urban Sound Design In The Contemporary City, Sven Anderson

Doctoral

This doctoral research advances the fields of urban sound design and acoustic planning, presenting new ways of exploring the interrelationship between individual and collective sonic experience, the dynamic potential of the urban sound environment and the complex evolution of the contemporary cityscape. It links urban sound art practices with larger urban design processes, revealing how sound contributes to the production of urban space. The research progresses by crafting a dynamic, integrative methodology that activates contrasting sonic perspectives to critically reassess the role of sound in the public realm. As it discloses this methodology, the research navigates the tension between new …

Hymnals As Historical Documents: A Contextualisation Of The Church Hymnal And Its Representation Of The Church Of Ireland And Its People 1864–1919, Nicole Robinson

Doctoral

Congregational hymn-singing has played a central role in the worship of the Church of Ireland for centuries. This dissertation takes into account the first three editions of the Church Hymnal, published between 1864 and 1919, and discusses the reasons behind their publication before analysing their content with regard to main themes, sources, and contributors. The information acquired through this analysis is then looked at within the wider context of the times in which they were published. This contextualisation unlocks broader themes within the hymnals relating to the Church of Ireland, not just as a religious denomination, but as a …

Situated Immersive Gaming Environments For Irish Language Learning, Naoise Collins

Doctoral

In this thesis, three cycles of design based research are outlined, implementing a situated immersive virtual reality game for Irish language learning. It was undertaken in order to investigate a potential technological solution to improve the limited number of daily Irish adult speakers in Ireland, 3%. It examines the intersection between game based learning, Irish language learning and virtual reality technology and the methodological approach undertaken follows a design based research paradigm. The research focus is on motivation and anxiety through interaction with a virtual reality game. It offers several contributions to current literature including: The utilisation of the Second …

Is Media Assistance Obsolete? A Practice-Based Perspective On The Potential For Digital Technologies To Achieve Media Development Goals In Sub-Saharan Africa, Daire Higgins

Doctoral

The area of media assistance is not a widely known part of the Development Aid sector, even though it has been in existence since after World War II and has grown significantly since then as part of the development agenda. Media Assistance has been included in the strategies of Western and non Western donors as part of their overseas Aid programmes in many regions, supporting journalism and media with the objectives of contributing to accountability, transparency, governance and ultimately, democracy. This thesis examines the impact on the Media Assistance sector of the arrival of digital technologies into the ‘information ecosystems’ …

Examining The Impact And Influence Of Government Surveillance On East German And Northern Ireland Communities During The 1970s And 1980s, Cliodna Pierce

Doctoral

The aim of this thesis is to explore the ramifications of surveillance by comparing aspects of the surveilled states of the GDR and NI during the 1970sand 1980s and their effects. This study will focus on the historical techniques and commonalties exploited by both states, exploringthe influential factors underlying the acceptance of surveillance, along with their impact on individual stakeholders, communities and societies. Foucault,who plays a key role in the theoretical framework of this thesis, in Discipline and Punishprovides ananalysis of Jeremy Bentham’s panopticonsuggests, in which he perceivedthe constant threat of surveillance has an altering effect on individual behaviour, surveillanceas …

Audience Influence On The Composition, Revision And Interpolation Of Traditional Irish Ballad Narrative, Seán Ó Cadhla

Doctoral

The following thesis critically examines the essential thematic malleability of traditional Irish song narrative, with particular focus on the penetrative influence of the audience on both composer and performer alike. Such narrative fluidity is specifically examined within the context of works narrating attested historical events, output which could be reasonably assumed to adhere to factual and chronological consistency. The research concludes that the audience continuously exerts a powerful cultural influence on the performance space, and further demonstrates the considerable extremes that both composers and singers will routinely embrace in order to satisfy the constantly shifting demands of their audiences, even …

A Discourse Analysis Of Reputational Construction In The Field Of Online Contemporary Art Magazines, Tommie Soro

Doctoral

The bases of artistic reputation have been widely debated within the sociology of art and art history. Remarkably, however, little has been said of the role discourse might play in the construction of artistic reputation. An obstacle to addressing this research gap is that discourse analytic approaches have been developed to analyse evaluation and the construction of legitimacy but not the construction of reputation. Attending first to this research gap in discourse analysis, the thesis combines Field Theory and Discourse Analysis to develop a Discursive Field Approach that can analyse the discursive construction of reputation in a cultural field. Using …

Literary Festival Participation And The Development Of Cultural Capital: An Analysis Of One Irish And One Italian Case, Giulia Rossetti

Doctoral

Literary festivals are an increasingly significant component of cultural participation nowadays, yet scholars ask for more research on the cultural benefits gained through festival participation. This study uses Bourdieu’s ideas about cultural capital and Stebbins’ serious leisure perspective to understand if, and how, literary festival participation shapes individual cultural capital. Empirically, the study takes an interpretivist stance and is a qualitative case study of one Irish and one Italian literary festival. The data gathered derive from key informant interviews (n = 4), participant observations, and on-site interviews (n = 92) and follow-up interviews (n = 34) with festival participants. Findings …

The Influence Of Santería In Leo Brouwer's Solo Guitar Works (1955–1993), Eoin Flood

Doctoral

This study will assess the solo guitar works of Cuban composer Leo Brouwer (1939–present) in terms of influence from Santería, a ritual music derived from WestAfrican slaves and still practised in Cuba. This will be achieved by using both analytical and evaluative processes. For the former, a range of influential parameters have been identified, each falling under three strands: rhythmic and metric, structural, and melodic. These will be revealed in all of Brouwer’s solo guitar works written from 1955 to 1993. A parameter’s influence can be revealed in two ways: the multitude of its usage per piece, or the percentage …

Finding A Voice – Exploration Of Modes And Timbres : A Portfolio Of Ten Original Compositions With Accompanying Commentaries, Ekapon Muenyam

Doctoral

This thesis marks the culmination of four years’ work, as part of my PhD study in composition. The portfolio consists of ten pieces, lasting in total approximately 2 hours and 10 minutes, and a commentary comprising an analysis of each of the works. The main emphasis has been on the development of an individual style, informed by the exploration of twentieth and twenty-first century compositional techniques, instrumental timbres, stylistic genres, forms, scale derivations and the wider aesthetic of contemporary music. The portfolio includes works for solo instruments, ensemble and orchestra. One of the main areas of research has been to …

Keepers Of The Port: Visualising Place And Identity In A Dublin Dock Community, Moira Sweeney

Doctoral

This practice-based thesis responds to the absence of documentary film or photographic studies and scholarship that embrace the contrasting experiences of different dock working constituencies in the transforming early twenty-first century space of Dublin Port. It is a filmic investigation into how the experiences and memories of this community of workers in Dublin’s surviving port space shape their urban identity and sense of place, undertaken with regard to the sensuous, haptic qualities of documentary and ethnographic filmmaking. In the ever-shifting world of neoliberalism, its narratives – in relation to labour practices – prioritise faceless markets over the humanity of working …

De-Colonising The Western Gaze: The Portrait As A Multi-Sensory Cultural Practice, Angelika Boeck

Doctoral

This art practice-based thesis addresses the ocularcentric approach inherent in Western representations of ‘otherness’ with a view to expanding notions of the ‘portrait’ as a culturally specific practice. Drawing on a selection of projects conducted over two decades across diverse cultural contexts, together with written publications, the thesis explores possible ways to identify and theorise alternative methodological and analytical frameworks through which the Other can be represented. Turning the gaze upon the artist/researcher in performative acts of mutual representation as a dialogical method, cross-cultural projects addressed in the thesis include the indigenous Sámi’s yoik, the Aboriginal Australian’s track reading and …

Measuring Expressive Music Performances: A Performance Science Model Using Symbolic Approximation, Eamon O Doherty

Doctoral

Music Performance Science (MPS), sometimes termed systematic musicology in Northern Europe, is concerned with designing, testing and applying quantitative measurements to music performances. It has applications in art musics, jazz and other genres. It is least concerned with aesthetic judgements or with ontological considerations of artworks that stand alone from their instantiations in performances. Musicians deliver expressive performances by manipulating multiple, simultaneous variables including, but not limited to: tempo, acceleration and deceleration, dynamics, rates of change of dynamic levels, intonation and articulation. There are significant complexities when handling multivariate music datasets of significant scale. A critical issue in analyzing any …

Súnesis: Evolving Aesthetic Discourse In Traditional Music Practices Of Ireland, Nollaig Ó Fiongháile

Doctoral

The enquiry ‘Súnesis’ investigates aesthetic awareness in traditional music practices in Ireland and seeks to evolve an aesthetic discourse with the practices at hand. Súnesis undertakes a critical examination of a suite of performances from contemporary and traditional folk music practices in Ireland. Engaging an interpretative model evolved by Paul Ricoeur, the author designs a dimensional pathway to articulate the modes of consciousness and aesthetic awareness at work in the creative act. It is proposed that a rethinking of traditional folk music is required, beyond the disciplinary, geographical or political boundaries more typically conceived in music studies. With an alternate …

Working The News: Preserving Professional Identity Through Networked Journalism At Elite News Media, Jenny Hauser

Doctoral

The concept of journalism as a profession has arguably been fraught and contested throughout its existence. Ideologically, it is founded on a claim to norms and a code of ethics, but in the past, news media also held material control over mass communication through broadcast and print which were largely inaccessible to most citizens. The Internet and social media has created a news environment where professional journalists and their work exist side-by-side with non-journalists. In this space, acts of journalism also can be and are carried out by non-journalists. Through the new news distribution channels offered by social media, non-journalists …

Instrumental Music Learning In An Irish Bimusical Context, Mary Nugent

Doctoral

This study focuses on bimusical instrumental learning, exploring the perceptions, beliefs and musical practices of students who are simultaneously engaged in learning classical and Irish traditional musics. The literature on bimusicality addresses how it has evolved in various social and educational contexts. This research focuses on the bimusical learning processes and practices of students, aged sixteen to twenty years, as they cross between the different learning modes associated with these two musical traditions in an Irish context. This qualitative study adopts a collective case study approach, using a purposive sampling strategy. Data collected include: videotaped lessons, recorded practice/playing sessions, observations …

Agents Of Change: A Multi-Layered Approach To Violin Learning And Teaching, Leslie-Gail Ellis [Thesis]

Doctoral

This enquiry is an action research project that investigates how changes to learning environments might assist young violinists in developing greater awareness and understanding of their participatory role in instrumental learning. It is also an enquiry aimed at improving teaching practice through encouraging a heightened pupil-centred approach that places the teacher in a more facilitatory role. Positioned during the four months prior to their end of year performance assessments in a school of music, the study involved ten young violinists between the ages of 9-13 who were presented with weekly opportunities to engage in a multi-layered approach to learning that …

On Myth & Music, Legend & Landscape, Science, Stars, & Story; A Portfolio Of Compositions: An Animist Aesthetic Argument On Symbolist Sound-Synergies, With Musings On Messiaen And The Taoism Of Takemitzu, In The Work Of Mulvany., Eoin Mulvany

Doctoral

The accompanying portfolio contains eight major works for disparate forces: Brú na Sídhe is a work for Large Orchestra; Bog Bodies is a work commissioned for a heterogenous Quintet; Gáeth Ard Úar is a work written for a Solo Bass/Contrabass Clarinet in B-flat; a Piano Trio, SzyzygyS, follows; a work entitled Blackwater is written for Solo Guitar; a diptych, named Sigil, written for a Dectet of Harp and Vibraphone with double String Quartet, follows; then, O Unworn World for a ten part Choral ensemble is presented as a meditation on a poem by Patrick Kavanagh; and, the last of the …

John Williams: An Evaluation Of His Impact Upon The Culture Of The Classical Guitar, Michael O'Toole

Doctoral

This thesis examines the career of the Australian guitarist John Williams and his impact upon the culture of the classical guitar. Williams has been a celebrated guitarist for more than six decades and has performed and recorded extensively during that period. He has made a remarkably varied contribution to guitar culture, performing in a wide variety of different styles, highlighting the guitar’s unique strength as a versatile and adaptable instrument. Williams’ career is in marked contrast to that of many of his contemporaries, including his mentor Andrés Segovia. Segovia believed the classical guitar must assert its individuality in order to …

‘When Evening Shadows Fall’: The Development Of The Composition Of Irish Traditional Dance Music In The ‘East Galway Style’ From C.1950, Robert Harvey

Doctoral

Before c.1950, Irish traditional musicians were less than deferential to the position of the composer of dance tunes, with O’Neill claiming that these melodies ‘can hardly be said to have been composed at all’.1 This was likely due to the processes of improvisation, adaption and reworking inherent in orality that resulted in the propagation of what Petrie describes as ‘Tune Families’.2 However, from c.1950, a new generation of musicians emerged, fuelled by a revival of interest in Irish music following the establishment of Comhaltas Ceoltoirí Éireann in 1951, identifying themselves as composers for the first time in the history of …

A Critical Analysis Of Grand Corruption With Reference To International Human Rights And International Criminal Law: The Case Of Nigeria, Florence Anaedozie

Doctoral

Grand corruption remains a domestic crime that is not directly addressed by the international human rights and international criminal law regulatory frameworks. Scholars argue that the right to a society free of corruption is an inherent human right because dignity, equality and participation significantly depend upon it. The academic discourse linking corruption to the violation of human rights is relatively new, no regional or global human rights instrument has referred specifically to corruption while anti-corruption treaties rarely refer to human rights. There is also insufficient research within this area, establishing the direct causal link between high-level corruption and systemic human …

The Evolution Of The Radio Éireann Symphony Orchestra 1926–1954, Patrick Joseph Kehoe

Doctoral

2RN, later to be re-named Radio Éireann, the Dublin-based Irish state broadcasting station, was established in 1926, and in that year it engaged five string players and a pianist to constitute the ‘Station Orchestra’. This chamber ensemble was incrementally enlarged over the following years by the recruitment of additional string players together with brass, woodwind and percussion. The ‘Orchestra’ performed a wide range of different kinds of music and was augmented to provide broadcasts of symphony concerts. In the late 1940s it was decided to bring the Orchestra up to symphonic strength, to devote it solely to art music, and …