Arts and Humanities Commons^™

Artists' Papers In The George Arents Research Library: Sources For The Study Of Twentieth-Century American Art, Mark F. Weimer, Donna Capelle Cook

The Courier

For nearly thirty years the George Arents Research Library for Special Collections at Syracuse University has actively acquired primary materials to support research and study in the field of art history including, as outlined in an internal collection development statement of 1961, "the papers of architects, artists, sculptors, industrial designers, cartoonists, photographers, art critics, educators, and the records of professional associations and galleries". Beginning with the gift of the papers of sculptors James Earle Fraser, Laura Gardin Fraser, and Anna Hyatt Huntington in the 1960s, and continuing to the recent acquisition of collections relating to Diego Rivera and Philip Evergood, …

The Significance Of The Equestrian Monument "Joan Of Arc" In The Artistic Development Of Anna Hyatt Huntington, Myrna Garvey Eden

The Courier

The manuscript collection of Anna Hyatt Huntington, sculptor, 1876-1973, left to the George Arents Research Library at Syracuse University by Mrs. Huntington is of special interest to students and scholars of American culture. Her correspondence, scrap-books, and diaries are a record of a long and successful career as a sculptor.

By drawing upon archival materials and personal interviews, the present article demonstrates the mergence of two major characteristics of Mrs. Huntington's work in this equestrian monument of Joan: technical precision and idealism.

The Sculpture Of Anna Hyatt Huntington In The Syracuse University Art Collection, Myrna Garvey Eden

The Courier

Anna Hyatt Huntington (1876-1973), one of the foremost American sculptors of her time, presented a large quantity of her personal and professional papers and sculpture to Syracuse University. In addition to the Huntington Manuscript Collection located in the George Arents Research Library at Syracuse University, the University owns diverse and numerous examples of her art. These statues, numbering over sixty pieces, represent a variety of subject matter, mood, and grouping completed throughout a career that spanned seventy years of artistic activity. Her general approach continued the French naturalistic tradition of Barye, Fremiet, and Falguiere. Although both wild and domestic animals …