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Selected Works

2005

Music

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Articles 1 - 17 of 17

Full-Text Articles in Arts and Humanities

Christmas In Spain And The New World, Elisa Fraser Wilson Nov 2005

Christmas In Spain And The New World, Elisa Fraser Wilson

Elisa Fraser Wilson

The university choirs joined forces to present an evening of holiday music from Spain and the Americas. Dr. Wilson directed the Women's Glee Club in the music of Franck, McKelvy, and Britten.

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A Ceremony Of Carols, Elisa Fraser Wilson Nov 2005

A Ceremony Of Carols, Elisa Fraser Wilson

Elisa Fraser Wilson

Dr. Wilson conducted the Women's Glee Club in a concert of Britten's A Ceremony of Carols, featuring guest harpist Lynn Gorman. Other works included holiday pieces by Franck, Yon, and McKelvy.

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Mexico, Puebla, Second International Vernacular Conference. Solo Recital October 27, 2005, Oscar E. Macchioni Oct 2005

Mexico, Puebla, Second International Vernacular Conference. Solo Recital October 27, 2005, Oscar E. Macchioni

Oscar Macchioni

Mostly Tangos. Piano Music from the Americas. Selected "The Outstanding Musical Presentation both for its topicality
and for its musical excellence." I also served as a Chair and a Respondent in two different panels.
Works Performed:
Bachianas Brasileiras No. 4 For solo Piano by Heitor Villa-Lobos
Hesitation Tango by Samuel Barber
The Dead Moth Tango by William Bolcom
Tangos by Juan José Castro
Intermezzo by Manuel M Ponce
Malambo (first edition) by Alberto Ginastera.

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University Choirs Concert, Elisa Fraser Wilson Oct 2005

University Choirs Concert, Elisa Fraser Wilson

Elisa Fraser Wilson

The university choirs performed an evening of choral music. Dr. Wilson directed the Women's Glee Club in music by Patriquin, Britten and Chilcott.

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El Paso, Texas, Mcdowell Club Of The Woman's Club Of El Paso, October 10, 2005, Oscar E. Macchioni Oct 2005

El Paso, Texas, Mcdowell Club Of The Woman's Club Of El Paso, October 10, 2005, Oscar E. Macchioni

Oscar Macchioni

Collaborative Performance with Dr. Dena K Jones, Bonnie Whalen and Paul Kroeger.
Malagueña by Ernesto Lecuona
The Star and Stripes Forever by John Phillip Sousa

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Angelo State University, San Angelo, Texas. October 6, 2005, Oscar E. Macchioni Oct 2005

Angelo State University, San Angelo, Texas. October 6, 2005, Oscar E. Macchioni

Oscar Macchioni

Works Performed
Intermezzo by Manuel M Ponce
Bachianas Brasileiras No. 4 for solo piano by Heitor Villa-Lobos
The Dead Moth Tango by William Bolcom
Tangos by Juan Jose Castro
Adios Nonino by Astor Piazzolla, arr. by Laercio de Freitas
Malambo by Alberto Ginastera

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Outstanding Musical Presentation. Second International Vernacular Congress. Puebla, Mexico, Oscar E. Macchioni Aug 2005

Outstanding Musical Presentation. Second International Vernacular Congress. Puebla, Mexico, Oscar E. Macchioni

Oscar Macchioni

No abstract provided.

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Argentina, Buenos Aires, La Bella Música Concert Series. Museo De Bellas Artes. July 17, 2005, Oscar E. Macchioni Jul 2005

Argentina, Buenos Aires, La Bella Música Concert Series. Museo De Bellas Artes. July 17, 2005, Oscar E. Macchioni

Oscar Macchioni

Works Performed:
Bachianas Brasileiras No. 4 For solo Piano by Heitor Villa-Lobos
Hesitation Tango by Samuel Barber
The Dead Moth Tango by William Bolcom
Tangos by Juan José Castro
Intermezzo by Manuel M Ponce
Adios Nonino by Astor Piazzolla
Malambo (first edition) by Alberto Ginastera.

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El Paso Summer Music Festival. Utep, June 18, 2005, Oscar E. Macchioni Jun 2005

El Paso Summer Music Festival. Utep, June 18, 2005, Oscar E. Macchioni

Oscar Macchioni

Works Performed
Ave Maria by Astor Piazzolla (saxophone and piano)
Malagueña by Ernesto Lecuona (two pianos, eight hands)

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University Jazz Ensembles, Elisa Fraser Wilson Apr 2005

University Jazz Ensembles, Elisa Fraser Wilson

Elisa Fraser Wilson

The university jazz ensembles performed an evening of jazz music, including four pieces by the University Jazz Singers directed by Dr. Elisa Fraser Wilson.

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El Paso, University Of Texas, Faculty Recital, April 10, 2005, Oscar E. Macchioni Apr 2005

El Paso, University Of Texas, Faculty Recital, April 10, 2005, Oscar E. Macchioni

Oscar Macchioni

Works Performed
Bachianas Brasileiras no. 4 by Heitor Villa Lobos
Sonata for flute and piano by Paul Hindemith
La Muerte del Angel by Astor Piazzolla

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Berlin To Broadway: The Music Of Kurt Weill, Elisa Fraser Wilson Mar 2005

Berlin To Broadway: The Music Of Kurt Weill, Elisa Fraser Wilson

Elisa Fraser Wilson

Dr. Elisa Fraser Wilson directed and produced this production of music by Kurt Weill.

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University Jazz Ensembles, Elisa Fraser Wilson Mar 2005

University Jazz Ensembles, Elisa Fraser Wilson

Elisa Fraser Wilson

The university jazz ensembles performed an evening of jazz music, including three pieces by the University Jazz Singers directed by Dr. Elisa Fraser Wilson.

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Mexico, Cuidad Juarez, Centro Municiapl De Las Artes. February 26, 2005, Oscar E. Macchioni Feb 2005

Mexico, Cuidad Juarez, Centro Municiapl De Las Artes. February 26, 2005, Oscar E. Macchioni

Oscar Macchioni

Invited. Works Performed
Bachianas Brasileiras No. 4 For solo Piano by Heitor Villa-Lobos
Hesitation Tango by Samuel Barber
The Dead Moth Tango by William Bolcom
Tangos by Juan José Castro
Intermezzo by Manuel M Ponce
Adios Nonino by Astor Piazzolla
Malambo (first edition) by Alberto Ginastera.

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El Paso, University Of Texas. Faculty Recital, February 13, 2005, Oscar E. Macchioni Feb 2005

El Paso, University Of Texas. Faculty Recital, February 13, 2005, Oscar E. Macchioni

Oscar Macchioni

No abstract provided.

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L'Histoire D'Amour, Jonathan D. Green Dec 2004

L'Histoire D'Amour, Jonathan D. Green

Jonathan D Green

I Clair de lune (Paul Verlaine) II Extase (Jean Lahor) III En sourdine (Verlaine) IV Prison (Verlaine) V Il pleure dans mon coeur (Verlaine) VI L’ombre des arbres (Verlaine) VII Adieu (Charles Grandmougin) SA choir, piano 15 minutes

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Pop Goes The Rapper: A Close Reading Of Eminem’S Genderphobia, Vincent L. Stephens Dec 2004

Pop Goes The Rapper: A Close Reading Of Eminem’S Genderphobia, Vincent L. Stephens

Vincent L Stephens

This article argues that controversial hip-hopper Eminem is more properly termed a genderphobe than a homophobe. Eminem consistently uses homophobic language to critique gender behaviour, not sexual orientation. Focusing on genderphobic lyrics more accurately reveals hip-hop culture's emphasis on gender behaviour rather than the emphasis on sexual object-choice that homophobia implies. The focus on genderphobia also highlights a discriminatory practice aimed toward external behaviour that is related to homophobia but operates differently in certain cultural realms. I ground my discussion by focusing on the centrality of authenticity in hip-hop and gender propriety's centrality in comprising hip-hop notions of authenticity. Additionally, …

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