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Beyond Exile: The Ramayana As A Living Narrative Among Indo-Fijians In Fiji And New Zealand, Kevin Miller Dec 2014

Beyond Exile: The Ramayana As A Living Narrative Among Indo-Fijians In Fiji And New Zealand, Kevin Miller

Kevin C. Miller

Drawing on the themes of collective memory, cultural ideologies, and narrative constructions, this chapter proposes to examine the narrative of the Ramayana epic, its exegesis through performance, and its continued relevance to identity formation among Indo-Fijian Hindus both within Fiji and its Pacific Rim diaspora. Based on the recasting of the “twice-migrated” Indo-Fijian as the “twice-banished” by certain observers, we might expect the meaning of the Ramayana in the lives of Indo-Fijian Hindus in New Zealand to shift towards the theme of Rama’s exile, just as it did for the indentured laborers who made the original journey to Fiji. Nevertheless, …


Choreographing (Against) Coup Culture: Reconciliation And Cross-Cultural Performance In The Fiji Islands, Kevin Miller Oct 2012

Choreographing (Against) Coup Culture: Reconciliation And Cross-Cultural Performance In The Fiji Islands, Kevin Miller

Kevin C. Miller

No abstract provided.


A Community Of Sentiment: Indo-Fijian Music And Identity Discourse In Fiji And Its Diaspora, Kevin C. Miller Dec 2007

A Community Of Sentiment: Indo-Fijian Music And Identity Discourse In Fiji And Its Diaspora, Kevin C. Miller

Kevin C. Miller

Through an historical and ethnographic account of Indo-Fijian music and related cultural practices, this dissertation examines the co-implicative relationship between music making and collective identity formation. Indo-Fijians, who compose about 37 percent of Fiji’s current population, descend primarily from colonial-era Indian laborers. Specifically, I interpret discourses about music and discourses of music to query three broad intersections of musical performance and “community”: 1) the “subethnic,” in which the heterogeneous “Indo-Fijian community” negotiates internal difference; 2) the national, in which fraught social and political relationships between Indo-Fijians and indigenous Fijians—the majority population—inhibit their co-authoring of the nationstate; and 3) the transnational, …


Forging The New Desi Music: Transnational Identity And Musical Syncretism At A South Asian-American Festival, Kevin Miller Jun 2004

Forging The New Desi Music: Transnational Identity And Musical Syncretism At A South Asian-American Festival, Kevin Miller

Kevin C. Miller

For three days in late April of 2002, Hollywood, California, was home to Artwallah, a multimedia arts festival of the South Asian Diaspora. "Artwallah" essentially means "one who does art," and over 65 artists and performers of South Asian heritage contributed their individual talents and distinctive voices to a collective expression that included dance, film, visual arts, theater, literature, stand-up comedy, and music. In addition to creating a temporary physical space conducive to the sharing of art and experience between participants and the audience, the festival also provided an ideological space that encouraged an inherently "hybrid" style of artistic expression. …