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Articles 1 - 30 of 182
Full-Text Articles in Arts and Humanities
Marking The Body, Marking The Text: David Greetham’S “Archive Fever”: A Talk Given In Honor David Greetham's Retirement From The Graduate Center, Cuny, Katherine D. Harris
Marking The Body, Marking The Text: David Greetham’S “Archive Fever”: A Talk Given In Honor David Greetham's Retirement From The Graduate Center, Cuny, Katherine D. Harris
Katherine D. Harris
No abstract provided.
Birds Of A Feather (Les Oiseaux De Même Plumage): Dynamic Soundscapes Using Real-Time Manipulation Of Locally Relevant Birdsongs, William Walker, Brian Belet
Birds Of A Feather (Les Oiseaux De Même Plumage): Dynamic Soundscapes Using Real-Time Manipulation Of Locally Relevant Birdsongs, William Walker, Brian Belet
Brian Belet
This paper and live audio demonstration explores the capabilities of using Web Audio API as a digital audio workstation (DAW) to manipulate sounds from massive server-side databases. Sonic source material comes from a database of birdsongs recorded worldwide by volunteer recordists at xeno-canto.org. Sounds from xeno-canto are chosen to match recent, nearby bird sightings submitted by volunteer birders at eBird. The result is a virtual soundscape derived from the sounds of birds currently present in the user’s geographical region. Our client-server architecture delegates database queries and archival storage to the server, leaving the client to concentrate on the aesthetic context …
[Digital] Archive, Katherine D. Harris
[Digital] Archive, Katherine D. Harris
Katherine D. Harris
The study of what is collectively labeled "New Media"—the cultural and artistic practices made possible by digital technology—has become one of the most vibrant areas of scholarly activity and is rapidly turning into an established academic field, with many universities now offering it as a major. The Johns Hopkins Guide to Digital Media is the first comprehensive reference work to which teachers, students, and the curious can quickly turn for reliable information on the key terms and concepts of the field. The contributors present entries on nearly 150 ideas, genres, and theoretical concepts that have allowed digital media to produce …
Leonard Knight 1931-2014, Jo Farb Hernandez
Josep Pujiula Receives Two Awards., Jo Farb Hernandez
Josep Pujiula Receives Two Awards., Jo Farb Hernandez
Jo Farb Hernandez
No abstract provided.
Fluxus, Dore Bowen
Carol Steinbeck At Work, Susan Shillinglaw
Leonard Knight’S Salvation Mountain, Jo Farb Hernandez
Leonard Knight’S Salvation Mountain, Jo Farb Hernandez
Jo Farb Hernandez
No abstract provided.
Singular Spaces: Spanish Art Environments., Jo Hernandez
Singular Spaces: Spanish Art Environments., Jo Hernandez
Jo Farb Hernandez
No abstract provided.
“Francisco Del Río Cuenca.”, Jo Farb Hernandez
“Francisco Del Río Cuenca.”, Jo Farb Hernandez
Jo Farb Hernandez
No abstract provided.
Electron: Greek Etymology And Baltic Mythology, Marianina Demetri Olcott
Electron: Greek Etymology And Baltic Mythology, Marianina Demetri Olcott
Marianina Demetri Olcott
No abstract provided.
Spartan Salute Spring 2013, Jonathan P. Roth
Manuscripts, Editors And Sophocles, Philoctetes, Marianina Demetri Olcott
Manuscripts, Editors And Sophocles, Philoctetes, Marianina Demetri Olcott
Marianina Demetri Olcott
The thesis of the article may be briefly summarized as follows: Lines 671-673 in all of our ancient MSS are consistently assigned to Philoctetes. Modern editors however, following in the footsteps of nineteenth century scholars regularly assign these lines change in line assignment was made on purely subjective grounds for no reason that can be substantiated by the dramatic situation therefore, the article concludes that in the absence of any sound reasons for the alteration we should return to the readings of the major manuscripts and the earliest editions of the play.
At West Lake, Morning Postcard, After Visiting Tiantai Mountain, Alan Soldofsky
At West Lake, Morning Postcard, After Visiting Tiantai Mountain, Alan Soldofsky
Alan Soldofsky
No abstract provided.
Barth, Barthes, And Bergson: Postmodern Aesthetics And The Imperative Of The New, Paul Douglass
Barth, Barthes, And Bergson: Postmodern Aesthetics And The Imperative Of The New, Paul Douglass
Paul Douglass
No abstract provided.
Review Of Poetry, Pictures, And Popular Publishing: The Illustrated Gift Book And Victorian Visual Culture 1855-1875 By Lorraine Janzen Kooistra, Katherine D. Harris
Review Of Poetry, Pictures, And Popular Publishing: The Illustrated Gift Book And Victorian Visual Culture 1855-1875 By Lorraine Janzen Kooistra, Katherine D. Harris
Katherine D. Harris
No abstract provided.
Leonard Knight’S Salvation Mountain, Jo Farb Hernandez
Leonard Knight’S Salvation Mountain, Jo Farb Hernandez
Jo Farb Hernandez
No abstract provided.
Linard Conference, Jo Farb Hernandez
Norman J. ‘Bud’ Goldstone 1926-2012, Jo Farb Hernandez
Norman J. ‘Bud’ Goldstone 1926-2012, Jo Farb Hernandez
Jo Farb Hernandez
No abstract provided.
Literary Annual, Katherine D. Harris
Rudolph Ackermann, Katherine D. Harris
Recovery At Lake Tahoe, Alan Soldofsky
Wandering Around, Alan Soldofsky
Marked Woman (1937) And The Dialectics Of Art Deco In The Classical Gangster Genre, Drew Todd
Marked Woman (1937) And The Dialectics Of Art Deco In The Classical Gangster Genre, Drew Todd
Drew Todd
In this article, I analyse the function of Art Deco designs in the 1930s gangster genre and, in particular, Warner Brothers' Marked Woman (Bacon, 1937). Like many gangster films of the period, it associates high-style Art Deco with excess and the criminal underworld. My findings, however, reveal a tension between the film's moralist stance and its visual excess. Compelling visual signifiers of leisure, style and social mobility, the modern designs are free to circumvent the film's critical message and reinforce American capitalist ideologies. My analyses underscore Art Deco as an emblematic style of commercial modernity. Marked Woman and other gangster …
What The Progressives Had In Common, Glen Gendzel
What The Progressives Had In Common, Glen Gendzel
Glen Gendzel
When Professor Benjamin Parke De Witt of New York University sat down to write the first history of the progressive movement in 1915, he promised “to give form and definiteness to a movement which is, in the minds of many, confused and chaotic.” Apparently it was a fool's errand, because confusion and chaos continued to plague historians of early twentieth-century reform long after Professor De Witt laid his pen to rest. The maddening variety of reform and reformers in the early twentieth century has perpetually confounded historians' efforts to identify what, if anything, the progressives had in common. Back in …
Technoromanticism: Creating Digital Editions In An Undergraduate Classroom, Katherine D. Harris
Technoromanticism: Creating Digital Editions In An Undergraduate Classroom, Katherine D. Harris
Katherine D. Harris
No abstract provided.
The Question Of Slavery, Jeffrey Rogers Hummel
The Question Of Slavery, Jeffrey Rogers Hummel
Jeffrey Rogers Hummel
No abstract provided.
Review Of Ernesto Cardenal’S Pluriverse: New And Selected Poems (Edited By Jonathan Cohen), Anne Fountain
Review Of Ernesto Cardenal’S Pluriverse: New And Selected Poems (Edited By Jonathan Cohen), Anne Fountain
Anne Fountain
No abstract provided.
Rediscovering Bartolomeo Montagna: A Fresh Look At The Altarpiece For The Parish Church Of Sandrigo, Vicenza, Elizabeth Carroll Consavari
Rediscovering Bartolomeo Montagna: A Fresh Look At The Altarpiece For The Parish Church Of Sandrigo, Vicenza, Elizabeth Carroll Consavari
Elizabeth Carroll Consavari
New documentation on Bartolomeo Montagna’s altarpiece The Virgin and Child with Sts James and Philip (c.1492) in Glasgow Museums.
Tradition And Innovation: Extremeñan Connections And Collaborations, Jo Farb Hernandez
Tradition And Innovation: Extremeñan Connections And Collaborations, Jo Farb Hernandez
Jo Farb Hernandez
The writer discusses the collaboration between California artist Sam Hernández and the Moreno León family from Extremadura, Spain, who create tinajas, monumental ceramic storage vessels. While Hernández approached this collaboration with admiration for the elegance of the traditional tinaja, and respect for the Moreno León ceramists, the innovation in superimposing his own images led to a totally new set of sculptures that, though linked to his earlier oeuvre, are markedly different from it. By recontextualizing the tinaja into a contemporary narrative through the overlay of his chosen subject matter, he shifted the collaboration into a new territory, as, at the …