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Aesthetics And Autobiography: Emotion And Style In The Book Of Disquiet By Fernando Pessoa / Bernardo Soars, Mikel Iriondo Aranguren

Contemporary Aesthetics (Journal Archive)

At the beginning of The Book of Disquiet, Bernardo Soares writes: “In these random impressions, and with no desire to be other than random, I indifferently narrate my factless autobiography, my lifeless history. These are my Confessions, and if in them I say nothing, it’s because I have nothing to say.”

Written a century ago, these words illustrate a great distance from the traditional way of writing an autobiography. They confront, however, the same paradox, which is how can any of our lives, constituted by different and unrelated events, be structured as a linear story looking for a meaning, …

Atopia & Aesthetics. A Modal Perspective, Yves Millet

Contemporary Aesthetics (Journal Archive)

Living in an era where global exchanges of forms and ideas are the norm raises some questions about the status of artistic practices. To explore these questions, we use Roland Barthes’ notion of atopia and the complementary yet related notion of Neutral on which Barthes commented in his later years. Atopia highlights the fact that rather than viewing current artistic activities as searches for homogenous identity, we need to view them as belonging to plural communities of practices offering modal and qualitative distinctions. We suggest that adopting this perspective sheds light on the capacity of any individual to act creatively …

Toward A Development Of A Cosmopolitan Aesthetic, Nalini Bhushan

Contemporary Aesthetics (Journal Archive)

In this essay I explore the interaction between race and aesthetics in colonial India (1857-1947). In the context of nation building and the Indian independence movement, the Indian art world struggles to articulate conditions for the very possibility of an artist who would be authentically Indian while remaining authentically artistic, a seemingly impossible accomplishment. And yet a chosen few are somehow are able to do just this: cosmopolitan Indian artists, transcending the parochial boundaries of nation, race, ethnicity, and religion as set by tradition, while remaining rooted in something that is nonetheless fundamentally Indian. I focus on three artists from …