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Arts and Humanities Commons

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Portland State University

2013

Sound

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Articles 1 - 4 of 4

Full-Text Articles in Arts and Humanities

Sonic Rhetorics: A Mashed-Up Introduction In Sound, Jon Stone, Steph Ceraso Apr 2013

Sonic Rhetorics: A Mashed-Up Introduction In Sound, Jon Stone, Steph Ceraso

Harlot: A Revealing Look at the Arts of Persuasion

Welcome to the special-themed Sonic Rhetorics issue of Harlot. Putting this issue together was a thoroughly collaborative process that involved a lot of back and forth with authors about their work, creative visions, and sonic rhetorics. For months we have been sounding out, experimenting with, and synthesizing these pieces until they seemed to hit the right note. So, rather than giving an authoratative summary of individual pieces, we thought it made more sense for contributors to speak (and sound) for themselves--and together. When you press play, you will hear a mashup of the sounds and soundbites from many of this …


Making Meaning In Musical Mixes, Kyle D. Stedman Apr 2013

Making Meaning In Musical Mixes, Kyle D. Stedman

Harlot: A Revealing Look at the Arts of Persuasion

SIDE A

Growing Meanings :: From Arrangement... :: ...To Development :: This Project :: My Mix

SIDE B

Developing Sounds :: Developing Expectations :: Digital Tools :: Developing Moods :: Transitions Developing Ideas/Voices :: The Self as Audience :: Fulfilling Promises :: Conclusions for Mix-Makers :: Credits

This piece explores the musical rhetorics at work in a mix CD I created for two (at times contrasting) purposes: as a gift for friends, and as an accompaniment in the car as I moved across the country. I suggest that in a linear, musical mix, the term "development" as used in music …


Two Sound Pieces, Keith Dorwick Apr 2013

Two Sound Pieces, Keith Dorwick

Harlot: A Revealing Look at the Arts of Persuasion

These two sound works gathered here ("At the Edge of Sleep" and "For Voices, No Longer Human") were assembled out of ordinary, even mundane sounds. In each, I slowed down the tempo of the original sound cues such as a cat eating kibbles or a voice uttering nonsense. Further manipulation of the sounds to make entirely new pieces created abstract sound landscapes, if you will, that take on (I hope) a mythic quality far removed from their original sources. In the case of "For Voices, No Longer Human," Harlot's review process resulted in a whole new (and much stronger) work, …


The Oral Aural Walter Ong, Abigail Lambke Apr 2013

The Oral Aural Walter Ong, Abigail Lambke

Harlot: A Revealing Look at the Arts of Persuasion

This is a transcription of Abigail Lambke's words during the audio piece “The Oral Aural Walter Ong." During the piece, Abigail intersperses her own commentary with excerpts from two of Ong's recorded lectures: “The End of the Age of Literacy," and “The Future of Literacy." Walter Ong explicitly barred transcription of one of these lectures, exclusively granting permission for the piece to be reproduced in audio. To honor that request, none of Ong's words will be transcribed here. The Oral Aural Walter Ong Music: Kevin MacLeod “Peace Of Mind" Hello. I am Abigail Lambke and this is “The Oral Aural …