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Articles 1 - 15 of 15

Full-Text Articles in Arts and Humanities

The Struggle For Black Studies At Howard University, Johnnie L. Ware Dec 1972

The Struggle For Black Studies At Howard University, Johnnie L. Ware

Honors Theses

Booker T. Washington provided for the masses and their economic plight in his thinking, but neglected the cultural-political theory, and the creation of a black intelligentsia. W.E.B. DuBois, on the other hand, directed attention to the intelligentsia, and cultural-political theoretics, but, in his early and most famous approach, failed to provide sufficiently for the masses. Possibly as a consequence of historical circumstances - the location of most blacks of that day in the South and the irreconcilable mores of segregation - neither developed theoretics for invating white colleges.

this was left to the more recent years, when the early advocates …


Frederic Chopin, Terry Miller Oct 1972

Frederic Chopin, Terry Miller

Honors Theses

Frederic Chopin was born in Zelazowa Wola, Warsaw on February 22, 1810. He was brought up in a private school among sons of Polish nobility. His musical education was entrusted to the Bohemian pianist Albert Zwyny and the Director of the Warsaw School of Music, Joseph Elsner. At the age of seven he played a piano concerto by Gyrowetz, and improvisations in public. His first attempts in composition were dances (Polonaises, Mazurkas and Waltzes), but he published as Opus 1 a Rondo, and as Opus 2 variations on "La ci darem la mano", with orchestra.


Needlework, Connie Bowie Oct 1972

Needlework, Connie Bowie

Honors Theses

Hook embroidery gets its name from the fabric it is worked on, which is huck toweling, a textured fabric with the raised threads on both front and back. Huck embroidery is actually short for huckaback, and is also known as Swedish weaving. It can be done with six-strand cotton, pear cotton, fine wool yard, or other kinds of embroidery threads. The technique is simply running the thread under the pairs of raised threads on the wrong side of the huck. A blunt needle is used so the pairs of threads can be picked up easily without going through the fabric. …


The Theatrical Make-Up Of Rumpelstiltskin, Anne Coppenger Apr 1972

The Theatrical Make-Up Of Rumpelstiltskin, Anne Coppenger

Honors Theses

In planning this semester's project in the practical application of techniques of stage makeup, it was decided that the two most basic makeup techniques were the Classic Greek (correctional) and Old Age makeup. The theatre student who masters these two techniques will have little problem in making up for almost any part (with variation, of course).


The Violin: A Learning Experience, Diane Childs Mar 1972

The Violin: A Learning Experience, Diane Childs

Honors Theses

My interest in the violin and my choosing it for a semester project was actually out of curiosity. To be truthful, I really didn't care much for listening to violin music, but I had always heard how difficult it was to play, so I convinced myself I could prove different.


Béla Bartók: The Uncompromising Hungarian, Sally Mccarty Jan 1972

Béla Bartók: The Uncompromising Hungarian, Sally Mccarty

Honors Theses

Years before the earliest recorded compositions by professional musicians, the common people sang, danced, and chanted lullabies, work songs, and prayers to their gods. Gradually, professional musicians and art music developed, and a distinction grew up between art music and folk music. The theory was that everything good and beautiful came from the gifted few and never from the common crowd. It never struck anyone as odd that those who expressed contempt of the people and all their works, continued to borrow all the best productions of the people, such as its finest folk melodies, dance rhythms, scales, and instruments. …


Our Society: Sick But Salvageable, Sharon Lynne Wilson Jan 1972

Our Society: Sick But Salvageable, Sharon Lynne Wilson

Honors Theses

No abstract provided.


Abstract Expressionism: An American Phenomenon, Judee Thompson Royston Jan 1972

Abstract Expressionism: An American Phenomenon, Judee Thompson Royston

Honors Theses

One of the newest types of painting in the modern tradition is Abstract Expressionism. It began in New York around 1944. All the experience of Americans with modern art had been poured into the melting pot of the city. Present were not only eminent native artists, but also Europeans with established reputations--refugees from Fascist Spain Nazi Germany, and Occupied France. Their meetings with each other brought about interchanges on all levels of thought and practice. Out of this mixture came not an adaptation of a trend formalized abroad but a new style of painting created in America.

It is true …


Creativity In Pre-School Art, Sharon Kluck Jan 1972

Creativity In Pre-School Art, Sharon Kluck

Honors Theses

"Children are wonderfully fresh and vivacious. What adult can compete with a child's energies? A child's mind runs like a mouse in a maze. He observes, perceives, imitates, and responds as a unique individual." His work is original, using foreign symbols for an image he pulls from his memory. All of the myriad elements, internal and external, influence a child's creation. These works for the young child are expressions of his life's experiences. As he matures in his thinking, he becomes more aware of himself, his family, and the people and things in his environment. He is curious and explore …


Crewel Work: Its Origin And Development, Ann Verser Jan 1972

Crewel Work: Its Origin And Development, Ann Verser

Honors Theses

The pleasure of turning the whole self to the creation of something beautiful, personal, and lasting is done through crewel work, one of the oldest and most delightful sources of tranquility. Crewel is an exceptionally creative type of embroidery which applies decoration to a fabric already existing using two-ply loosely twisted wool yarn. Its stitches are simple and so varied (75 in all) that they are never monotonous. The purpose of crewel was primarily conceived to decorate objects of use and the stitches were intended to become an integral part of the fabric, capable of standing up to years of …


Handicrafts, Kathy Bittle Jan 1972

Handicrafts, Kathy Bittle

Honors Theses

For this honors project, the author created several pieces of handicraft art.


Introduction To Color Printing: A Brief Presentation To Show The Need And Ease Of Personal Color Printing, John Mark Pillow Jan 1972

Introduction To Color Printing: A Brief Presentation To Show The Need And Ease Of Personal Color Printing, John Mark Pillow

Honors Theses

This slide show is intended for use as a supplement to the teaching of Introduction to Photography, Journalism 323.0, Humanities Division, Ouachita Baptist University. It is intended as an encouragement to experimentation and in no way claims to fully explain the technical aspects of color printing. The format is highly flexible and can easily incorporate additional slides or shift the placement of existing ones as the instructor so deems necessary. The following script is provided for any who would desire to use the present slides in a coherent package.


"Graffitti": Obu's Literary Magazine, Susan Moss Jan 1972

"Graffitti": Obu's Literary Magazine, Susan Moss

Honors Theses

Susan Moon edited OBU's literary magazine, "Graffitti."


For Youth Directors Only, Marsha A. Ellis Jan 1972

For Youth Directors Only, Marsha A. Ellis

Honors Theses

No abstract provided.


The Effects Of The Bolshevic Revolution Of Four Russian Composers, Philip Wayne Hardin Jan 1972

The Effects Of The Bolshevic Revolution Of Four Russian Composers, Philip Wayne Hardin

Honors Theses

The Bolshevik Revolution in 1917 was the culmination of over fifty years of political and social unrest. For millions of Russian peasants it represented a welcome and just end to an unresponsive, autocratic government. The communism being preached by the Bolsheviks promised economic improvements for these oppressed masses, and they needed and wanted such improvements.

But in the minds of the intellectual classes of Russia, the teachers, scholars and artists, the Revolution created a fear. A fear that in place of an unpredictable, stifling autocracy, a government would develop that would completely control even the creative activity of Russian life. …