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Full-Text Articles in Arts and Humanities
All Men Created Equal: Flannery O'Connor Responds Communism, Nina Hefner
All Men Created Equal: Flannery O'Connor Responds Communism, Nina Hefner
English Class Publications
From her mother’s farm, Andalusia in Milledgeville, Georgia, Flannery O’Connor found her writing inspiration by observing the ways of the South. Naturally, a pervasive motif in her works is racism. For instance, in “Revelation” Ruby Turpin spends a good portion of the short story thanking God that she is neither white trash nor black. In her essay “Aligning the Psychological with the Theological: Doubling and Race in Flannery O’Connor’s Fiction,” Doreen Fowler points out that “[Ruby’s] insistence on setting racial boundaries has been an attempt to distinguish a white, superior identity” (81), equality with African Americans being Ruby Turpin’s ultimate …
The Accessibility Of The American Dream To Racial Minorities In America, Kimberly Wong
The Accessibility Of The American Dream To Racial Minorities In America, Kimberly Wong
English Class Publications
For centuries, people have had the American Dream. It has permeated the media in various forms: Martin Luther King Jr’s “I Have a Dream” speech, F. Scott Fitzgerald’s novel “The Great Gatsby,” and even the movie “An American Tail,” where animated Russian mice sing, “There are no cats in America and the streets are full of cheese!” The term “the American Dream” was first made popular in 1931 by James Truslow Adams in his book The Epic of America. Adams believed the American Dream was a “dream of a land in which life should be better and richer and fuller …