Arts and Humanities Commons^™

'Eine Grenze Hat Tyrannenmacht’: Die Rehabilitierung Der Attentäter Vom 20. Juli 1944 Mittels Friedrich Schillers Wilhelm Tell (1804) In Fritz Bauers Plädoyer Im Remer-Prozess (1952), Kerstin Steitz

World Languages and Cultures Faculty Publications

[First paragraph]

Im Jahre 1952 zitierte Generalstaatsanwalt Fritz Bauer in seinem Plädoyer im Prozess gegen Otto Ernst Remer eine bekannte Passage der Rütli-Szene aus Friedrich Schillers Wilhelm Tell (1804).¹ Dieses Zitat aus dem paradigmatischen deutschen Drama des Widerstandes in einen Zusammenhang mit diesem Prozess zu bringen war ein rhetorischer Kunstgriff. Historiker, Politikwissenschaftler und Bauers Biographen haben den Remer-Prozess eingehend erforscht, jedoch Bedeutung und Funktion des Wilhelm-Tell-Zitats sowohl im Gerichtssaal als auch im Hinblick auf dessen Bedeutung in der deutschen Nachkriegszeit weitgehend unberücksichtigt gelassen.²

Sands Of Desire:The Creative Restlessness Of Lee Miller's Egyptian Period, Peter Schulman

World Languages and Cultures Faculty Publications

"As a spectator, I wanted to explore photography not as a question (a theme) but as a wound,"Roland Barthes writes in Camera Lucida. Similarly, in the famous first lines of his surrealist book Nadja, Andre Breton concluded that the question he should ask himself should be "not who I am, but whom I haunt." Could either of these quotes apply to Lee Miller's aesthetic as well ? While her photographs during her period of "apprenticeship" with Man Ray focused on the female body, and the ones in her studio in New York on elegant portraiture, it is during her period …

Creating New Synergies: Approaches Of Tertiary Japanese Programmes In New Zealand [Review], Michiko Kaneyasu

World Languages and Cultures Faculty Publications

Review of Creating New Synergies: Approaches of Tertiary Japanese Programmes in New Zealand, Edited by Masayoshi Ogino, Penelope Shino, and Dallas Nesbitt. Auckland: Massey University Press, 2016. 302 pp.

"No Innocent Victim"?: Sexual Violence Against Jewish Women During The Holocaust As Trope In Zeugin Aus Der Hölle, Kerstin Steitz

World Languages and Cultures Faculty Publications

This essay addresses how in the film Zeugin aus der Hölle, (1965, Witness out of hell) fictional sexualized violence against a female Jewish Holocaust survivor functions as a trope that exposes and rejects patriarchal and misogynist discourses of victimhood, perpetration, survivor shame, and guilt, which reviewers and scholars rightly have critiqued for such discourses’ re-victimizing and re-traumatizing effects upon victims. I argue that as a filmic trope sexualized violence served specific functions for its contemporaneous audience—Germans in the postwar 1960s. By means of the trope of sexualized violence, Zeugin aus der Hölle confronted contemporaneous West German audiences with gender-specific …

Indexing 'Entrustment': An Analysis Of The Japanese Formulaic Construction [N Da Yo N], Michiko Kaneyasu, Shoichi Iwasaki

World Languages and Cultures Faculty Publications

Japanese conversations are known to contain a large amount of unexpressed information. When a speaker speaks with elliptical information, he or she assumes that the addressee will understand what is not overtly expressed based on the knowledge that is supposed to be shared textually, personally or culturally. The addressee, on the other hand, must determine what is not being expressed overtly using such shared knowledge. At the heart of this kind of communication is the existence of trust assumed among the interlocutors. Using the term 'entrustment', we will examine how one particular Japanese formulaic construction, [Noun (da) yo Noun ], …

"Fragmegration" Of Identity In Laurent Cantet's Ressources Humaines And L'Emploi Du Temps, Peter Schulman

World Languages and Cultures Faculty Publications

As James Rosenau has written, localization and globalization came crashing together at the turn of the 20^th century in a type of oxymoronic chaos he labels "fragmegration" that characterizes the confusion people have as to their role in society. It is this identity confusion that Laurent Cantet portrays in his landmark films Ressources humaines (1999) and L'emploi du temps (2001). Cantet's protagonists seek their place in society as they cope with the sudden destabilization of their local, national, and globalized identities.

Juristische Und Epische Verfremdung. Fritz Bauers Kritik Am Frankfurter Auschwitz-Prozess (1963–1965) Und Peter Weiss’ Dramatische Prozessbearbeitung Die Ermittlung. Oratorium In 11 Gesängen (1965), Kerstin Steitz

World Languages and Cultures Faculty Publications

Beginning with the influences of Schiller's humanist ideals on Hessian Attorney General Fritz Bauer's expectations of the Frankfurt Auschwitz trial as legal working through of the past, this article compares the Holocaust narrative created by the West German criminal trial to Peter Weiss's reworking of the transcripts Die Ermittlung. Oratorium in 11 Gesangen. The article aims to show that literature is able to convey and commemorate aspects of the Holocaust that German criminal law misrepresents and omits.

Introduction, Peter Schulman

World Languages and Cultures Faculty Publications

[First paragraph] An Excusion at Sea, The Thousand and Second Night, La Guimard ... For over a hundred and fifty years, these plays languished in Jules Verne's desk and then on the dusty shelves of the Nantes Municipal Library before Christian Robin was able to publish them in 2005, in honor of the centenary of Verne's death. That anniversary triggered a plethora of commemorations, new editions of Verne's works, events, and conferences, among many different activities and endeavors. Robin's remarkable collection included all of Verne's previously unpublished plays in a volume titled Theâtre inédit, issued by the …