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City Boy By Judd Greenstein: A Transcription From Chamber Quintet To Full Wind Band, Emmanuel Rodriguez Apr 2024

City Boy By Judd Greenstein: A Transcription From Chamber Quintet To Full Wind Band, Emmanuel Rodriguez

LSU Doctoral Dissertations

The goal of this project is to create a wind band transcription of the chamber work City Boy by Judd Greenstein. Greenstein describes his own music as being “built on contrasts and juxtapositions between the jittery, competing pulses of the New York City streets where he grew up and the placid landscapes of the rural farm land he now calls home.”1 His music is also influenced by his passion for contemporary popular music genres, specifically hip-hop and rap. This duality is a major aspect of Greenstein’s musical language, which he describes as “a genre- fluid musical infrastructures that endeavors to …


Expansion Of The Cello Repertoire In The 21st Century: A Collaboration With Composers Paul Eddison Lewis, Thomas L. Wilson, Austin Franklin, And Alex Shanafelt And The Resulting New Compositions For Cello And Electronics - Examined And Recorded By The Performer, Eduard Teregulov Sep 2021

Expansion Of The Cello Repertoire In The 21st Century: A Collaboration With Composers Paul Eddison Lewis, Thomas L. Wilson, Austin Franklin, And Alex Shanafelt And The Resulting New Compositions For Cello And Electronics - Examined And Recorded By The Performer, Eduard Teregulov

LSU Doctoral Dissertations

Electroacoustic music has been one of the fastest growing genres in classical art music since the middle the twentieth century. Thanks to the pioneers of the genre such as American composer John Cage, Halim El-Dabh, Karlheinz Stockhausen, Morton Subotnick, Iannis Xenakis, as well many others composers and enthusiasts of the twentieth and the twenty-first century the repertoire of electronic and electroacoustic music has grown tremendously withing the last hundred years. Even today it is still a growing art form as contemporary composers are working with yet to be developed and explored electroacoustic programming and equipment.

The purpose of this project …


Homecoming At An Old Country Church, Lindsey M. Jacob Jan 2010

Homecoming At An Old Country Church, Lindsey M. Jacob

LSU Master's Theses

In numerous communities in the United States, church congregations gather once a year for a special homecoming service that includes food, fellowship, worship, and exceptional music. Homecomings at Cana Baptist Church, an old country church in rural Southern Illinois, hold some of my fondest childhood memories. The special musical performances were the highlight of the day’s festivities, and to this day remain an integral part of my musical identity.

This thesis exposes elements of southern gospel music, in particular bluegrass gospel. I explore stylistic tendencies of up-beat accents, prominent five-one bass progressions, and pitch bending. I also include several melodic …


Crime And Punishment: One Act Ballet, Ronaldo Cadeu De Oliveira Jan 2009

Crime And Punishment: One Act Ballet, Ronaldo Cadeu De Oliveira

LSU Master's Theses

Crime and Punishment: One Act Ballet is a ballet for full orchestra and soloists based on the novel Crime and Punishment by Russian writer Fyodor Dostoevsky. The form of the piece is based on the form of the novel, but as the means of literature are different of the means of music, an adaptation of the plot of the novel was revealed necessary. Only the most significant happenings in the plot of the novel are present in the piece. All passages in which a description of psychological characteristics of the main characters is presented in the novel were translated into …


Concerto For Trumpet And Orchestra, Matthew Scott Schaffner Jan 2002

Concerto For Trumpet And Orchestra, Matthew Scott Schaffner

LSU Master's Theses

Concerto for Trumpet and Orchestra (2002) is a three-movement composition for orchestra and solo trumpet. Each movement has a prominent theme, although there are themes that pervade the entire composition. The main element in the work is a two-note rhythmic statement. This two-note statement unifies the piece. Another prominent idea is a pitch collection of three consecutive minor seconds and their inversions. The first movement, Incipience, begins with a slow foreshadowing of the work’s main themes. Following the introduction is a quick fanfare that leads back to the opening material. A trumpet cadenza develops from the introductory ideas, which leads …