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Louisiana State University

Consumerism

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Consumer Mutations: Mediated Subjectivities Of The Incipient Digital Age, Aaron Duplantier Jan 2015

Consumer Mutations: Mediated Subjectivities Of The Incipient Digital Age, Aaron Duplantier

LSU Doctoral Dissertations

In this dissertation, I argue that out of postmodernity, subjectivity has seen distinct mutations inflected by consumer technology. As postmodern mediators of ordinary people, reality TV, Facebook, and YouTube are steeped in concerns about authenticity. Reality TV, for example, cannot escape its authenticity problem because of the conventional hierarchy of production it maintains, a hierarchy that prompts consumer skepticism regarding its truth value. However, seemingly democratic Internet platforms, such as Facebook and YouTube, promise consumer engagement in which users can break down those hierarchical barriers preventing authentic expression. Under the guise of presumed mediational accuracy, the resulting feedback loop between …


The Veil, Eric Richard Euler Jan 2015

The Veil, Eric Richard Euler

LSU Master's Theses

The Veil is a print media exhibition exploring the politics surrounding internet and internet related technologies and how they shape our identity. All of the works shift within a satirical and enigmatic visual language which accumulates to form a critique of our online habits and rituals. My work is driven by questions surrounding digital identity, privacy, data mining, narcissism, and commodity fetishism. How is the internet changing us as people and consumers? What are the repercussions of frivolously sharing private information online? And how are new government bills affecting our freedom online? Gallery visitors will encounter the hand-pulled print in …


Social Ape, Morgan Dione Harris Jan 2006

Social Ape, Morgan Dione Harris

LSU Master's Theses

“Social Ape” is an investigation and rationalization of America’s obsession with consumption. As a designer, this battle between consumption and individualistic expression has been intriguing. It is a platform for questioning how the public processes information supplied by marketing and advertising, resulting visually in interpretations of this information. It seems fascinating that even though consumers are constantly bombarded by persuasive propaganda, they feel in control of their purchasing decisions. To this end, I am using fashion as a tool for investigation. Fashion is a powerful commodity, representing identity and status, and thus fueling consumption and expression.