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Full-Text Articles in Arts and Humanities
Clear-Cutting Eden: Representations Of Nature In Southern Fiction, 1930-1950, Christopher B. Rieger
Clear-Cutting Eden: Representations Of Nature In Southern Fiction, 1930-1950, Christopher B. Rieger
LSU Doctoral Dissertations
This dissertation examines how Southern literary representations of the natural world were influenced by, and influenced, the historical, social, and ecological changes of the 1930s and 1940s. Specifically, I examine the ways that nature is conceived of and portrayed by four authors of this era: Erskine Caldwell, Marjorie Kinnan Rawlings, Zora Neale Hurston, and William Faulkner; through their works, I investigate the intersections of race, class, and gender with the natural environment. I argue that during this time of profound regional and national upheaval there exists a climate of professed binary oppositions and that these authors’ representations of nature in …
Backwaters, Tamika L. Edwards
Backwaters, Tamika L. Edwards
LSU Master's Theses
Backwaters is a novel heavily steeped in the supernatural. It chronicles the lives of a mother and son who have been disconnected from one another through a series of curses. Unaware of the other-worldly forces propelling their lives into chaos, each loses themselves to madness and isolation. Their only escape is in loving others too hard, and not each other enough.
La Poetique Du Paysage Dans L'Oeuvre D'Edouard Glissant, De Kateb Yacine Et De William Faulkner, Nabil Boudraa
La Poetique Du Paysage Dans L'Oeuvre D'Edouard Glissant, De Kateb Yacine Et De William Faulkner, Nabil Boudraa
LSU Doctoral Dissertations
This dissertation examines the different ways in which Edouard Glissant, Kateb Yacine and William Faulkner combine landscape, history and identity in their work. The depiction of landscape in literature is not new, but the French Romantics in the 19th century, for instance, tended to describe the beauty of landscape without conceiving any rapport between landscape and humankind, and thus created a gap between the two. For Kateb and Glissant, landscape is also a witness of History. The (hi)story of their respective communities has been confiscated and shattered by the respective colonizers, hence the necessity to recreate it through the poetics …