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Articles 1 - 4 of 4

Full-Text Articles in Arts and Humanities

Interpreting Reality In The Anthropocene, Jake Philip Hamill Jun 2019

Interpreting Reality In The Anthropocene, Jake Philip Hamill

LSU Master's Theses

In this paper, I would like to propose that abundant beautification techniques in contemporary nature documentaries are counterproductive when attempting to address humans’ impact on our planet. By utilizing technology there could be a new way to educate ourselves about the Anthropocene on platforms such as Google Earth where one can view nature, statistics, and art by location. With limited data, learning about our effects on nature in its entirety is close to impossible but art can allow us to try and reveal new hidden connections.


Everyday, Jill Tucker Moore Jan 2009

Everyday, Jill Tucker Moore

LSU Master's Theses

In our everyday lives we are bombarded with thousands, even millions, of images. Suffering information overload, we filter out the vast majority of these impressions – the person we pass on the street or sitting in the car next to us at a stop light. We only ‘see’ those people, places and things that ‘matter’, all else becomes ‘noise’; filtered into the background of consciousness – vaguely familiar, yet simultaneously foreign, creating a ‘manageable paradigm’ or construct of the world we inhabit. I take photographic portraits every day. Not of the ‘important’ in my life, but the nondescript, often overlooked …


(Mis)Translation In The Work Of Omer Fast, Kelli Bodle Jan 2007

(Mis)Translation In The Work Of Omer Fast, Kelli Bodle

LSU Master's Theses

For the majority of people, video art does not have a major impact on their daily lives. Between ubiquitous television monitors and incessant internet pop-ups, attention paid to a video in an art gallery is passing at best. How can one's video creations make an impression on such an already visually-immersed culture? Video artist Omer Fast, uses editorial effects such as dubbing, mistranslations, and splicing in his documentary-style works to attract the attention of, and later alienate, his audience. This essay analyzes Fast's oeuvre and deconstructs the ways in which he attracts audience interest and subsequently encourages his audiences, through …


Alban Berg's Filmic Music: Intentions And Extensions Of The Film Music Interlude In The Opera Lula, Melissa Ursula Dawn Goldsmith Jan 2002

Alban Berg's Filmic Music: Intentions And Extensions Of The Film Music Interlude In The Opera Lula, Melissa Ursula Dawn Goldsmith

LSU Doctoral Dissertations

The music composed to accompany the film in Berg’s Opera Lulu--the “Film Music Interlude” (FMI)--is the subject of this study. Although this is film music, and Berg wrote his own Film Music Scenario, scholars have ignored writings about film theory and film music in their historical and analytical treatments of the FMI. How do writings about film theory and film music apply to the analysis and exploration of historical and social contexts of the FMI, and what musical and extramusical intentions and extensions can be drawn from the FMI? Some answers come to light while exploring sources containing Berg’s correspondence …